‘An unflinchingly true and honest depiction of a marriage turning from gold to dust – the resentments and disappointments that can rot the heart’ – Miranda Cowley Heller, author of The Paper Palace

‘A white-hot dissection of the power imbalances in a marriage, and as gripping as you want fiction to be. Any spouse that has ever argued about money, time, work and childcare should read it’ – Nick Hornby, author of High Fidelity

A nuclear family can destroy a woman artist. I’d always known that. But I’d never suspected how easily I’d fall into one anyway.

When Jane, an aspiring writer, meets filmmaker John Bridges, they both want the same things: to be in love, to live a successful, creative life, and to be happy. When they marry, Jane believes she has found everything she was looking for, including – a few years later – all the attendant joys and labors of motherhood. But it’s not long until Jane finds herself subsumed by John’s ambitions, whims, and ego; in short, she becomes a wife.

As Jane’s career flourishes, their marriage starts to falter. Throughout the upheavals of family life, Jane tries to hold it all together. That is, until John leaves her.

Sarah Manguso’s Liars is a tour de force of wit and rage, telling the blistering story of a marriage as it burns to the ground, and of a woman rising inexorably from its ashes.

‘Painful and brilliant – I loved it’ – Elif Batuman, author of The Idiot and Either/Or

Once home to the country’s most illustrious families, Waitsfield, Massachusetts, is now an unforgiving place awash with secrets. Forged in this frigid landscape, Ruthie learns how the town’s prim facade conceals a deeper, darker history and how silence often masks a legacy of harm – from the violence that runs down the family line to the horrors endured by her high school friends.

In Very Cold People Sarah Manguso reveals the suffocating constraints of growing up in a very old, and very cold, small town. Here lies a vital confrontation with an all-American whiteness where the ice of emotional restraint meets the embers of smouldering rage . . .

‘Chilling . . . deeply impressive’ – Guardian
‘A masterclass in unease’ – The Observer

Longlisted for the Wingate Prize 2023

‘No-one’s there to watch her, so she just waits for the lights to turn on, waits to begin her performance.’

No-one is watching Ruth. She, however, watches everyone and everything, and waits, growing up on the outskirts of an affluent but threadbare New England township, on the outer edge of popularity. She doesn’t necessarily understand what she is seeing, but she records faithfully and with absolute clarity the unfurling of her awkward youth, under even more awkward parenting. As they alternately mock, ignore, undermine and discount their daughter, Ruth’s parents present now as damaged, now as inadequate, now as monstrous. All the while the Future comes towards them all, steadily, inexorably, for some of them fatally. And the fog of the Past and the abuses committed under it gathers, swirls, settles, intermittently clears.

Watching the future come, the reader of Very Cold People is immobilized, transfixed as much by the gross failures of the adults to be adults, as by the determinedly graceful arc Ruth’s trajectory makes towards an adulthood of her own making.

Financial Times Best Debuts 2022