The definitive book about the music of Oasis, published in time for the reunion tour. A deeply researched tribute to the creative talent and star power of the Gallaghers, A Sound So Very Loud is crammed with unknown detail and the kind of anarchic, brilliantly funny anecdotes that only Oasis could generate.

Music journalists Ted Kessler and Hamish MacBain first met Liam and Noel in 1994, when the brothers were playing tiny venues, and have since interviewed them dozens of times, tracking the astonishing success of Oasis as they became one of the biggest bands in the world.

In this comprehensive telling of the Oasis story through their spectacular back catalogue, Kessler and MacBain focus on the enduring power of the music, exploring the tales behind the lyrics and revealing the background to the writing, recording and impact of all the songs, from megahits like ‘Live Forever’, ‘Wonderwall’ and ‘Champagne Supernova’ to the fan-favourite B-sides and deep cuts such as ‘Acquiesce’, ‘The Masterplan’ and ‘Half the World Away’.

With their unique perspective on all things Oasis, Kessler and MacBain bring this story to life in glorious colour. A Sound So Very Loud is a book every Oasis fan needs on their shelves, destined to be as timeless and as moreish as the music itself.

‘Essential reading. Hamish and Ted have had front row tickets to the Oasis story from the very beginning. There’s no one who knows more about the band, the music and its impact’ – Mat Whitecross, director of Oasis: Supersonic

Paper Cuts is the inside story of the slow death of the British music press. But it’s also a love letter to it, the tale of how music magazines saved one man’s life. Ted Kessler left home and school around his seventeenth birthday, determined ‘to be someone who listened to music professionally’. Paper Cuts tells how Kessler found redemption through music and writing and takes us on a journey alongside the stars he interviewed and the work-place dramas he navigated as a senior staffer at NME through the boom-time ’90s and on to the monthly Q in 2004, where he worked for sixteen years before it folded with him at its helm as editor in 2020.

We travel in time alongside musical heroes Paul Weller, Kevin Rowland, Mark E Smith, and to Cuba twice, first with Shaun Ryder and Bez, then with Manic Street Preachers. We spend long, mad nights out with Oasis and The Strokes, quality time with Jeff Buckley and Florence Welch, and watch Radiohead deliver cold revenge upon Kessler in public. A story about love and death, about what it’s like when a music writer shacks up with a conflict of interest, and what happens when your younger brother starts appearing on the cover of the magazines you work for, this is the memoir of “a delinquent doofus” whose life was both rescued and defined by music magazines.

‘A music journalist of integrity’
Billy Childish

‘There’s only one Ted Kessler!’
Liam Gallagher

PAPER CUTS is the inside story of the slow death of the British music press. But it’s also a love letter to it, the tale of how music magazines saved one man’s life. Ted Kessler left home and school around his seventeenth birthday, determined ‘to be someone who listened to music professionally’. That dream appeared forlorn when he was later arrested for theft behind the counter of the record shop he managed during acid house’s long hot summer of love. Paper Cuts tells how Kessler found redemption through music and writing and takes us on a journey alongside the stars he interviewed and the work-place dramas he navigated as a senior staffer at NME through the boom-time ’90s and on to the monthly Q in 2004, where he worked for sixteen years before it folded with him at its helm as editor in 2020.

We travel in time alongside musical heroes Paul Weller, Kevin Rowland, Mark E Smith, and to Cuba twice, first with Shaun Ryder and Bez, then with Manic Street Preachers. We spend long, mad nights out with Oasis and The Strokes, quality time with Jeff Buckley and Florence Welch, and watch Radiohead deliver cold revenge upon Kessler in public. A story about love and death, about what it’s like when a music writer shacks up with a conflict of interest, and what happens when your younger brother starts appearing on the cover of the magazines you work for, this is the memoir of “a delinquent doofus” whose life was both rescued and defined by music magazines.