At the heart of this fascinating and iconoclastic book lies Werner Herzog’s concept of ‘ecstatic truth’ – a truth that is often hidden behind the facts and our conceptions of reality but can be gleaned through the poetic imagination, in art, literature and cinema, when we open ourselves up to an aesthetic experience.

Written in Herzog’s inimitable style, these stories, anecdotes and reflections take us from present-day deep fakes and the opportunities and perils of AI to ancient Egypt and Rome, where rulers resorted to lies and propaganda in the same way as governments do today; from Scott and Amundsen’s race to the South Pole to alien abduction claims and the making of Herzog’s own films.

With its singular vision and unique voice, The Future of Truth is a compelling meditation on the relationship between fact and fiction – evidence and imagination – by one of today’s most fascinating and idiosyncratic thinkers.

From his early movies to his later documentaries, he has made a career out of exploring the boundaries of human endurance: what we are capable of in exceptional circumstances and what these situations reveal about who we really are. But these are not just great cinematic themes. During the making of his films, Herzog pushed himself and others to the limits, often putting himself in life-threatening situations.

As a child in rural Bavaria, a single loaf of bread had to last his family all week. The hunger and deprivation he experienced during his early years perhaps explain his fascination with the limits of physical endurance.All his life, Herzog would embrace risk and danger, constantly looking for challenges and adventures.

Filled to the brim with memorable stories and poignant observations, Every Man for Himself and God against All unveils the influences and ideas that drive his creativity and have shaped his unique view of the world. This book tells, for the first time, the story of his extraordinary and fascinating life.

Hauling a steamship over a mountain in the jungle; walking from Munich to Paris in the dead of winter; descending into an active volcano; living in the wilderness among grizzly bears – Werner Herzog has always been intrigued by extremes of human experience. Here, he illuminates the influences and ideas that have driven his creativity and shaped his unique worldview.

Herzog’s life matches the drama of his famous films: the boy growing up in poverty in a small village in the Alps after the Second World War; the teenager travelling the world in search of adventure that almost cost him his life; the director trying to calm his leading actor Klaus Kinski in the Amazonian jungle. And along the way, Herzog tells of ordinary people with extraordinary stories: rural labourers, circus acrobats, child soldiers.

Every Man for Himself and God Against All is at once a personal record of one of the great self-invented lives of our time, and a masterpiece that will enthral fans old and new. In a hypnotic swirl of memory, Herzog untangles and relives his most important experiences and inspirations, telling his story for the first and only time.

Praise for Werner Herzog’s previous books:

‘Has the eerie power of the best fairytales. It hits you with the force of dreams’ HELEN MACDONALD

‘Surely the strangest, strongest walking book I know … only Herzog could have written this weird, slender classic’ ROBERT MACFARLANE

‘Herzog’s writing bristles with the same eerie and uncompromising energy as his films’ GUARDIAN

1944: Lubang Island, the Philippines. With Japanese troops about to withdraw, Lieutenant Hiroo Onoda was given orders by his superior officer: Hold the island until the Imperial army’s return. You are to defend its territory by guerrilla tactics, at all costs.

So began Onoda’s long campaign. Soon weeks turned into months, months into years, and years into decades – until eventually time itself seemed to melt away. All the while Onoda continued to fight his fictitious war, at once surreal and tragic, at first with other soldiers, and then, finally, alone, a character in a novel of his own making. . .

‘An enthralling novel that explores the nature of time and warfare with great mastery’ Mail on Sunday

‘Herzog. . .brilliantly blends fact and fiction in this fever dream of a novel’ Daily Mail

‘A literary jewel set to sparkle against the backdrop of his monumental career in cinema’ i

In his first novel, the great filmmaker, Werner Herzog, tells the incredible story of a Japanese soldier who defended a small island for twenty-nine years after the end of World War II.

Hold the island until the Imperial army’s return. You are to defend its territory by guerrilla tactics, at all costs… There is only one rule: you are forbidden to die by your own hand. In the event of your capture by the enemy, you are to give them all the misleading information you can.

In 1944, on Lubang Island in the Philippines, with Japanese troops about to withdraw, Lieutenant Hiroo Onoda was given orders by his superior officer. So began Onoda’s long campaign, during which he became fluent in the hidden language of the jungle. Soon weeks turned into months, months into years, and years into decades – until eventually time itself seemed to melt away. All the while Onoda continued to fight his fictitious war, at once surreal and tragic, at first with other soldiers, and then, finally, alone, a character in a novel of his own making.

‘Herzog’s writing bristles with the same eerie and uncompromising energy as his films. His jungle pulses with hallucinatory life’ Guardian