‘Will make you happy to be alive and reading – until the lights go out . . . Brilliant’ – The Spectator

‘Clever and voluminous . . . So engagingly plotted and written’ – The Guardian

We have always told ourselves stories about the end of the world. Long before we watched superintelligent AI wage war on humanity in The Terminator, or read about a catastrophic deluge in J. G. Ballard’s The Drowned World, art, literature and politics were all haunted by recurring visions of apocalypse.

In Everything Must Go – a colourful, witty and stirring cultural history of the modern world that weaves in politics, history and science – Dorian Lynskey explores the endings that we have read, listened to, or watched with morbid fascination, from the sci-fi terrors of H. G. Wells and John Wyndham to the apocalyptic ballads of Bob Dylan and planet-shattering movie blockbusters.

Whether we’re fantasizing about nuclear holocaust or a collision with an asteroid, a devastating pandemic or a robot revolution, why do we like to scare ourselves, and why do we keep coming back for more? And how do fictional premonitions of the end play into real-life responses to existential threats?

Deeply illuminating about our past and our present, and surprisingly hopeful about our future, Everything Must Go will grip you from beginning to, well, end.

‘I was blown away by this book’ – Sathnam Sanghera, author of Empireland

‘Impossibly epic, brain-expanding, life-affirming and profound’ – Ian Dunt, author of How Westminster Works . . . and Why It Doesn’t

‘Will make you happy to be alive and reading – until the lights go out . . . Brilliant’ – The Spectator

‘Clever and voluminous . . . So engagingly plotted and written’ – The Guardian

We have always told ourselves stories about the end of the world. Long before we watched superintelligent AI wage war on humanity in The Terminator, or read about a catastrophic deluge in J. G. Ballard’s The Drowned World, art, literature and politics were all haunted by recurring visions of apocalypse.

In Everything Must Go – a colourful, witty and stirring cultural history of the modern world that weaves in politics, history and science – Dorian Lynskey explores the endings that we have read, listened to, or watched with morbid fascination, from the sci-fi terrors of H. G. Wells and John Wyndham to the apocalyptic ballads of Bob Dylan and planet-shattering movie blockbusters.

Whether we’re fantasizing about nuclear holocaust or a collision with an asteroid, a devastating pandemic or a robot revolution, why do we like to scare ourselves, and why do we keep coming back for more? And how do fictional premonitions of the end play into real-life responses to existential threats?

Deeply illuminating about our past and our present, and surprisingly hopeful about our future, Everything Must Go will grip you from beginning to, well, end.

‘I was blown away by this book’ – Sathnam Sanghera, author of Empireland

‘Impossibly epic, brain-expanding, life-affirming and profound’ – Ian Dunt, author of How Westminster Works . . . and Why It Doesn’t

‘Fascinating . . . If you have even the slightest interest in Orwell or in the development of our culture, you should not miss this engrossing, enlightening book.’ John Carey, Sunday Times

George Orwell’s 1984 has become a defining narrative of the modern world. Its cultural influence can be observed in some of the most notable creations of the past seventy years, from Margaret Atwood’s The Handmaid’s Tale to the reality TV landmark Big Brother, while ideas such as ‘thought police’, ‘doublethink’, and ‘Newspeak’ are ingrained in our language.

The Ministry of Truth charts the life of one of the most influential books of the twentieth century and a work that is ever more relevant in this tumultuous era of ‘fake news’ and ‘alternative facts’. Dorian Lynskey investigates the influences that came together in the writing of 1984 from Orwell’s experiences in the Spanish Civil War and in wartime London to his fascination with utopian and dystopian fiction. Lynskey explores the phenomenon the novel became when it was first published in 1949 and the changing ways in which it has been read over the decades since, revealing how history can inform fiction and how fiction can influence history.

‘Everything you wanted to know about 1984 but were too busy misusing the word “Orwellian” to ask.’ Caitlin Moran