Exiled daughter, abandoned wife, vengeful mother. But is that where the truth lies? This is the story of Medea as you’ve never heard it before.

Jason and his Argonauts set sail to find the Golden Fleece. The journey is filled with danger, and if Jason ever reaches the distant land he seeks, he faces almost certain death.

Medea – priestess, witch, and daughter of the brutal king who jealously guards the fleece – has the power to save Jason's life. Will she betray her family and her home?

Burning with desire for this stranger, as the gods intend, Medea chooses Jason over her kin. But their love is steeped in vengeance from the beginning, and no one – not even those closest to them – will be safe when their passion is spent . . .

Based on the classic tragedy by Euripides, this is Medea as you’ve never seen her before . . .

‘Fiercely feminist . . . A many-layered delight’ – The Guardian on A Thousand Ships

‘Passionate and gripping’ – Madeline Miller, author of Circe on The Children of Jocasta

No Friend to This House is an extraordinary reimagining of the myth of Medea from Natalie Haynes, the Sunday Times bestselling author of Stone Blind.

No Friend to This House is an extraordinary reimagining of the myth of Medea from the Sunday Times bestselling author of Stone Blind, Natalie Haynes.

This is what no one tells you, in the songs sung about Jason and the Argo. This part of his quest has been forgotten, by everyone but me . . .

Jason and his Argonauts set sail to find the Golden Fleece. The journey is filled with danger, for him and everyone he meets. But if he ever reaches the distant land he seeks, he faces almost certain death.

Medea – priestess, witch, and daughter of a brutal king – has the power to save the life of a stranger. Will she betray her family and her home, and what will she demand in return?

Medea and Jason seize their one chance of a life together, as the gods intend. But their love is steeped in vengeance from the beginning, and no one – not even those closest to them – will be safe.

Based on the classic tragedy by Euripides, this is Medea as you’ve never seen her before . . .

Praise for Natalie Haynes:

‘Passionate and gripping’ – Madeline Miller on The Children of Jocasta

These are the stories of the Greek goddesses. As fearsome, powerful and beloved as their male counterparts, it’s time to look beyond the columns of a ruined temple to the awesome power within . . .

We meet Hera, who, whilst most often known for enacting vicious, creative revenge on the women – mortal or otherwise – who catch the wandering eye of her husband Zeus, turns out not to be such a villain after all.

We meet Demeter, a mother who will go to any lengths, no matter the cost, to retrieve her daughter Persephone from Hades’ clutches.

We’ll be introduced to The Furies, three women who will literally go to the ends of the earth to enact bloody vengeance but who, surprisingly, are the goddesses who can teach us the most about the way we live now.

Examining the role of these goddesses and more, Divine Might will change everything you thought you knew about our most ancient stories. Full of fire, fury and devotion, Natalie Haynes brings the divine women of Olympia kicking and screaming into the modern age.

In Divine Might, Natalie Haynes, The Sunday Times bestselling author of Stone Blind and The New York Times bestselling author of Pandora’s Jar, introduces us to the stories of the Greek goddesses. As fearsome, powerful and beloved as their male counterparts, it’s time to look beyond the columns of a ruined temple to the awesome power within…

We meet Hera, who, whilst most often known for enacting vicious, creative revenge on the women – mortal or otherwise – who catch the wandering eye of her husband Zeus, turns out not to be such a villain after all.

We meet Demeter, a mother who will go to any lengths, no matter the cost, to retrieve her daughter Persephone from Hades’ clutches.

We’ll be introduced to The Furies, three women who will literally go to the ends of the earth to enact bloody vengeance but who, surprisingly, are the goddesses who can teach us the most about the way we live now.

Examining the role of these goddesses and more, Divine Might will change everything you thought you knew about our most ancient stories. Full of fire, fury and devotion, Natalie Haynes brings the divine women of Olympia kicking and screaming into the modern age.

‘Witty, gripping, ruthless’ – Margaret Atwood via X (Twitter)

‘So to mortal men, we are monsters. Because of our flight, our strength. They fear us, so they call us monsters’

Medusa is the sole mortal in a family of gods. Growing up with her Gorgon sisters, she begins to realize that she is the only one who experiences change, the only one who can be hurt.

When Poseidon commits an unforgiveable act against Medusa in the temple of Athene, the goddess takes her revenge where she can: on his victim. Medusa is changed forever – writhing snakes for hair and her gaze now turns any living creature to stone. She can look at nothing without destroying it.

Desperate to protect her beloved sisters, Medusa condemns herself to a life of shadows. Until Perseus embarks upon a quest to fetch the head of a Gorgon . . .

‘A fierce feminist exploration of female rage, written with wit and empathy’ – Glamour

‘Witty, gripping, ruthless’ – Margaret Atwood via Twitter
‘Beautiful and moving’ – Neil Gaiman via Twitter

‘So to mortal men, we are monsters. Because of our flight, our strength. They fear us, so they call us monsters.’

Medusa is the sole mortal in a family of gods. Growing up with her Gorgon sisters, she begins to realize that she is the only one who experiences change, the only one who can be hurt. And her mortal lifespan gives her an urgency that her family will never know.

When the sea god Poseidon commits an unforgivable act in the temple of Athene, the goddess takes her revenge where she can – and Medusa is changed forever. Writhing snakes replace her hair, and her gaze now turns any living creature to stone. The power cannot be controlled: Medusa can look at nothing without destroying it. She is condemned to a life of shadows and darkness.

Until Perseus embarks upon a quest to fetch the head of a Gorgon . . .

Praise for Natalie Haynes, the Women’s Prize-shortlisted author of A Thousand Ships:

‘With her trademark passion, wit, and fierce feminism? her thoughtful portraits will linger with you long after the book is finished’ – Madeline Miller, author of The Song of Achilles and Circe
‘Haynes combines a wide-ranging knowledge of the original myths with a gift for compelling narrative’ – The Times
‘Natalie Haynes is both a witty and an erudite guide. She wears her extensive learning lightly and deftly drags the Classics into the modern world’ – Kate Atkinson, author of Life After Life
‘Haynes is master of her trade . . . She succeeds in breathing warm life into some of our oldest stories’ – Telegraph
‘Haynes is the nation’s greatest muse’ – Adam Rutherford

In A Thousand Ships, broadcaster and classicist Natalie Haynes retells the story of the Trojan War from an all-female perspective, for fans of Madeline Miller and Pat Barker.

This was never the story of one woman, or two. It was the story of them all . . .

In the middle of the night, a woman wakes to find her beloved city engulfed in flames. Ten seemingly endless years of conflict between the Greeks and the Trojans are over. Troy has fallen.

From the Trojan women whose fates now lie in the hands of the Greeks, to the Amazon princess who fought Achilles on their behalf, to Penelope awaiting the return of Odysseus, to the three goddesses whose feud started it all, these are the stories of the women embroiled in the legendary war.

Powerfully told from an all-female perspective, A Thousand Ships puts the women, girls and goddesses at the centre of the story.

‘With her trademark passion, wit, and fierce feminism, Natalie Haynes gives much-needed voice to the silenced women of the Trojan War’ – Madeline Miller, author of Circe

‘A gripping feminist masterpiece’ – Deborah Frances-White, The Guilty Feminist