‘Surefooted and emotionally generous ? A serious achievement’ Guardian

‘Masterful’ Telegraph

‘A revelation’ Spectator

The new novel from the Booker shortlisted author of The Northern Clemency

An order is issued. A population may not meet, or touch or speak to each other. They stay inside, and the reality of a few streets in a capital city emerges. An underground river is discovered; an urban grove of pomeloes emerges. The imagination reaches out, and makes sense of the world. By the sea, two men walk into a future of uncertain violence.

There is time now to see the human dramas within a hundred yards (an abduction, a quiet breakdown, an outbreak of violence, a young mind beginning to stretch itself); to wait for the weather to change; to understand that what lies underneath this part of the city are seasonally wet pastures and woodlands.

Written in four parts, To Battersea Park explores the strata and sediment of a single place and time. It shows what brings us together, through love, through the clashes of what we want to do and what the world wants to do with us. Set in a large crowded city where we are forbidden to approach strangers, this is about what we share: humanity, imagination, and the love that emerges from many acts of telling.

‘Electrifying ? works like this? allow the imagination to roam free and wild’ Observer

‘Wise, ingenious and passionate’ TLS

‘Magnificently succeeds in excavating the sedimentary layers of a neighbourhood in lockdown to reveal – hilariously, tenderly, shockingly – how we exist both in intimacy and ignorance of those we live among’ Financial Times

‘An engrossing human drama’ The Times

‘An imaginative tour de force’ Mick Herron, author of Bad Actors

‘An utterly engrossing skein of narratives, beautifully written and often disturbing’ Lissa Evans, author of V for Victory

‘Surefooted and emotionally generous ? A serious achievement’ Guardian

‘Masterful’ Telegraph

‘A revelation’ Spectator

The new novel from the Booker shortlisted author of The Northern Clemency

An order is issued. A population may not meet, or touch or speak to each other. They stay inside, and the reality of a few streets in a capital city emerges. An underground river is discovered; an urban grove of pomeloes emerges. The imagination reaches out, and makes sense of the world. By the sea, two men walk into a future of uncertain violence.

There is time now to see the human dramas within a hundred yards (an abduction, a quiet breakdown, an outbreak of violence, a young mind beginning to stretch itself); to wait for the weather to change; to understand that what lies underneath this part of the city are seasonally wet pastures and woodlands.

Written in four parts, To Battersea Park explores the strata and sediment of a single place and time. It shows what brings us together, through love, through the clashes of what we want to do and what the world wants to do with us. Set in a large crowded city where we are forbidden to approach strangers, this is about what we share: humanity, imagination, and the love that emerges from many acts of telling.

‘Electrifying ? works like this? allow the imagination to roam free and wild’ Observer

‘Wise, ingenious and passionate’ TLS

‘Magnificently succeeds in excavating the sedimentary layers of a neighbourhood in lockdown to reveal – hilariously, tenderly, shockingly – how we exist both in intimacy and ignorance of those we live among’ Financial Times

‘An engrossing human drama’ The Times

‘An imaginative tour de force’ Mick Herron, author of Bad Actors

‘An utterly engrossing skein of narratives, beautifully written and often disturbing’ Lissa Evans, author of V for Victory

Everyone remembers what it’s like to be seventeen. The conversations you have; the ideas that burst on you; the kiss that transforms you. And then you grow up, and make a deal with adulthood. A Small Revolution in Germany is about that rapturous moment when ideas, and ideals, and passion crash over one boy’s head. And what happens in the decades afterwards? When you see the overwhelming truth when you are seventeen, why should you ever abandon that truth?
 
Spike is brought into a small, clever group of friends, bursting with a passion for ideas, and the wish to change the world. They smash up political meetings; they paint slogans on walls; they long for armed revolution; they argue, exuberantly, until dawn. In the years to follow, they all change their minds, and go into the world. They become writers, politicians, public figures. One of them becomes famous when she dies. They all change their minds, and make sensible compromises. Only Spike stays exactly as he is, going on with the burning desire for change, in the safe embrace of unconditional love. Alone from the old group, he is the only one who has achieved nothing, and who has never deviated from the impractical shining path of revolution he saw as a teenager. Thirty years on, photographs of the teenage group look like a bunch of celebrated individuals, with only one unknown face in it – Spike.

We are living in a particularly rich period for British short stories. Despite the relative lack of places in which they can be published, the challenge the medium represents has attracted a host of remarkable, subversive, entertaining and innovative writers. Philip Hensher, following the success of his definitive Penguin Book of British Short Stories, has scoured a vast trove of material and chosen thirty great stories for this new volume of works written between 1997 and the present day.

Includes short stories by A.L. Kennedy, Tessa Hadley, Kazuo Ishiguro, Jackie Kay, Graham Swift, Jane Gardam, Ali Smith, Neil Gaiman, Martin Amis, China Miéville, Peter Hobbs, Thomas Morris, David Rose, David Szalay, Irvine Welsh, Lucy Caldwell, Rose Tremain, Helen Oyeyemi, Leone Ross, Helen Simpson, Zadie Smith, Will Self, Gerard Woodward, James Kelman, Lucy Wood, Hilary Mantel, Eley Williams, Sarah Hall, Mark Haddon and Helen Dunmore.

“At that time, there were children you weren’t supposed to play with. You knew why. Their parents had been informers during the war. And it hadn’t been long since you could have got into trouble for singing a song. My grandfather hid all his Bengali poetry in the cellar.

“I was a baby during the war. We stayed inside for months. All my aunts took turns in feeding me. I couldn’t be heard to cry. You see, there were soldiers in the streets. They would have known what a crying baby meant. So I had to be kept silent. No, not everyone came out of the war alive.”

One family’s life, and a nation – Bangladesh – are uniquely created through conversation, sacrifice, songs, bonds, blood, bravery and jokes. Narrated by a young boy born into a savage civil war, ‘Scenes from Early Life’ is a heartbreaking, funny and gripping novel by one of our finest writers.