Eric and Carl live in Dorset in a small white cottage under the shadow of a big cliff. Eric sells old records and antiques. Carl cooks, cleans and crochets. Nearing seventy, Eric is a lifelong accumulator of obscure objects whose easygoing, chaotic approach to life masks some of the unaddressed sadness of his past. The significantly younger Carl is an old soul who has a sophisticated emotional intelligence and likes swimming, mid-century female novelists, fibre arts and Dolly Parton. If you passed them on a walk, you may not pay them much attention. Most likely you would see Carl’s long floppy ears, tail and fur and mistake him for a dog.

The story of Eric and Carl’s friendship spans twenty-one years: a constant anchor in a changing world. During that time they adopt an eccentric, unlikely gang of fellow travellers. Their wanderings through South West England unfold against a backdrop of lived, local folklore and hints at future apocalypse. All the while, Carl’s true nature remains a closely guarded secret.

Tom Cox’s third novel is a rare gem, centred around the importance of friendship, the power of landscape and the joy of accepting the unusual. Everything Will Swallow You will make you think deeply about the place you occupy in the grand scheme of things and give fresh perspectives on how to live and love in the present moment.

In the late sixties a Californian musician blows through Underhill and writes a set of haunting folk songs that will earn him a cult following. Two decades later, some teenagers disturb a body on the local golf course. In 2019, a pair of lodgers discover a one-eyed rag doll hidden in the walls of their crumbling home. Connections are forged and broken across generations, but only the landscape itself can link them together. A landscape threatened by property development and speckled by the pylons whose feet have been buried across the moor.

Tom Cox’s masterful debut novel synthesises his passion for music, nature and folklore into a psychedelic and enthralling exploration of village life and the countryside that sustains it.

‘Funny, thought-provoking and astoundingly clever … What will I be able to read after Villager? I’ll just read it again, I guess. And again. Just cancel all other books’ Adele Nozedar, author of The Hedgerow Handbook

‘One chapter unfolds as dialogue with a search engine; others are narrated by the moor itself. A rich potpourri that keeps us busy enough not to worry about what it adds up to’ Anthony Cummins,  Mail on Sunday

There’s so much to know. It will never end, I suspect, even when it does. So much in all these lives, so many stories, even in this small place.

Villages are full of tales: some are forgotten while others become a part of local folklore. But the fortunes of one West Country village are watched over and irreversibly etched into its history as an omniscient, somewhat crabby, presence keeps track of village life.

In the late sixties a Californian musician blows through Underhill where he writes a set of haunting folk songs that will earn him a group of obsessive fans and a cult following. Two decades later, a couple of teenagers disturb a body on the local golf course. In 2019, a pair of lodgers discover a one-eyed rag doll hidden in the walls of their crumbling and neglected home. Connections are forged and broken across generations, but only the landscape itself can link them together. A landscape threatened by property development and superfast train corridors and speckled by the pylons whose feet have been buried across the moor.

Tom Cox’s masterful debut novel synthesises his passion for music, nature and folklore into a psychedelic and enthralling exploration of village life and the countryside that sustains it.

The story behind Notebook starts with a minor crime: the theft of Tom Cox’s rucksack from a Bristol pub in 2018. In that rucksack was a journal containing ten months’ worth of notes, one of the many Tom has used to record his thoughts and observations over the past twelve years. It wasn’t the best he had ever kept – his handwriting was messier than in his previous notebook, his entries more sporadic – but he still grieved for every one of the hundred or so lost pages.

This incident made Tom appreciate how much notebook-keeping means to him: the act of putting pen to paper has always led him to write with an unvarnished, spur-of-the-moment honesty that he wouldn’t achieve on-screen.

Here, Tom has assembled his favourite stories, fragments, moments and ideas from those notebooks, ranging from memories of his childhood to the revelation that ‘There are two types of people in the world. People who fucking love maps, and people who don’t.’

The result is a book redolent of the real stuff of life, shot through with Cox’s trademark warmth and wit.

‘A rich, strange, oddly glorious brew’ Guardian

Longlisted for the Wainwright Golden Beer Book Prize 2018

21st-Century Yokel is not quite nature writing, not quite a family memoir, not quite a book about walking, not quite a collection of humorous essays, but a bit of all five.

Thick with owls and badgers, oak trees and wood piles, scarecrows and ghosts, and Tom Cox’s loud and excitable dad, this book is full of the folklore of several counties – the ancient kind and the everyday variety – as well as wild places, mystical spots and curious objects. Emerging from this focus on the detail are themes that are broader and bigger and more important than ever.

Tom’s writing treads a new path, one that has a lot in common with a rambling country walk; it’s bewitched by fresh air and big skies, intrepid in minor ways, haunted by weather and old stories and the spooky edges of the outdoors, restless and prone to a few detours, but it always reaches its destination in the end.