‘A pleasure bomb of a novel’ Vogue

‘A true modern master’ Independent

It’s 23 December 1971, and the Hildebrandts are at a crossroads. Fifteen-year-old Perry has resolved to be a better person and quit dealing drugs to seventh graders. His sister Becky, the once straight-laced high school social queen, has veered into counterculture, while at college, Clem is wrestling with a decision that might tear his family apart. As their parents – Russ, a suburban pastor, and Marion, his restless wife – tug against the bonds of a joyless marriage, Crossroads finds a family, and a nation, struggling to do the right thing.

‘Funny, moving, crackling with life, it has what all great fiction should have’ Financial Times

‘Intoxicating – a luxuriant domestic drama’ Guardian

THE INSTANT NEW YORK TIMES BESTSELLER A GUARDIAN BEST FICTION BOOK OF 2021 AN INDEPENDENT BOOK OF THE YEAR A WHITE REVIEW BOOK OF THE YEAR A LIT HUB BOOK OF THE YEAR

‘A genuine masterpiece, the first great American novel of the twenty-first century’ Elle

‘Funny, moving, generous, brutal and intelligent’ Guardian

A brilliantly perceptive and moving novel that announced Jonathan Franzen as one of our greatest living writers.

The Lamberts – Enid, Alfred and their three grown-up children – are a troubled family living in a troubled age. After fifty years as a wife and mother, Enid is ready to have some fun, but her husband Alfred is losing his mind to Parkinson’s. As his condition worsens, and the Lamberts are forced to face the long-buried secrets and failures that haunt them, Enid sets her heart on gathering everyone together for one last family Christmas.

‘Compellingly readable, funny and above all generous spirited’ Daily Mail

‘A novel of outstanding sympathy, wit, moral intelligence and pathos, a family saga told with stylistic brio and psychological and political insight’ Financial Times

‘A big-hearted, panoramic American epic, intelligent and wise but also wildly, stonkingly funny’ Independent

‘His best novel yet ? A Middlemarch-like triumph’ Telegraph

Set in a historical moment of moral crisis, Crossroads is the stunning foundation of a sweeping investigation of human mythologies, as the Hildebrandt family navigate the political and social crosscurrents of the past fifty years

It’s December 23, 1971, and heavy weather is forecast for Chicago. Russ Hildebrandt, the associate pastor of a liberal suburban church, is on the brink of breaking free of a marriage he finds joyless – unless his wife, Marion, who has her own secret life, beats him to it. Their eldest child, Clem, is coming home from college on fire with moral absolutism, having taken an action that will shatter his father. Clem’s sister, Becky, long the social queen of her high-school class, has sharply veered into the counterculture, while their brilliant younger brother Perry, who’s been selling drugs to seventh-graders, has resolved to be a better person. Each of the Hildebrandts seeks a freedom that each of the others threatens to complicate.

Jonathan Franzen’s novels are celebrated for their unforgettably vivid characters and their keen-eyed take on the complexities of contemporary America. Now, for the first time, in Crossroads, Franzen explores the history of a generation. With characteristic humour and complexity, and with even greater warmth, he conjures a world that feels no less immediate.

A tour de force of interwoven perspectives and sustained suspense, Crossroads is the story of a Midwestern family at a historical moment of moral crisis. Jonathan Franzen’s gift for melding the small picture and the big picture has never been more dazzlingly evident.

‘If you care about the planet, and about the people and animals who live on it, there are two ways to think about this. You can keep on hoping that catastrophe is preventable, and feel ever more frustrated or enraged by the world’s inaction. Or you can accept that disaster is coming, and begin to rethink what it means to have hope.’

The honesty and realism of Jonathan Franzen’s writings on climate have been widely denounced and just as widely celebrated. Here, in his definitive statement on the subject, Franzen confronts the world’s failure to avert destabilising climate change and takes up the question: Now what?

‘Both a page-turner and a work of art ? an almost perfectly written novel’ Evening Standard

This is the story of the Berglunds, their son Joey, their daughter Jessica and their friend Richard Katz. It is about how we use and abuse our freedom; about the beginning and ending of love; teenage lust; the unexpectedness of adult life; why we compete with our friends; how we betray those closest to us; and why things almost never work out as they ‘should’. It is a story about the human heart, and what it leads us to do to ourselves and each other.