‘Gayl Jones is a literary legend’ – Yara Rodrigues Fowler, author of THERE ARE MORE THINGS

‘Her prose is intricate, mesmerizing, and endlessly inventive and subversive’ Deesha Philyaw, author of THE SECRET LIVES OF CHURCH LADIES

Gayl Jones’s long career began with her blistering 1975 debut, Corregidora, which was edited by Toni Morrison, and she is increasingly recognised as one of the great literary writers of the twentieth century. In this new collection of short fiction, Jones’s unique talents are displayed in a range of settings and styles, from the hyper-realist to the mystical, in novella-length stories, intricate multi-part narratives and in compelling fragments.

Endlessly inventive, challenging and surprising, Jones writes about our diverse world. Her characters are spies, photographers, baristas, cartoonists and revolutionaries; her settings are historical and contemporary, in Europe and the Americas. With sharp observation, wit and poignancy, Jones explores complex identities and unorthodox longings.

‘Jones’s writing powerfully blends narrative and lyricism . . . Her imagination seems to thrive on outstripping one’s expectations’ Margo Jefferson

‘Every Jones publication is a major event, but this one is particularly precious . . . Jones’s settings, which span time and geography, vary as much as the identities of her protagonists, which include women and men, Black, brown, and Indigenous people, artists and spies. The common threads are creativity and devastating insight’ Oprah Daily, ‘The Books We Can’t Wait to Read in 2023’

The Birdcatcher is the new novel from a major voice in American literature, which explores artists in exile, dangerous relationships and the demands of creativity.

‘A literary giant, and one of my absolute favourite writers’ – Tayari Jones, author of An American Marriage

‘I am living on the white-washed island of Ibiza with my friend Catherine Shuger, a sculptor who has been declared legally insane, and her husband, Ernest. Standing on the terrace, sheltered in the smell of oranges and eucalyptus, washed in sunlight, you’d swear this was a paradise. But to tell the truth the place is full of dangers. You see, Catherine sometimes tries to kill her husband. It has been this way for years . . .’

‘My name’s Amanda Wordlaw. Wonderful name for a writer, isn’t it? . . . I guess I’m sort of a choice companion for the Shugers – professional watcher and listener that I am. It’s like they need someone else to witness the shit, the spectacle they make of themselves.’

‘A fascinating meditation on Black female creativity from the author of Corregidora and Palmares . . . Vivid characters shimmer through the pages’ Suzi Feay, GUARDIAN

AN EPIC TALE OF LOVE AND LIBERATION SET IN SEVENTEENTH-CENTURY COLONIAL BRAZIL

From plantation to plantation, Almeyda, a young slave girl, hears whispers, rumours of Palmares, a hidden settlement where fugitive slaves live free. But can this promised land exist? And what price is paid for ‘freedom’?

In Palmares, Gayl Jones brings to life a world full of unforgettable characters, reimagining extraordinary historical events and combining them with mythology and magic. The result is a sweeping saga spanning a quarter of a century. Of Gayl Jones, the New Yorker noted, ‘[Her] great achievement is to reckon with both history and interiority, and to collapse the boundary between them.’ Like nothing else before it, Palmares embodies this gift.