‘A fast-paced tale of courage and resilience is beautifully written and remarkably moving. An absolute masterpiece’ – Mike Gayle, author of All the Lonely People

Everything about Adeline Copplefield is a lie . . .

To the world Mrs Copplefield is the epitome of Victorian propriety: an exemplary society lady who writes a weekly column advising young ladies on how to be better wives.

Only Adeline has never been a good wife or mother; she has no claim to the Copplefield name, nor is she an English lady . . .

Now a black woman, born in Africa, who dared to pretend to be something she was not, is on trial in the English courts with all of London society baying for her blood. And she is ready to tell her story . . .

From the author of The Attic Child, Lola Jaye, comes a powerful dual narrative historical novel. The Manual for Good Wives is about love, generational trauma, second chances and hope.

‘An unforgettable voice within a breathtaking story about love, lineage, and the intergenerational effect of bravery in the face of misfortune’ – Jessica George, author of Diverse Book Awards winning My Name is Maame

‘Poignant, captivating and thoroughly enjoyable’ – The Yorkshire Times

Everything about Adeline Copplefield is a lie . . .

To the world Mrs Copplefield is the epitome of Victorian propriety: an exemplary society lady who writes a weekly column advising young ladies on how to be better wives.

Only Adeline has never been a good wife or mother; she has no claim to the Copplefield name, nor is she an English lady . . .

Now a black woman, born in Africa, who dared to pretend to be something she was not, is on trial in the English courts with all of London society baying for her blood. And she is ready to tell her story . . .

From the author of The Attic Child, Lola Jaye, comes a powerful dual narrative historical novel. The Manual for Good Wives is about love, generational trauma, second chances and hope.

Two children trapped in the same attic, almost a century apart, bound by a secret.

1907: Twelve-year-old Celestine spends most of his time locked in an attic room of a large house by the sea. Taken from his homeland and treated as an unpaid servant, he dreams of his family in Africa even if, as the years pass, he struggles to remember his mother’s face, and sometimes his real name . . .

Decades later, Lowra, a young orphan girl born into wealth and privilege, will find herself banished to the same attic. Lying under the floorboards of the room is an old porcelain doll, an unusual beaded claw necklace and, most curiously, a sentence etched on the wall behind an old cupboard, written in an unidentifiable language. Artefacts that will offer her a strange kind of comfort, and lead her to believe that she was not the first child to be imprisoned there . . .

Lola Jaye has created a hauntingly powerful, emotionally charged and unique dual-narrative novel about family secrets, love and loss, identity and belonging, seen through the lens of Black British History in The Attic Child.

‘This is important storytelling about issues of race and privilege . . . that will stay with me for a long time’ – Tracy Chevalier

‘Just brilliant’ – Dorothy Koomson

‘Powerful and emotional’ – Lisa Jewell

1907: Twelve-year-old Celestine spends most of his time locked in an attic room of a large house by the sea. Taken from his homeland and treated as an unpaid servant, he dreams of his family in Africa even if, as the years pass, he struggles to remember his mother’s face, and sometimes his real name . . .

Decades later, Lowra, a young orphan girl born into wealth and privilege, will find herself banished to the same attic. Lying under the floorboards of the room is an old porcelain doll, an unusual beaded claw necklace and, most curiously, a sentence etched on the wall behind an old cupboard, written in an unidentifiable language. Artefacts that will offer her a strange kind of comfort, and lead her to believe that she was not the first child to be imprisoned there . . .

Lola Jaye has created a hauntingly powerful, emotionally charged and unique dual-narrative novel about family secrets, love and loss, identity and belonging, seen through the lens of Black British History in The Attic Child.

‘An incredibly important book . . . a beautifully crafted, compelling story . . . which will undoubtedly break your heart but also make it sing.’ – Mike Gayle

‘This is important storytelling about issues of race and privilege . . .that will stay with me for a long time.’ – Tracy Chevalier

‘Just brilliant.’ – Dorothy Koomson

‘Powerful and emotional’ – Lisa Jewell