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	<title>Edmund, De Waal &#8211; The Bell Bookshop</title>
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	<description>Henley-on-Thames</description>
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	<title>Edmund, De Waal &#8211; The Bell Bookshop</title>
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		<title>Letters to Camondo</title>
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		<dc:creator><![CDATA[Emma]]></dc:creator>
		<pubDate>Thu, 22 Apr 2021 00:00:00 +0000</pubDate>
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					<description><![CDATA[Count MoÃ¯se de Camondo lived a few doors away from Edmund de Waal's forbears, the Ephrussi, first encountered in his bestselling memoir 'The Hare with Amber Eyes'. Like the Ephrussi, the Camondos were part of Belle Ãpoque high society. They were also targets of ugly anti-semitism. Camondo created a spectacular house and filled it with the greatest private collection of French eighteenth-century art for his son to inherit. But when Nissim was killed in the First World War, it became a memorial and, on the Count's death, was bequeathed to France. The MusÃ©e Nissim de Camondo has remained unchanged since 1936. Edmund de Waal has explored this beautiful palace; the lavish rooms, exquisite objects and detailed archives. In a haunting series of letters, he writes to the Count, and gets to know the boy who journeyed from Constantinople and became a model French citizen, before all that was gained was torn away.]]></description>
										<content:encoded><![CDATA[<p><b>&#8216;*A <i>GUARDIAN </i>BOOK OF THE YEAR 2021*</b><br /><b><br />&#8216;Consistently illuminating</b>&#8230; <b>considered, compassionate and appreciative</b>&#8230; <b>This book is a wonderful tribute to a family and to an idea&#8217;</b> <b><i>Guardian</i></b><br /> <i><br /> 63 rue de Monceau, Paris</i><br /> <i>Dear friend,</i><br /> <i>As you may have guessed by now, I am not in your house by accident. I know your street rather well.</i></p>
<p> Count MoÃ¯se de Camondo lived a few doors away from Edmund de Waal&#8217;s forebears, the Ephrussi, first encountered in his bestselling memoir <i>The Hare with Amber Eyes</i>. Like the Ephrussi, the Camondos were part of belle époque high society. They were also targets of anti-semitism.</p>
<p> Camondo created a spectacular house and filled it with the greatest private collection of French eighteenth-century art for his son to inherit. But when Nissim was killed in the First World War, it became a memorial and, on the Count&#8217;s death, was bequeathed to France.</p>
<p> The Musée Nissim de Camondo has remained unchanged since 1936. Edmund de Waal explores the lavish rooms and detailed archives and uncovers new layers to the family story. In a haunting series of letters addressed to the Count, he tells us what happened next.</p>
<p> <b><i>&#8216;Letters to Camondo</i> immerses you in another age</b>&#8230; <b>de Waal creates a dazzling picture of what it means to live graciously&#8217;</b> <b><i>Financial Times</i></b></p>
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