‘The tales collected in The Pre-War House? pick at psychological scabs in a register both wistful and brutal.’ –Anthony Cummins, The Times Literary Supplement

‘Moore’s writing is surprising and exact and culminates in the title story, the novella which brings the collection to a powerful crescendo’ –The Arkansas International

‘just as uncompromising and unsettling as The Lighthouse? Moore’s distinctive voice commands exceptional power’ –Dinah Birch, The Guardian

Eastmouth and Other Stories is her second collection, featuring stories published in the subsequent decade, including stories that have appeared in Best British Short Stories, Best British Horror and Best New Horror, as well as new, unpublished work.

Following a family tragedy, Jessie Noon moved from the Fens to the Midlands and now lives in the Scottish Borders with a cat, a dog and – she is convinced – a ghost in the spare room. Her husband walked out almost a year ago, leaving a note written in steam on the bathroom mirror, and Jessie hasn’t seen her son for years. When Jessie meets Robert, a local outreach worker, they are drawn to one another and begin a relationship; meanwhile, Jessie has begun receiving messages telling her I’m on my way home.

As a translator, Jessie worries over what seems like the terrible responsibility of choosing the right words. It isn’t exactly a matter of life and death, said her husband, but Jessie knows otherwise. This is a novel about communication and miscommunication and lives hanging in the balance (a child going missing, a boy in a coma, an unborn baby), occupying the fine line between life and death, between existing and not existing.

The Pre-War House and Other Stories is the debut collection from Alison Moore, whose first novel, The Lighthouse, was shortlisted for the Man Booker Prize and Specsavers National Book Awards 2012.

The stories collected here range from her first prize-winning short story (which appeared in a small journal in 2000) to new and recently published work. In between, Moore’s stories have been shortlisted for more than a dozen different awards including the Bridport Prize, the Fish Prize, the Lightship Flash Fiction Prize, the Manchester Fiction Prize and the Nottingham Short Story Competition. The title story won first prize in the novella category of The New Writer Prose and Poetry Prizes.

The new novel from the author of the Man Booker-shortlisted The Lighthouse is a tense and moreish confection of semiotics, suggestibility and creative writing with real psychological depth and, in Bonnie Falls and Sylvia Slythe, two unforgettable characters.

Lewis Sullivan, an RE teacher at a secondary school, was approaching retirement when he wondered for the first time whether he ought to have chosen a more dramatic career. He lives in a village in the Midlands, less than a mile from the house in which he grew up. He always imagined living by the sea. His grown-up daughter visits every day, bringing soup. He does not want soup. He frequents his second-favourite pub, where he can get half a shandy, a speciality sausage and a bit of company.

But when a childhood friend appears on the scene, Lewis finds his life and comfortable routine shaken up.

In Moore’s inimitable, haunting style, this seemingly simple but in fact multi-layered narrative unfolds with compelling assurance. Moving between Lewis’s current life of cosy habit, his memories of childhood, and his aged father agitating away in a nursing home, plot twists thicken and weave with stealthily increasing tension. Always unexpected, sparely written and beautifully crafted, He Wants deftly dissects the themes of loneliness, anxiety, the weight of recollection and the complex nature of friendship and family ties. A surprising, lingering and intensely moving tale which reflects the prodigious talent of one of our most exciting novelists.