‘Simmering with rage, propulsive and laugh-out-loud funny’ CATRIONA WARD

‘Weird and wonderful’ LUCY MANGAN, GUARDIAN

Winifred Notty arrives at Ensor House prepared to play the perfect Victorian governess. She’ll dutifully tutor her charges, Drusilla and Andrew, tell them bedtime stories, and only joke about eating children. But the longer Winifred spends within the estate’s dreary confines and the more she learns of the perversions and pathetic preoccupations of the Pounds family, the more trouble she has sticking to her plan.

Whether creeping across the moonlit lawns in her undergarments or gently tormenting the house staff, Winifred struggles at every turn to stifle the horrid compulsions of her past until her chillingly dark imagination breaches the feeble boundary of reality on Christmas morning. Wielding her signature sardonic wit and a penchant for the gorgeously macabre, Virginia Feito returns with a vengeance in Victorian Psycho.

NOW BEING ADAPTED FOR A MAJOR FILM BY A24

What readers are saying?

‘Psychotic, strange, utterly hilarious, strangely relatable’

‘Dark, gruesome, hilarious, wild, weird’

‘One hell of a ride. Perfection!’

‘I frequently found myself blindsided, mouth agape, and loved every second of it’

‘Simmering with rage, propulsive and laugh-out-loud funny’ CATRIONA WARD

‘Weird and wonderful’ LUCY MANGAN, GUARDIAN

Winifred Notty arrives at Ensor House prepared to play the perfect Victorian governess. She’ll dutifully tutor her charges, Drusilla and Andrew, tell them bedtime stories, and only joke about eating children. But the longer Winifred spends within the estate’s dreary confines and the more she learns of the perversions and pathetic preoccupations of the Pounds family, the more trouble she has sticking to her plan.

Whether creeping across the moonlit lawns in her undergarments or gently tormenting the house staff, Winifred struggles at every turn to stifle the horrid compulsions of her past until her chillingly dark imagination breaches the feeble boundary of reality on Christmas morning. Wielding her signature sardonic wit and a penchant for the gorgeously macabre, Virginia Feito returns with a vengeance in Victorian Psycho.

‘Virginia Feito turns Victorian tropes upside down in this gloriously grotesque period horror’ Independent ‘Best Books to Look Out for in 2025’

What readers are saying?

‘Psychotic, strange, utterly hilarious, strangely relatable’ ?????

‘Dark, gruesome, hilarious, wild, weird’ ?????

‘One hell of a ride. Perfection!’ ?????

‘I frequently found myself blindsided, mouth agape, and loved every second of it’ ?????

SET TO BECOME A MAJOR MOTION PICTURE STARRING ELIZABETH MOSS

Shirley Jackson meets Ottessa Moshfegh meets My Sister the Serial Killer in a brilliantly unsettling and darkly funny debut novel full of suspense and paranoia

George March’s latest novel is a smash hit. None could be prouder than Mrs. March, his dutiful wife, who revels in his accolades and relishes the lifestyle and status his success brings.

A creature of routine and decorum, Mrs. March lives an exquisitely controlled existence on the Upper East Side. Every morning begins the same way, with a visit to her favourite patisserie to buy a loaf of
olive bread, but her latest trip proves to be her last when she suffers an indignity from which she may never recover: an assumption by the shopkeeper that the protagonist in George March’s new book –
a pathetic sex worker, more a figure of derision than desire – is based on Mrs. March.

One casual remark robs Mrs. March not only of her beloved olive bread but of the belief that she knew everything about her husband – and herself – sending her on an increasingly paranoid journey, one
that starts within the pages of a book but may very well uncover both a killer and the long-buried secrets of Mrs. March’s past.

A razor-sharp exploration of the fragility of identity and the smothering weight of expectations, Mrs. March heralds the arrival of a wicked and wonderful new voice.

SET TO BECOME A MAJOR MOTION PICTURE STARRING ELIZABETH MOSS

Shirley Jackson meets Ottessa Moshfegh meets My Sister the Serial Killer in a brilliantly unsettling and darkly funny debut novel full of suspense and paranoia

George March’s latest novel is a smash hit. None could be prouder than Mrs. March, his dutiful wife, who revels in his accolades and relishes the lifestyle and status his success brings.

A creature of routine and decorum, Mrs. March lives an exquisitely controlled existence on the Upper East Side. Every morning begins the same way, with a visit to her favourite patisserie to buy a loaf of
olive bread, but her latest trip proves to be her last when she suffers an indignity from which she may never recover: an assumption by the shopkeeper that the protagonist in George March’s new book –
a pathetic sex worker, more a figure of derision than desire – is based on Mrs. March.

One casual remark robs Mrs. March not only of her beloved olive bread but of the belief that she knew everything about her husband – and herself – sending her on an increasingly paranoid journey, one
that starts within the pages of a book but may very well uncover both a killer and the long-buried secrets of Mrs. March’s past.

A razor-sharp exploration of the fragility of identity and the smothering weight of expectations, Mrs. March heralds the arrival of a wicked and wonderful new voice.