‘Elegant, decadent, vulgar, clever, enchanting and dark’ Sarah Perry, author of Enlightenment

Versailles, 1682: a city of the rich, a living fairy-tale, Louis XIV’s fever dream. It’s a place of opulence, beauty, and power. But strip back the lavish exterior of polite society, and you’ll find a dark undercurrent of sexual intrigue and vicious gossip. Nobody is safe here – no matter how highly born they are.

No one knows this better than Madame Marie d’Aulnoy. Each week, a rogue group of intellectuals gather at her Parisian home to debate, flirt and perform Contes de Fées – fairy tales – that challenge the status quo, at a salon that will change the course of literature forever. But while they weave tales of glass slippers, enchanted beasts and long-haired princesses, a wolf is lurking, who threatens to destroy the members of the salon one by one.

Brilliant and bawdy, romantic and provocative, The Modern Fairies is a dazzling novel inspired by real events, about the delights and dangers of storytelling in dark times.

‘Funny, filthy, dancingly clever … A delectable confection of many-layered pleasures ? I gobbled it all up, Joanna Quinn, author of The Whalebone Theatre

‘The sentences sing on the page with wit and intelligence … Reminds the reader of the enduring power of storytelling to transform and even save lives, then and now’ The New York Times

Why don’t they tell you it is the beautiful princess who becomes the evil queen; that they are just the same person at different points in their story?

Versailles, 1682: a city of the rich, a living fairy-tale, Louis XIV’s fever dream. It’s a place of opulence, beauty, and power. But strip back the lavish exterior of polite society, and you’ll find a dark undercurrent of sexual intrigue and vicious gossip. Nobody is safe here – no matter how highly born they are.

No one knows this better than Madame Marie d’Aulnoy. Each week, a rogue group of intellectuals gather at her Parisian home to debate, flirt and perform Contes de Fées – fairy tales – that challenge the status quo, at a salon that will change the course of literature forever. But while they weave tales of glass slippers, enchanted beasts and long-haired princesses, a wolf is lurking, who threatens to destroy the members of the salon one by one.

Brilliant and bawdy, romantic and provocative, The Modern Fairies is a dazzling novel inspired by real events, about the delights and dangers of storytelling in dark times.

‘Funny, filthy, dancingly clever: a delectable confection of many-layered pleasures. A story of stories, storytellers, and the lurking dangers of fairytales. It reminded me of Jeanette Winterson’s The Passion, and I gobbled it all up’ JOANNA QUINN, author of The Whalebone Theatre

‘Original, fantastical, historical, and unputdownable’ KAREN JOY FOWLER, Booker Prize-shortlisted author of We Are All Completely Beside Ourselves

‘Pollard’s future, as a novelist, is very bright indeed’ THE I, praise for Delphi

‘Funny and sharp … A hungry book, looking everywhere and seeing everything’ Observer

In a time more turbulent than any of us could have ever imagined, a woman is attempting to write a book about prophecy in the ancient world.

Navigating the tightening grip of lockdown, a marriage in crisis, and a ten-year-old son who seems increasingly unreachable, she becomes fixated on our many forms of divination and prediction: on oracles, tarot cards and tea leaves and the questions we have always asked as we scroll and click and rage against our fates.

But in doing so she fails to notice the future creeping into the heart of her own home. For despite our best intentions – our sacrifices and our bargains with the gods – time, certainty and, sometimes, those we love, can still slip away …

Heartbreakingly relatable and achingly funny Delphi is both a snapshot and a time capsule, deftly capturing our pasts, our presents, and how we keep on going in a world that is ever more uncertain and absurd.

‘Impressive … What good fiction is meant to do’ The New York Times

‘Bold, brave and uncompromising, Pollard has found a way to write about the last couple of years which is both truthful and enjoyable to read, which I didn’t think was possible’ Cathy Rentzenbrink, author of Everyone is Still Alive

‘Clever, warm, and funny’ Sarah Moss, The Guardian

‘This isn’t the first – and most certainly won’t be the last – pandemic novel, but it might be the most brilliant’ Daily Mail

‘I am sick of the future. Up to here with the future. I don’t want anything to do with it; don’t want it near me’

It is 2020 and in a time more turbulent than any of us could have ever imagined, a woman is attempting to write a book about prophecy in the ancient world.

Navigating the tightening grip of lockdown, a marriage in crisis, and a ten-year-old son who seems increasingly unreachable, she becomes fixated on our many forms of divination and prediction: on oracles, tarot cards and tea leaves and the questions we have always asked as we scroll and click and rage against our fates.

But in doing so she fails to notice the future creeping into the heart of her own home. For despite our best intentions – our sacrifices and our bargains with the gods – time, certainty and, sometimes, those we love, can still slip away …

Heartbreakingly relatable and achingly funny Delphi is both a snapshot and a time capsule, deftly capturing our pasts, our presents, and how we keep on going in a world that is ever more uncertain and absurd.

‘Delphi is a compact miracle of a book’ Evie Wyld, author of The Bass Rock

‘Bold, brave and uncompromising, Pollard has found a way to write about the last couple of years which is both truthful and enjoyable to read, which I didn’t think was possible’ Cathy Rentzenbrink, author of Everyone is Still Alive

‘Dark and dangerous, disturbed and disturbing in equal measure – I loved it’ Anna Hope, author of Expectation

Fierce Bad Rabbits explores the stories behind our favourite picture books, weaving in tales of Clare Pollard’s childhood reading and her re-discovery of the classic tales as a parent. Because the best picture books are far more complex than they seem – and darker too. Monsters can gobble up children and go unnoticed, power is not always used wisely, and the wild things are closer than you think.

‘A gem . . . hard to put down. Thoroughly enjoyable’ Spectator

‘Essential reading for every thinking parent’ Penelope Lively

‘An enlightening, perceptive analysis of the books that build us’ Sunday Telegraph, 5 star review

‘A happy way to reconnect with old friends’ Times