Simon Heffer’s A to Z runs though a whole litany of common confusions (‘flaunt’ and ‘flout’, ‘imply’ and ‘infer’, ‘uninterested’ and ‘disinterested’), unidiomatic English (‘fed up of’, ‘focus around’, the use of ‘impacted’ in such construction as ‘the loss impacted him badly’), and lazy expressions (these days every extended activity is an ‘-athon’, every scandal is a ‘Something-gate’). It bemoans some truly awful neologisms, ‘infotainment’ and ‘funwashing’ among them. And it registers the horror of those of us who do not believe that you can answer the question ‘How are you?’ with the words ‘I’m good’.

Trenchant and sprinkled with dry wit, Scarcely English is both a chamber of horrors of bad and lazy English and a plea for accuracy, clear thinking and elegance.

Simon Heffer’s A to Z runs though a whole litany of common confusions (‘flaunt’ and ‘flout’, ‘imply’ and ‘infer’, ‘uninterested’ and ‘disinterested’), unidiomatic English (‘fed up of’, ‘focus around’, the use of ‘impacted’ in such construction as ‘the loss impacted him badly’), and lazy expressions (these days every extended activity is an ‘-athon’, every scandal is a ‘Something-gate’). It bemoans some truly awful neologisms, ‘infotainment’ and ‘funwashing’ among them. And it registers the horror of those of us who do not believe that you can answer the question ‘How are you?’ with the words ‘I’m good’.

Trenchant and sprinkled with dry wit, Scarcely English is both a chamber of horrors of bad and lazy English and a plea for accuracy, clear thinking and elegance.

‘An astonishing achievement of narrative history . . . I think the word is “magisterial”.’ Spectator

‘Excellent, thorough, detailed and combatively argued.’ Sunday Times

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Sing As We Go is an astonishingly ambitious overview of the political, social and cultural history of the country from 1919 to 1939.

It explores and explains the politics of the period, and puts such moments of national turmoil as the General Strike of 1926 and the Abdication Crisis of 1936 under the microscope. It offers pen portraits of the era’s most significant figures. It traces the changing face of Britain as cars made their first mass appearance, the suburbs sprawled, and radio and cinema became the means of mass entertainment. And it probes the deep divisions that split the nation: between the haves and have-nots, between warring ideological factions, and between those who promoted accommodation with fascism in Europe and those who bitterly opposed it.
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‘Magisterial . . . an extraordinary achievement.’ Literary Review

‘A masterful portrayal of political, social and cultural upheaval between the wars.’ Daily Mail

It explores and explains the politics of the period, and puts such moments of national turmoil as the General Strike of 1926 and the Abdication Crisis of 1936 under the microscope. It offers pen portraits of the era’s most significant figures. It traces the changing face of Britain as cars made their first mass appearance, the suburbs sprawled, and radio and cinema became the means of mass entertainment. And it probes the deep divisions that split the nation: between the haves and have-nots, between warring ideological factions, and between those who promoted accommodation with fascism in Europe and those who bitterly opposed it.
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Praise for the series:

‘Scholarly, objective and extremely well written. A masterclass . . . Heffer’s eye for the telling detail is evident on almost every page.’ Andrew Roberts, 5*, Telegraph

‘Gloriously rich and spirited . . . colourful, character driven history.’ Dominic Sandbrook, Sunday Times

‘Enlightening . . . Robust opinion, an eye for telling detail and a gift for bringing historical figures alive.’
History Books of the Year, Daily Mail

The folk-memory of Britain in the years before the Great War is of a powerful, contented, orderly and thriving country. She commanded a vast empire. She bestrode international commerce. Her citizens were living longer, profiting from civil liberties their grandparents only dreamt of, and enjoying an expanding range of comforts and pastimes. The mood of pride and self-confidence is familiar from Elgar’s Pomp and Circumstance marches, newsreels of George V’s coronation and the London’s great Edwardian palaces.

Yet things were very different below the surface. In The Age of Decadence Simon Heffer exposes the contradictions of late-Victorian and Edwardian Britain. He explains how, despite the nation’s massive power, a mismanaged war against the Boers in South Africa created profound doubts about her imperial destiny. He shows how attempts to secure vital social reforms prompted the twentieth century’s gravest constitutional crisis and coincided with the worst industrial unrest in British history. He describes how politicians who conceded the vote to millions more men disregarded women so utterly that female suffragists’ public protest bordered on terrorism. He depicts a ruling class that fell prey to degeneracy and scandal. He analyses a national psyche that embraced the motor-car, the sensationalist press and the science fiction of H. G. Wells, but also the Arts and Crafts of William Morris and the nostalgia of A. E. Housman. And he concludes with the crisis that in the summer of 1914 threatened the existence of the United Kingdom – a looming civil war in Ireland.

He lights up the era through vivid pen-portraits of the great men and women of the day – including Gladstone, Parnell, Asquith and Churchill, but also Mrs Pankhurst, Beatrice Webb, Baden-Powell, Wilde and Shaw – creating a richly detailed panorama of a great power that, through both accident and arrogance, was forced to face potentially fatal challenges.

‘A devastating critique of prewar Britain . . . disturbingly relevant to the world in which we live.’ Gerard DeGroot, The Times

‘You won’t put it down . . . A really riveting read.’ Rana Mitter, BBC Radio 3 Free Thinking