Amy Connell and Lan Honey are having the best childhood. When their families make the leap from city living to a farm in the West Country they have untold freedom. The adults are far too busy to keep an eye on them, and Amy and Lan would never tell them about climbing on the high barn roof, or what happened with the axe that time, any more than their parents would tell them the things they get up to. Adult things, like betrayal, that threaten to bring the whole fragile idyll tumbling down…

‘Funny and moving’ Elizabeth Day

‘I couldn’t put it down’ Esther Freud

This is the story of how we came to Frith. And we’re never, ever, ever leaving.’

Amy Connell and Lan Honey are having the best childhood, growing up on a West Country farm – three families, a couple of lodgers, goats, dogs and an orphaned calf called Gabriella Christmas.

The parents are best friends too. Originally from the city, they’re learning about farming: growing their own vegetables, milking the goats, slaughtering chickens and scything the hay–

‘Mind your eyes! Don’t break your neck! Careful!’

The adults are far too busy to keep an eye on Amy and Lan, and Amy and Lan would never tell them about climbing on the high barn roof, or what happened with the axe that time, any more than their parents would tell them the things they get up to – adult things, like betrayal – that threaten to bring the whole fragile idyll tumbling down…

‘A gently episodic and humorous tale whose sharp-eyed, effervescent child narrators entertain… Beguilingly readable’ Daily Mail

‘Jones’s evocation of childhood is spot-on: its fierce passions, disaffections, loyalties and suffering’ Financial Times

Newly-weds Dan and Bea decide to escape London. Driving through France in their beaten-up car they anticipate a long lazy summer, worlds away from their ordinary lives.

But their idyll cannot last. Stopping off to see Bea’s brother at his crumbling hotel, the trio are joined unexpectedly by Bea’s ultra-wealthy parents. Dan has never understood Bea’s deep discomfort around them but living together in such close proximity he begins to sense something is very wrong.

Just as tensions reach breaking point, brutal tragedy strikes, exposing decades of secrets and silence that threaten to destroy them all.

‘A suspenseful, beautifully written thriller about the corruption of money and abuse within a dysfunctional family’ Guardian

August 1957. Lewis Aldridge, straight out of jail, stands alone at a Surrey railway station.

He’s returned to the village where he grew up: the village where, a decade earlier, tragedy tore his family apart, leaving him to a troubled adolescence without a mother and with a father he barely knew.

Now, the only person who understands him is Kit, daughter of a bullying local businessman. Soon they realise that to forge their own futures, they must first confront the darkest secrets of their past.

As family, love, passion, sex and violence become ever more so intertwined, can Kit and Lewis find their way back to each other amidst the chaos?

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‘A tragic account of the devastating effects of parental abuse and the redemptive power of true love’ Guardian

‘In the tradition of Remains of the Day…a passionate and deeply suspenseful novel’ Margot Livesey

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WINNER OF THE COSTA FIRST NOVEL PRIZE
SHORTLISTED FOR THE ORANGE PRIZE FOR FICTION