‘Remarkable, beautiful, magic. Like Ulysses for those who can’t cope with reading Ulysses’ Paolo Hewitt

‘We’re all in the gutter but some of us are ogling the sparkles.’

Set at the fag-end of the 1960s and framed as a novel within a novel published by a seedy London purveyor of pulp fiction, MAN-EATING TYPEWRITER is a homage to the avant-garde counterculture of the 20th century. Told in Polari, it is the story of an anarchist named Raymond Novak and his plan to commit a ‘fantabulosa crime’ in 276 days that will revolt the world. A surrealistic odyssey that stretches from occupied Paris to the cruise-liner SS Unmentionable to lawless Tangier before settling in Swinging London, the book casts Novak as an agitator and freedom fighter – but, as his memoirs become more and more threatening, his publishers find themselves far more involved in his violent personality cult than they ever intended.

Constructed like a hallucinogenic cocktail of A Clockwork Orange, Pale Fire and Jean Genet’s jailbird fantasies, MAN-EATING TYPEWRITER is an act of seductive sedition by a writer with unfathomable literary talent and boldness. Wild, transgressive, erotic and resolutely uncompromising, this marks the return of a writer who is out there on an island of his own making; a book that will be talked about, celebrated and puzzled over for decades.