‘A cocktail of brutal, tragic, and fascinating true crime from the era of the Tudors and Stuarts. This dark history at its best, narrated with empathy and precision’ Gareth Russell

LADY KILLERS AND FEMME FATALES – STORIES OF MURDER MOST FOUL – HAVE GRIPPED PUBLIC IMAGINATION FOR CENTURIES

Early Modern Britain was awash with pamphlets, ballads, woodcuts broadcasting bloodthirsty tales of traitorous wives, greedy mistresses, cunning female poisoning lacing the supper with deadly substances; of child killers and spiteful witches, stories of women wholly and unnaturally wicked. These were printed or sung, tacked the walls of alehouses, sold in the streets for pennies and read voraciously to thrill all. But why? When the vast majority of murders then (and now) are committed by men.

In this bold, page-turning new history, former police officer and historian Blessin Adams tells stories of women whose violent crimes shattered the narrow confines of their gender – and whose notoriety revealed a society that was at once repulsed by and attracted to murderous female rebellion. Based on detailed research in court archives, each chapter explores murders that thrilled and terrified the British public; the crimes that caused the most concern and provoked the most debate. Women in this period killed rarely, and when they did it was usually within the context of extreme provocation or domestic violence. Adams has the ability of the best crime novelists in recreating the setting in which each case occurred as well as the motivations of each perpetrator.

Thou Savage Woman reminds us that women in the past had voices, that they sought to control their bodies and their environments and that they also had the capacity for committing acts of unspeakable violence.

NINE HISTORIC CRIMES. ONE FAMILIAR OBSESSION.

In early modern England, murder truly was most foul. Trials were gossipy events packed to the rafters with noisome spectators. Executions were public proceedings which promised not only gore, but desperate confessions and the grandest, most righteous human drama. Bookshops saw grisly stories of crime and death sell like hot cakes.

This history unfolds the true stories of murder, criminal investigation, early forensic techniques, high court trials and so much more.

In thrilling narrative, we follow a fugitive killer through the streets of London, citizen detectives clamouring to help officials close the net. We untangle the mystery of a suspected staged suicide through the newly emerging science of forensic pathology. We see a mother trying to clear her dead daughter’s name while other women faced the accusations – sometimes true and sometimes not – of murdering their own children.

These stories are pieced together from original research using coroner’s inquests, court records, parish archives, letters, diaries and the cheap street pamphlets that proliferated to satisfy a voracious public.

These intensely personal stories portray the lives of real people as they confronted the extraordinary crises of murder, infanticide, miscarriage and suicide. Many historical laws and attitudes concerning death and murder may strike us as exceptionally cruel, and yet many still remind us that some things never change: we are still fascinated by narratives of murder and true crime, murder trials today continue to be grand public spectacles, female killers are frequently cast as aberrant objects of public hatred and sexual desire, and suicide remains a sin within many religious organisations and was a crime in England until the 1960s.

Great and Horrible News! explores the strange history of death and murder in early modern England, yet the stories within may appear shockingly familiar.