The craft of alchemy has intrigued and mystified people since antiquity. Many early cultures are known to have experimented with chemical transformations: from dyes, glazes, and cosmetics in Bronze Age Egypt to life-extending elixirs pursued by scholars in ancient China and India. Many have also attempted to transform lead, mercury, and other metals into gold-and some claim to have succeeded. In this visually stunning volume, Philip Ball sets alchemy within the context of the history of science and culture, showing that it was not simply an esoteric fantasy but an important phase in the development of experimental science and natural philosophy.

Rich illustrations complement a narrative history of the methods and techniques developed in alchemical workshops, the search for the philosopher’s stone and “elixirs of life” that extended across diverse cultures, and the controversies surrounding the practices of making alchemical gold and alchemical medicine. Ball explores the rise of alchemy from its inception in Hellenistic culture, through the golden age of Islamic natural philosophy in the eighth to the eleventh centuries, to the emergence of the tradition of natural magic in the Renaissance, and to the roles of alchemical thought and practice in the beginnings of early modern science in the seventeenth century. He traces the persistence of alchemical ideas through the occult revival of the late nineteenth century and the fascination of the topic for modern artists and writers. This engaging and accessible book will provide readers of all backgrounds with a nuanced understanding of alchemy and its history.

A cutting-edge new vision of biology that proposes to revise our concept of what life is – from Science Book Prize winner Philip Ball.

Biology is undergoing a quiet but profound transformation. Several aspects of the standard picture of how life works have been exposed as incomplete, misleading, or wrong.

In How Life Works, Philip Ball explores the new biology, revealing life to be a far richer, more ingenious affair than we had guessed. With this knowledge come new possibilities. Today we can redesign and reconfigure living systems, tissues, and organisms. We can reprogram cells, for instance, to carry out new tasks and grow into structures not seen in the natural world. Some researchers believe that ultimately we will be able to regenerate limbs and organs, and perhaps even create new life forms that evolution has never imagined.

Incorporating the latest research and insights, How Life Works is a sweeping journey into this new frontier of the nature of life, a realm that will reshape our understanding of life as we know it.

Biology is undergoing a quiet but profound transformation. Several aspects of the standard picture of how life works have been exposed as incomplete, misleading, or wrong.

In How Life Works, Philip Ball explores the new biology, revealing life to be a far richer, more ingenious affair than we had guessed. With this knowledge come new possibilities. Today we can redesign and reconfigure living systems, tissues, and organisms. We can reprogram cells, for instance, to carry out new tasks and grow into structures not seen in the natural world. Some researchers believe that ultimately we will be able to regenerate limbs and organs, and perhaps even create new life forms that evolution has never imagined.

Incorporating the latest research and insights, How Life Works is a sweeping journey into this new frontier of the nature of life, a realm that will reshape our understanding of life as we know it.

Science now has plenty to say about the properties of mind. In recent decades, the mind – both human and otherwise – has been explored by scientists in fields ranging from zoology to astrobiology, computer science to neuroscience. Taking a uniquely broad view of minds and where they might be found – including in plants, aliens, and God – Philip Ball pulls these multidisciplinary pieces together to explore what sorts of minds we might expect to find in the universe. In so doing, he offers for the first time a unified way of thinking about what minds are and what they can do, arguing that in order to understand our own minds and imagine those of others, we need to move on from considering the human mind as a standard against which all others should be measured, and to think about the ‘space of possible minds’.

By identifying and mapping out properties of mind without prioritizing the human, Ball sheds new light on a host of fascinating questions. What moral rights should we afford animals, and can we understand their thoughts? Should we worry that AI is going to take over society? If there are intelligent aliens out there, how could we communicate with them? Should we? Understanding the space of possible minds also reveals ways of making advances in understanding some of the most challenging questions in contemporary science: What is thought? What is consciousness? And what (if anything) is free will?

The more we learn about the minds of other creatures, from octopuses to chimpanzees, and to imagine the potential minds of computers and alien intelligences, the greater the perspective we have on if and how our own is different. Ball’s thrillingly ambitious The Book of Minds about the nature and existence of minds is more mind-expanding than we could imagine. In this fascinating panorama of other minds, we come to better know our own.

Science has begun to have something to say about the properties of mind; the more we learn about the minds of other creatures, from octopuses to chimpanzees, to imagine the potential minds of computers and alien intelligences, the more we can begin to see our own, and the more we can understand the diversity of the human mind, in the widest of contexts. By understanding how minds differ, we can also best understand our own.

While other books have described the properties of the chemical elements and often delved into their histories, none has done so in this highly visual manner. The closest comparison is Theodore Gray’s illustrated book The Elements – but this does not take a historical approach as this does here. The pictorial material for this subject is very rich, including some gorgeous alchemical documents as well as portraits, colour charts, woodcuts of mining, artefacts such as John Dalton’s wooden balls, advertisements (for example, for radium ‘cures’) and postage stamps.

The book contains separate short sections for each element or groups of related elements, which are gathered into several sections to order the sequence into several chronological eras of element discovery. Included are short ‘interludes’ (or ‘feature spreads’) presenting important intellectual milestones in how we think about elements.

With 192 illustrations