The loss of David Lynch in January 2025 produced an extraordinary outpouring of love and grief that revealed how deeply he mattered. But the strength and size of this reaction came as a surprise to many. In life, Lynch was a wilfully obtuse cult filmmaker who had been unable to get a film financed for the last two decades of his life. In death, both the man himself and his work are unquestionably in the pantheon of all-time greats.

He leaves behind an adjective, ‘Lynchian’, a term used to describe work that echoes his. And yet, only Lynch could be truly Lynchian, and those who copy him fail to have an impact. So why does his work affect people so deeply? Why do some find it haunting and unforgettable while others dismiss it as meaningless? Answering that question takes us into the strange realms of psychology, art and theology. We will discover why ambiguity and mystery are so seductive, how Lynch’s creative and meditative practices overlapped and why a director whose work contains so much abuse of women has such a female-skewing fanbase.

Through a personal, first-person lens, Lynchian unpacks the mystery but refuses to solve the enigma of an artist whose work reshaped cinema from the inside out – where story gives way to dreams, and meaning lies not in answers, but in experience.

‘A while ago I decided to read anything Higgs writes. He seems to be able to take any subject and poke at it until it yields up its secrets’ FRANK COTTRELL BOYCE

‘Reading John Higgs is like being shot with a diamond. Suddenly everything becomes terrifyingly clear’ MOJO

‘Higgs’s prose has a diamond-hard quality. He knows how to make us relate’ THE TIMES

On screen, Doctor Who is a story of monsters, imagination and mind-expanding adventure. But the off-screen story is equally extraordinary – a tale of failed monks, war heroes, 1960s polyamory and self-sabotaging broadcasting executives. From the politics of fandom to the inner struggles of the BBC, thousands of people have given part of themselves – and sometimes, too much of themselves – to bring this unlikeliest of folk heroes to life.

This is a story of change, mystery and the importance of imaginary characters in our lives. Able to evolve and adapt more radically than any other fiction, Doctor Who has acted as a mirror to more than six decades of social, technological and cultural change while always remaining a central fixture of the British imagination. In Exterminate / Regenerate, John Higgs invites us into his TARDIS on a journey to discover how ideas emerge and survive despite the odds, why we are so addicted to fiction, and why this wonderful wandering time traveller means so much to so many.

Bond and the Beatles present us with opposing values, visions of Britain and ideas about male identity. LOVE AND LET DIE is the story of a clash between working-class liberation and establishment control, and how it exploded on the global stage. It explains why James Bond hated the Beatles, why Paul McCartney wanted to be Bond and why it was Ringo who won the heart of a Bond Girl in the end.

Told over a period of sixty dramatic years, this is an account of how two outsized cultural monsters continue to define our aspirations and fantasies and the future we are building. Looking at these touchstones in this new context will forever change how you see the Beatles, the James Bond films and six decades of British culture.

***

Poet, artist, visionary and author of the unofficial English national anthem ‘Jerusalem’, William Blake is an archetypal misunderstood genius. His life passed without recognition and he worked without reward, mocked, dismissed and misinterpreted. Yet from his ignoble end in a pauper’s grave, Blake now occupies a unique position as an artist who unites and attracts people from all corners of society, and a rare inclusive symbol of English identity.

Blake famously experienced visions, and it is these that shaped his attitude to politics, sex, religion, society and art. Thanks to the work of neuroscientists and psychologists, we are now in a better position to understand what was happening inside that remarkable mind, and gain a deeper appreciation of his brilliance. His timeless work, we will find, has never been more relevant.

In William Blake vs the World we return to a world of riots, revolutions and radicals, discuss movements from the Levellers of the sixteenth century to the psychedelic counterculture of the 1960s, and explore the latest discoveries in neurobiology, quantum physics and comparative religion. Taking the reader on wild detours into unfamiliar territory, John Higgs places the bewildering eccentricities of a most singular artist into context. And although the journey begins with us trying to understand him, we will ultimately discover that it is Blake who helps us to understand ourselves.

‘A bravura piece of writing – Bill Bryson on acid’ Tom Holland

Winding its way from the White Cliffs of Dover to the Druid groves of Anglesey, the ancient road of Watling Street has gone by many different names. It is a road of witches and ghosts, of queens and highwaymen, of history and myth, of Bletchley Park codebreakers, Chaucer, Boudicca, Dickens and James Bond. But Watling Street is not just the story of a route across our island. It is an acutely observed exploration of Britain and who we are today, told with wit and an unerring eye for the curious and surprising.

Long ago a path was created by the passage of feet tramping through endless forests. Gradually that path became a track, and the track became a road. It connected the White Cliffs of Dover to the Druid groves of the Welsh island of Anglesey, across a land that was first called Albion then Britain, Mercia and eventually England and Wales. Armies from Rome arrived and straightened this 444 kilometres of meandering track, which in the Dark Ages gained the name Watling Street. Today, this ancient road goes by many different names: the A2, the A5 and the M6 Toll. It is a palimpsest that is always being rewritten.

Watling Street is a road of witches and ghosts, of queens and highwaymen, of history and myth, of Chaucer, Dickens and James Bond. Along this route Boudicca met her end, the Battle of Bosworth changed royal history, Bletchley Park code breakers cracked Nazi transmissions and Capability Brown remodelled the English landscape.

The myriad people who use this road every day might think it unremarkable, but, as John Higgs shows, it hides its secrets in plain sight. Watling Street is not just the story of a route across our island, but an acutely observed, unexpected exploration of Britain and who we are today, told with wit and flair, and an unerring eye for the curious and surprising.