‘Brilliantly written… ambitious, brave, strange’ Philip Hoare
‘One of the most valuable writers in the world’ Deborah Levy

1843. Ishmaelle is born in a small village on the stormy Kent coast where she grows up swimming with dolphins. After her parents and infant sister die, her brother, Joseph, leaves to find work as a sailor. Abandoned and desperate for a life at sea, Ishmaelle disguises herself as a cabin boy and travels to New York.

Call Me Ishmaelle reimagines the epic battle between man and nature in Herman Melville’s Moby Dick from a female perspective. As the American Civil War breaks out in 1861, Ishmaelle boards the Nimrod, a whaling ship led by the obsessive Captain Seneca, a Black free man of heroic stature who is haunted by a tragic past. Here, she finds protectors in Polynesian harpooner, Kauri, and Taoist monk, Muzi, whose readings of the I-Ching guide their quest.

Through the bloody male violence of whaling, and the unveiling of her feminine identity, Ishmaelle realises there is a mysterious bond between herself and the mythical white whale, Moby Dick. Xiaolu Guo has crafted a dramatically different, feminist narrative that stands alongside the original while offering a powerful exploration of nature, gender and human purpose.

‘When it comes to spinning light and shadow on the complexities of living, loving and language, Xiaolu Guo is one of the most valuable writers in the world‘ DEBORAH LEVY

The world can seem strange and lonely when you step away from your family and everything you have tried to call your own. Yet beauty may also appear. In the autumn of 2019 Xiaolu travelled to New York to take up her position as a visiting professor for a year, leaving her child and partner behind in London. The encounter with American culture and people threatens her sense of identity and throws her into a crisis – of meaning, desire, obligation and selfhood.

This is a memoir about separation – by continents, by language, and from people. It’s about being an outsider and the desperate longing to connect. Xiaolu uses her exploration of language (one of the meanings of the word ‘radical’ is the graphic component, or root, of Chinese characters), and her own life, to create this unique text. At once a memoir, a dictionary, and an ardent love letter, it is an expression of her fascination with Western culture and her nostalgia for Eastern landscapes, and an attempt to describe the space in between. An archive of an artist’s search for creative freedom, it is above all else an intimate account of her efforts to carve out a life of her own.

‘Radical in angle of attack, smart and brave’ IAIN SINCLAIR, author of The Gold Machine

This is the story of Fenfang who, determined to carve out a life more independent than her provincial roots, gets a job as a film extra in Beijing. But living a modern life is not as easy as it looks in this tumultuous, messy city. Grappling with the narrow world of cinema, an outworn Communist regime, and the city’s far-from-progressive attitudes to women, charismatic Fenfang finds her true freedom in the one place she never expected.

20 Fragments of a Ravenous Youth is a sparkling and wry coming-of-age story about the changing identity of women in contemporary China.

Meet ten of literature’s most iconic heroines, jacketed in bold portraits by female photographers from around the world.

Twenty-three-year-old Zhuang (or Z as she calls herself) arrives in London to spend a year learning English. Struggling to find her way in the city, and through the puzzles of tense, verb and adverb; she falls for an older Englishman and begins to realise that the landscape of love is an even trickier terrain…

VINTAGE VOYAGES: A world of journeys, from the tallest mountains to the depths of the mind