In a busy maternity ward, first-time father Dan meets Jada, a dad welcoming his fifth – no, sixth? – child into the world. But Dan and Jada come from very different places: both called Glasgow. Dan is a successful TV writer with a townhouse in the West End and a shiny Tesla ready to drive his wife and baby home. Jada is a hustling, small-time criminal who is already planning how to separate Dan from some of the luxuries Jada has never been able to enjoy in his tiny flat in a Brutalist sixties council block.

When a tragedy occurs, Dan and Jada’s worlds are brought closer than either could ever have imagined – close enough that it could mean destruction for both of them . . .

In a busy maternity ward, first-time father Dan meets Jada, a dad welcoming his fifth – no, sixth? – child into the world. Dan and Jada come from very different places: both called Glasgow. Dan is a successful TV writer with a townhouse in the West End and a shiny Tesla ready to drive his wife and baby home. Jada is a hustling, small-time criminal who is already planning how to separate Dan from some of the luxuries Jada has never been able to enjoy in his tiny flat in a Brutalist sixties council block.

Both men find that the birth of their sons has fired their ambitions. Dan plans to walk away from his saccharine TV success and finally knuckle down to writing that novel he always felt he had in him. While, for Jada, it’s the opportunity for one last get-rich-quick scheme – ripping off a local airport. When a tragedy occurs, their worlds are brought closer than either could ever have imagined – close enough that it could mean destruction for both of them . . .

Tracking the lives of two brothers in changing times – from illicit cans of lager in 70s sitting rooms to ecstasy in 90s raves – O Brother is a tender, affecting and often uproariously funny story. It is about the bonds of family and how we try to keep the best of those we lose alive. It is about black sheep and what it takes to break the ties that bind. Fundamentally it is about how families survive suicide, ‘that last cry, from the saddest outpost.’

John Niven’s little brother Gary was fearless, popular, stubborn, handsome, hilarious and sometimes terrifying. In 2010, after years of chaotic struggle against the world, he took his own life at the age of 42.

Hoping for the best while often witnessing the worst, John, his younger sister Linda and their mother, Jeanette, saw the darkest fears they had for Gary played out in drug deals, prison and bankruptcy. While his life spiralled downward and the love the Nivens’ shared was tested to its limit, John drifted into his own trouble in the music industry, a world where excess was often a marker of success.

Tracking the lives of two brothers in changing times – from illicit cans of lager in 70s sitting rooms to ecstasy in 90s raves – O Brother is a tender, affecting and often uproariously funny story. It is about the bonds of family and how we try to keep the finest of those we lose alive. It is about black sheep and what it takes to break the ties that bind. Fundamentally it is about how families survive suicide, ‘that last cry, from the saddest outpost.’

When the bank threatens to take Susan’s beloved home to clear the debt, the women seek the help of an octogenarian gangster named Nails. Rather than let the bank take everything Susan has, they’re going to take the bank. With the help of Nails and a thrill-crazy, wheelchair-bound friend they pull off the daring robbery, and discover that getting away with it is not so easy and that the adventure is only just beginning.

PAULINE is wondering how she ended up living in an ugly little house, driving a second-hand car and making a living dressing up as Tinkerbell. She’s planning to leave Gary for a self-made carpet millionaire.

FINDLAY, the Carpet King of Scotland, wants to trade in his obese wife for a younger model. But if he goes for a divorce she’ll take him to the cleaners. If only there was some way she could be made to disappear…

LEE, Gary’s luckless brother, has botched one too many drug deals. Local crime overlord Ranta Campbell gives him one more job – one last chance to get it right. Lee’s done some bad things – but murder?

When Gary gets smashed on the head by a golf ball and miraculously develops an absolutely perfect swing, everyone finds their fates rest on the final day of the Open Championship…

Meet Steven Stelfox.

London 1997: New Labour is sweeping into power and Britpop is at its zenith. A&R man Stelfox is slashing and burning his way through the music industry, fuelled by greed and inhuman quantities of cocaine, searching for the next hit record amid a relentless orgy of self-gratification.

But as the hits dry up and the industry begins to change, Stelfox must take the notion of cut throat business practices to murderous new levels in a desperate attempt to salvage his career.