The powerful, urgent memoir and manifesto on never giving up from Booker prize-winning trailblazer, Bernardine Evaristo

In 2019, Bernardine Evaristo became the first black woman to win the Booker Prize since its inception fifty years earlier – a revolutionary landmark for Britain. Her journey was a long one, but she made it, and she made history.

Manifesto is her intimate and fearless account of how she did it. From a childhood steeped in racism from neighbours, priests and even some white members of her own family, to discovering the arts through her local youth theatre; from stuffing her belongings into bin bags, always on the move between temporary homes, to exploring many romantic partners both toxic and loving, male and female, and eventually finding her soulmate; from setting up Britain’s first theatre company for Black women in the eighties to growing into the trailblazing writer, theatre-maker, teacher, mentor and activist we see today – Bernardine charts her rebellion against the mainstream and her life-long commitment to community and creativity. And, through the prism of her extraordinary experiences, she offers vital insights into the nature of race, class, feminism, sexuality and ageing in modern Britain.

Bernardine Evaristo’s life story is a manifesto for courage, integrity, optimism, resourcefulness and tenacity. It’s a manifesto for anyone who has ever stood on the margins, and anyone who wants to make their mark on history. It’s a manifesto for being unstoppable.

‘Raw and emotive . . . a powerful account of how Evaristo got to the top of her game – it’s moving, but there’s also much humour and joy’ Independent

‘Bernardine Evaristo is one of those writers who should be read by everyone, everywhere’ Elif Shafak

‘Bernardine Evaristo is one of Britain’s best writers, an iconic and unique voice, filled with warmth, subtlety and humanity. Exceptional’ Nikesh Shukla

Feminism is a powerful new interpretation of British art from an intersectional feminist perspective, from one of Britain’s greatest writers.

‘Art museums have long drawn me into their spaces. The infinite possibilities of the language of art opens me up to methods of communication quite unlike my own. I am fascinated by the most interesting and adventurous artists, who are surely among the most innovative thinkers on the planet. I am in awe of their talent and endless inventiveness, and my imagination is nourished by theirs. I am challenged to think differently about how we might understand, recreate, reshape, re-imagine life itself – animate, inanimate, spirit. My senses are stimulated, my emotions stirred, my brain whirrs away in the background and I feel very much alive.  

When I was invited to write this book, my first time writing about art, I immediately knew that I would turn my attention on women and womxn (to include non-binary people) of colour in British art because, similar to the story throughout the arts, either as creator or curator, we haven’t been very visible. This book is personal – about the art I’ve seen, and the art I’ve loved – and my interpretation of the art in the national collection and beyond, from an intersectional feminist perspective.’

The powerful, urgent manifesto on never giving up from Booker prize-winning trailblazer, Bernardine Evaristo.

In 2019, Bernardine Evaristo became the first black woman to win the Booker Prize since its inception fifty years earlier – a revolutionary landmark for Britain. Her journey was a long one, but she made it, and she made history.

Manifesto is her intimate and fearless account of how she did it. From a childhood steeped in racism from neighbours, priests and even some white members of her own family, to discovering the arts through her local youth theatre; from stuffing her belongings into bin bags, always on the move between temporary homes, to exploring many romantic partners both toxic and loving, male and female, and eventually finding her soulmate; from setting up Britain’s first theatre company for Black women in the eighties to growing into the trailblazing writer, theatre-maker, teacher, mentor and activist we see today – Bernardine charts her rebellion against the mainstream and her life-long commitment to community and creativity. And, through the prism of her extraordinary experiences, she offers vital insights into the nature of race, class, feminism, sexuality and ageing in modern Britain.

Bernardine Evaristo’s life story is a manifesto for courage, integrity, optimism, resourcefulness and tenacity. It’s a manifesto for anyone who has ever stood on the margins, and anyone who wants to make their mark on history. It’s a manifesto for being unstoppable.

‘Bernardine Evaristo is one of those writers who should be read by everyone, everywhere’ Elif Shafak

‘Bernardine Evaristo is one of Britain’s best writers, an iconic and unique voice, filled with warmth, subtlety and humanity. Exceptional’ Nikesh Shukla

‘Bernardine Evaristo is the most daring, imaginative and innovative of writers‘ Inua Ellams

*One of Goodreads Most Popular Books of the Past Decade*

This is Britain as you’ve never read it.
This is Britain as it has never been told.

From Newcastle to Cornwall, from the birth of the twentieth century to the teens of the twenty-first, Girl, Woman, Other follows a cast of twelve characters on their personal journeys through this country and the last hundred years. They’re each looking for something – a shared past, an unexpected future, a place to call home, somewhere to fit in, a lover, a missed mother, a lost father, even just a touch of hope . . .

‘The most absorbing book I read all year’ Roxane Gay

‘[Bernardine Evaristo] is one of the very best that we have’ Nikesh Shukla

‘Exceptional. You have to order it right now’ Stylist

RECIPIENT OF THE WOMEN’S PRIZE OUTSTANDING CONTRIBUTION AWARD

A moving and funny novel about an exuberant, closeted family man living as himself for the first time in over 60 years, from the Booker-prize winning author of Girl, Woman, Other.

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Barrington Jedidiah Walker is seventy-four and leads a double life.

Born and bred in Antigua, he’s lived in Hackney since the sixties. A flamboyant, wise-cracking local character with a dapper taste in retro suits and a fondness for quoting Shakespeare, Barrington is a husband, father and grandfather – but he is also secretly lovers with his great childhood friend, Morris.

His deeply religious and disappointed wife, Carmel, thinks he sleeps with other women. When their marriage goes into meltdown, Barrington wants to divorce Carmel and live with Morris, but after a lifetime of fear and deception, will he manage to break away?

Mr Loverman is a ground-breaking exploration of Britain’s older Caribbean community, which explodes cultural myths and fallacies and shows the extent of what can happen when people fear the consequences of being true to themselves.

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‘Transforms our often-narrow perceptions of gay men in England’ Independent

‘Brokeback Mountain with ackee and saltfish and old people’ Dawn French

‘Heartbreaking yet witty, this is a story that needed to be told’ Observer

LONGLISTED FOR THE ORANGE PRIZE FOR FICTION 2009
WINNER OF THE ORANGE YOUTH PANEL AWARD 2009
FINALIST FOR THE HURSTON WRIGHT LEGACY AWARD 2010

‘A phenomenal book. It is so ingenious and so novel. Think The Handmaid’s Tale meets Noughts and Crosses with a bit of Jonathan Swift and Lewis Carroll thrown in. This should be thought of as a feminist classic.’ Women’s Prize for Fiction Podcast

Welcome to a world turned upside down. One minute, Doris, from England, is playing hide-and-seek with her sisters in the fields behind their cottage. The next, someone puts a bag over her head and she ends up in the hold of a slave-ship sailing to the New World . . .

In this fantastically imaginative inversion of the transatlantic slave trade – in which ‘whytes’ are enslaved by black people – Bernardine Evaristo has created a thought-provoking satire that is as accessible and readable as it is intelligent and insightful. Blonde Roots brings the shackles and cries of long-ago barbarity uncomfortably close and raises timely questions about the society of today.

‘A bold and brilliant game of counterfactual history. Evaristo keep[s] her wit and anger at a spicy simmer throughout’ Daily Telegraph

‘A brilliant satire whose flashes of comedy make the underlying tragedy all the more poignant’ Scotland on Sunday