'Full of warmth, wisdom and weirdness' JENNY MUSTARD

This is a dreamlike portrait of a body in struggle to connect with itself and others. As the narrator contends with chronic pain, and with a pandemic raging in the background, she sets out to examine the literal and symbolic role of the mouth in the life of a writer.

Pathemata recounts the narrator’s tragicomic search to alleviate her suffering, a search that eventually becomes a reckoning with various forms of loss – the loss of intimacy, the loss of her father and the loss of a pivotal friend and mentor. In exacting, distilled prose, her account blurs the lines between embodied, unconscious and everyday life.

Praise for Maggie Nelson

‘Always brilliant’ GEOFF DYER

‘Among the sharpest and most supple thinkers of her generation’ OLIVIA LAING

In The Slicks, Maggie Nelson positions culture-dominating pop superstar Taylor Swift and feminist cult icon Sylvia Plath as twin hosts of the female urge towards wanting hard, working hard and pouring forth – and as twinned targets of patriarchy’s ancient urge to disparage, trivialise and demonise such prolific, intimate output.

A heady and rallying melding of popular culture and literary criticism, The Slicks is an inspired and unexpected assessment of two iconic female artists by one of the most revered and influential critics of her generation.

PRAISE FOR MAGGIE NELSON:

‘Her words come as though from a great distance and strike incredibly close’ Anne Enright

‘Among the sharpest and most supple thinkers of her generation’ Olivia Laing

‘Always brilliant’ Geoff Dyer

‘One of the most unique voices in non-fiction: enquiring, political, lyrically dazzling, empathetic’ Sinéad Gleeson

‘Like Love may be one of the most movingly specific, the most lovingly unruly celebrations of the ethics of friendship we have’ Guardian

‘Incisive, smart and witty, it will leave you looking and love and life anew’ i

Like Love is a momentous, raucous collection of essays drawn from twenty years of Maggie Nelson’s brilliant work. These profiles, reviews, remembrances, tributes and critical essays, as well as several conversations with friends and idols, bring to life Nelson’s passion for dialogue and dissent. The range of subjects is wide – from Prince to Carolee Schneemann to Kara Walker to Bjork – but certain themes recur: intergenerational exchange; love and friendship; feminist and queer issues, especially as they shift over time; subversion, transgression and perversity; and the fruits and follies of a life spent devoted to making.

The collection is a portrait of a time, an anarchic party rich with wild guests, a window into Nelson’s own development as a writer, and a testament to the profound sustenance offered by art and artists.

‘Maggie Nelson is one of the most unique voices in non-fiction: enquiring, political, lyrically dazzling, empathetic‘ Sinéad Gleeson

‘Like Love may be one of the most movingly specific, the most lovingly unruly celebrations of the ethics of friendship we have’ Guardian

‘A polyphonic assemblage . . . graceful and aesthetic, deftly crossing boundaries and definitions, a concordant symphony‘ Irish Times

Like Love is a momentous, raucous collection of essays drawn from twenty years of Maggie Nelson’s brilliant work. These profiles, reviews, remembrances, tributes and critical essays, as well as several conversations with friends and idols, bring to life Nelson’s passion for dialogue and dissent. The range of subjects is wide – from Prince to Carolee Schneemann to Matthew Barney to Lhasa de Sela to Kara Walker – but certain themes recur: intergenerational exchange; love and friendship; feminist and queer issues, especially as they shift over time; subversion, transgression and perversity; the roles of the critic and language in relation to visual and performance arts; forces that feed or impede certain bodies and creators; and the fruits and follies of a life spent devoted to making.

Arranged chronologically, Like Love shows the writing, thinking, feeling, reading, looking and conversing that occupied Nelson while writing iconic books such as Bluets and The Argonauts. As such, it is a portrait of a time, an anarchic party rich with wild guests, a window into Nelson’s own development and a testament to the profound sustenance offered by art and artists.

‘Tremendously energising’ Guardian

‘This provocative meditation…shows Nelson at her most original and brilliant’ New York Times

‘Nelson is such a friend to her reader, such brilliant company… Exhilarating’ Literary Review

* A New York Times Notable Book *
* A Guardian and TLS ‘Books of 2021’ Pick *

‘One of the most electrifying writers at work in America today, among the sharpest and most supple thinkers of her generation’ – Olivia Laing

So often deployed as a jingoistic, even menacing rallying cry, or limited by a focus on passing moments of liberation, the rhetoric of freedom both rouses and repels. Does it remain key to our autonomy, justice, and well-being, or is freedom’s long star turn coming to a close? Does a continued obsession with the term enliven and emancipate, or reflect a deepening nihilism (or both)? On Freedom examines such questions by tracing the concept’s complexities in four distinct realms: art, sex, drugs, and climate.

Drawing on a vast range of material, from critical theory to pop culture to the intimacies and plain exchanges of daily life, Nelson explores how we might think, experience, or talk about freedom in ways responsive to the conditions of our day. Her abiding interest lies in ongoing “practices of freedom” by which we negotiate our interrelation with-indeed, our inseparability from-others, with all the care and constraint that relation entails, while accepting difference and conflict as integral to our communion.

For Nelson, thinking publicly through the knots in our culture-from recent art world debates to the turbulent legacies of sexual liberation, from the painful paradoxes of addiction to the lure of despair in the face of the climate crisis-is itself a practice of freedom, a means of forging fortitude, courage, and company. On Freedom is an invigorating, essential book for challenging times.

Maggie Nelson is one of the most electrifying writers at work in America today, among the sharpest and most supple thinkers of her generation – Olivia Laing

Bluets winds its way through depression, divinity, alcohol, and desire, visiting along the way with famous blue figures, including Joni Mitchell, Billie Holiday, Yves Klein, Leonard Cohen and Andy Warhol. While its narrator sets out to construct a sort of ‘pillow book’ about her lifelong obsession with the colour blue, she ends up facing down both the painful end of an affair and the grievous injury of a dear friend. The combination produces a raw, cerebral work devoted to the inextricability of pleasure and pain, and to the question of what role, if any, aesthetic beauty can play in times of great heartache or grief.

Much like Roland Barthes’s A Lover’s Discourse, Bluets has passed between lovers in the ecstasy of new love, and been pressed into the hands of the heartbroken. Visceral, learned, and acutely lucid, Bluets is a slim feat of literary innovation and grace, never before published in the UK.