‘A trailblazer in the world of short-form prose’ New Yorker

Lydia Davis is a virtuoso at detecting the seemingly casual, inconsequential surprises of daily life and pinning them for inspection. In Our Strangers, conversations are overheard and misheard, a special delivery letter is mistaken for a rare white butterfly, toddlers learning to speak identify a ping-pong ball as an egg and mumbled remarks betray a marriage. In the glow of Davis’s keen noticing, strangers can become like family and family like strangers.

Our Strangers is a fascinating collection that confirms the genius of a writer whose every attention is transformative.

Lydia Davis is a virtuoso at detecting the seemingly casual, inconsequential surprises of daily life and pinning them for inspection. In Our Strangers, conversations are overheard and misheard, a special delivery letter is mistaken for a rare white butterfly, toddlers learning to speak identify a ping-pong ball as an egg and mumbled remarks betray a marriage. In the glow of Davis’s keen noticing, strangers can become like family and family like strangers.

Our Strangers is a fascinating collection that confirms the genius of a writer whose every attention is transformative.

‘Precise, concentrated, lyrical. No one writes like Lydia Davis, and everyone should read her’ Hanif Kureishi

‘A writer as mighty as Kafka, as subtle as Flaubert, and as epoch-making, in her own way, as Proust'(Ali Smith)

Lydia Davis gathered a selection of her non-fiction writing for the first time in 2019 with Essays. Now, she continues the project with Essays Two, focusing on the art of translation, the learning of foreign languages through reading, and her experience of translating, amongst others, Flaubert and Proust, about whom she writes with an unmatched understanding of the nuances of their styles.

Every essay in this book is a revelation.