Dazzlingly beautiful, highly intelligent and an extraordinary force of energy, Nancy Cunard was an icon of the Jazz Age, said to have inspired half the poets and novelists of the twenties. Born into a life of wealth and privilege, yet one in which she barely saw her parents, Nancy rebelled against expectations and pursued a life in the arts. She sought the constant company of artists, writers, poets and painters, first in London’s Soho and Mayfair, and then in the glamorous cafes of 1920s Paris.

This is the remarkable story of Nancy’s Paris life, filled with art, sex and alcohol. She became a muse to Wyndham Lewis, Constantin Brâncusi sculpted her, Man Ray photographed her and she played tennis with Ernest Hemingway. She had many love affairs, the most significant of which are included in this book: the American poet Ezra Pound, the novelists Aldous Huxley and Michael Arlen, the French poet Louis Aragon and finally and controversially the black American pianist Henry Crowder, with whom she ran her printing press in Paris. She was also shaped by her lifelong friendship with George Moore, her mother’s lover.

This tempestuous tale of passion and intrigue is as much a portrait of twenties Paris as it is the story of an extraordinary woman who defined her age.

The Season of 1939 brought all those ‘in Society’ to London. The young debutante daughters of the upper classes were presented to the King and Queen to mark their acceptance into the new adult world of their parents. They sparkled their way through a succession of balls and parties and sporting events.

The Season brought together influential people not only from Society but also from Government at the various events of the social calendar. Prime Minister Neville Chamberlain chaperoned his debutante niece to weekend house parties; Lord Halifax, the Foreign Secretary, lunched with the Headmaster of Eton; Cabinet Ministers encountered foreign Ambassadors at balls in the houses of the great hostesses. As the hot summer drew on, the newspapers filled with ever more ominous reports of the relentless progress towards war. There was nothing to do but wait – and dance. The last season of peace was nearly over.

Featuring a sparkling cast of artists, writers and historical figures including Winston Churchill, Daisy Fellowes, Salvador Dalí, the Duke and Duchess of Windsor, Eileen Gray and Edith Wharton, with the enigmatic Coco Chanel at its heart, CHANEL’S RIVIERA is a captivating account of a period that saw some of the deepest extremes of luxury and terror in the whole of the twentieth century.

From Chanel’s first summer at her Roquebrune villa La Pausa (in the later years with her German lover) amid the glamour of the pre-war parties and casinos in Antibes, Nice and Cannes to the horrors of evacuation and the displacement of thousands of families during the Second World War, CHANEL’S RIVIERA explores the fascinating world of the Cote d’Azur elite in the 1930s and 1940s. Enriched with much original research, it is social history that brings the experiences of both rich and poor, protected and persecuted, to vivid life.

Anne de Courcy sets the stories of these young women and their families in the context of their times. Based on extensive first-hand research, drawing on diaries, memoirs and letters, this richly entertaining group biography reveals what they thought of their new lives in England – and what England thought of them.

In 1912, when Anne de Courcy’s book opens, rumblings of discontent and cries for social reform were encroaching on all sides – from suffragettes, striking workers and Irish nationalists. Against this background of a government beset with troubles, the Prime Minister fell desperately in love with his daughter’s best friend, Venetia Stanley; to complicate matters, so did his Private Secretary. Margot’s relationship with her husband was already bedevilled by her stepdaughter’s jealous, almost incestuous adoration of her father. The outbreak of the First World War only heightened these swirling tensions within Downing Street.

Drawing on unpublished material from personal papers and diaries, Anne de Courcy vividly recreates this extraordinary time when the Prime Minister’s residence was run like an English country house, with socialising taking precedence over politics, love letters written in the cabinet room and gossip and state secrets exchanged over the bridge table.

By 1916, when Asquith was forced out of office, everything had changed. For the country as a whole, for those in power, for a whole stratum of society, but especially for the Asquiths and their circle, it was the end of an era. Life inside Downing Street would never be the same again.

From the late 19th century, when the Raj was at its height, many of Britain’s best and brightest young men went out to India to work as administrators, soldiers and businessmen. With the advent of steam travel and the opening of the Suez Canal, countless young women, suffering at the lack of eligible men in Britain, followed in their wake. This amorphous band was composed of daughters returning after their English education, girls invited to stay with married sisters or friends, and yet others whose declared or undeclared goal was simply to find a husband. They were known as the Fishing Fleet, and this book is their story, hitherto untold.

For these young women, often away from home for the first time, one thing they could be sure of was a rollicking good time. By the early 20th century, a hectic social scene was in place, with dances, parties, amateur theatricals, picnics, tennis tournaments, cinemas and gymkhanas, with perhaps a tiger shoot and a glittering dinner at a raja’s palace thrown in. And, with men outnumbering women by roughly four to one, romances were conducted at alarming speed and marriages were frequent. But after the honeymoon, life often changed dramatically: whisked off to a remote outpost with few other Europeans for company, and where constant vigilance was required to guard against disease, they found it a far cry from the social whirlwind of their first arrival.

Anne de Courcy’s sparkling narrative is enriched by a wealth of first-hand sources – unpublished memoirs, letters and diaries rescued from attics – which bring this forgotten era vividly to life.