A groundbreaking queer classic and powerful reimagining of the last years of Alexander the Great, told through the eyes of his lover.

I thought, There goes my lord, whom I was born to follow. I have found a king.
And, I said to myself, looking after him as he walked away, I will have him, if I die for it.

Bagoas, abducted as a boy and sold as a eunuch, has been transported to the heart of the Persian court as courtesan to King Darius. But when the Macedon army conquers his homeland, Bagoas finds freedom at the hands of their golden young commander, whose name is already becoming a legend: Alexander.

Their encounter sparks a passionate devotion that shapes the Persian boy’s future – and deepens into a relationship that will sustain them both through assassination plots, political intrigue and the threat of Alexander’s own restless ambition. This is a spellbinding tale of power, loyalty and loss – a vision of history transfigured by love.

‘Nowhere else in fiction have Alexander’s beauty and charisma blazed with such potency’ TOM HOLLAND
‘Passionate and captivating’ SEÁN HEWITT
‘All my sense of the ancient world – its value, its style, the scent of its wars and passions – comes from Mary Renault’ EMMA DONOGHUE
‘The Alexander Trilogy stands as one of the most important works of fiction in the twentieth century’ ANTONIA SENIOR, THE TIMES

‘The Alexandriad is one of the twentieth century’s most unexpectedly original works of art’ GORE VIDAL

In the first novel of her stunning trilogy, Mary Renault vividly imagines the life of Alexander the Great, the charismatic leader whose drive and ambition created a legend

Alexander’s beauty, strength and defiance were apparent from birth, but his boyhood honed those gifts into the makings of a king. His mother and father, Olympias and King Philip of Macedon, fought each other for their son’s loyalty, teaching Alexander politics and vengeance from the cradle. Hephaistion’s love taught him trust, while Aristotle’s tutoring provoked his mind and Homer’s Iliad fuelled his aspirations. At age twelve, he killed his first man in battle; at sixteen, he became regent; at eighteen, commander of Macedon’s cavalry; and by the time his father was murdered, Alexander’s skills had grown to match his fiery ambition.

SHORTLISTED FOR THE 1970 LOST BOOKER PRIZE. INTRODUCED BY TOM HOLLAND.

‘This is not just a novel: it’s also the best imagining we are ever likely to have of a man who tore up history’ EMILY WILSON, GUARDIAN

‘The Alexander Trilogy stands as one of the most important works of fiction in the twentieth century’ ANTONIA SENIOR, THE TIMES

Alexander the Great died at the age of thirty-three, leaving behind an empire that stretched from Greece to India. Fire From Heaven tells the story of the years that shaped him. His mother, Olympias, and his father, King Philip of Macedon, fought each other for their son’s loyalty, teaching Alexander politics and vengeance. His love for the youth Hephaistion taught him trust, while Aristotle’s tutoring provoked his mind and fuelled his aspirations. Killing his first man in battle at the age of twelve and commanding Macedon’s cavalry at eighteen, by the time his father is murdered, Alexander’s skills have grown to match his fiery ambition.

Books included in the VMC 40th anniversary series include: Frost in May by Antonia White; The Collected Stories of Grace Paley; Fire from Heaven by Mary Renault; The Magic Toyshop by Angela Carter; The Weather in the Streets by Rosamond Lehmann; Deep Water by Patricia Highsmith; The Return of the Soldier by Rebecca West; Their Eyes Were Watching God by Zora Neale Hurston; Heartburn by Nora Ephron; The Dud Avocado by Elaine Dundy; Memento Mori by Muriel Spark; A View of the Harbour by Elizabeth Taylor; and Faces in the Water by Janet Frame

‘Mary Renault’s portraits of the ancient world are fierce, complex and eloquent, infused at every turn with her life-long passion for the Classics. Her characters live vividly both in their own time, and in ours’ MADELINE MILLER

Combining the scholarship of a historian with the imagination of a novelist, Mary Renault brings the ancient Greek stage thrillingly to life.

Set in fourth-century B.C. Greece, The Mask of Apollo is narrated by Nikeratos, a tragic actor who takes with him on all his travels a gold mask of Apollo, a relic of the theatre’s golden age, which is now past. At first his mascot, the mask gradually becomes his conscience, and he refers to it his gravest decisions, when he finds himself at the centre of a political crisis in which the philosopher Plato is also involved. Much of the action is set in Syracuse, where Plato’s friend Dion is trying to persuade the young tyrant Dionysios the Younger to accept the rule of law. Through Nikeratos’ eyes, the reader watches as the clash between the two unleashes all the pent-up violence in the city.

‘All my sense of the ancient world – its values, its style, the scent of its wars and passions – comes from Mary Renault. I turned to writing historical fiction because of something I learned from Renault: that it lets you shake off the mental shackles of your own era, all the categories and labels, and write freely about what really matters to you’ EMMA DONOGHUE

‘There’s much to wonder at in the way she fills in the large dark spaces where we know next to nothing about the times she describes . . . an important and wonderful writer . . . she set a course into serious-minded, psychologically intense historical fiction that today seems more important than ever’ – Sam Jordison, Guardian

‘Mary Renault is a shining light to both historical novelists and their readers’ Hilary Mantel, bestselling author of Wolf Hall

‘This brilliant retelling of the story of Theseus, the king of Athens, brings Greek mythology vividly to life and remains “one of the truly fine historical novels of modern times”‘ New York Times

Theseus is the grandson of the King of Troizen, but his paternity is shrouded in mystery – can he really be the son of the god Poseidon? When he discovers his father’s sword beneath a rock, his mother must reveal his true identity: Theseus is the son of Aegeus, King of Athens, and is his only heir. So begins Theseus’s perilous journey to his father’s palace to claim his birthright, escaping bandits and ritual king sacrifice in Eleusis, to slaying the Minotaur in Crete. Renault reimagines the Theseus myth, creating an original, exciting story.

‘Mary Renault’s portraits of the ancient world are fierce, complex and eloquent, infused at every turn with her life-long passion for the Classics. Her characters live vividly both in their own time, and in ours’ MADELINE MILLER

The sequel to The King Must Die. The Bull from the Sea continues the story of the hero Theseus after his return from Crete.

Having freed the city of Athens from the onerous tribute demanded by the ruler of Knossos – the sacrifice of noble youths and maidens to the appetite of the Labyrinth’s monster – Theseus has returned home to find his father dead and himself the new king. But his adventures have only just begun: he still must confront the Amazons, capture their queen, Hippolyta, and face the tragic results of Phaedra’s jealous rage.

Piecing together the fragments of myth and using her deep understanding of the cultures reflected in these legends, Mary Renault has constructed an enthralling narrative of a time when heroes battled monsters and gods strode the earth.

‘There’s much to say about her interweaving of myth and history and, just as interestingly, there’s much to wonder at in the way she fills in the large dark spaces where we know next to nothing about the times she describes . . . an important and wonderful writer . . . she set a course into serious-minded, psychologically intense historical fiction that today seems more important than ever’ Sam Jordison, Guardian

In the second novel of her stunning trilogy, Mary Renault vividly imagines the life of Alexander the Great, the charismatic leader whose drive and ambition created a legend.

The Persian Boy traces the last years of Alexander’s life through the eyes of his lover, Bagoas. Abducted and gelded as a boy, Bagoas is sold as a courtesan to King Darius of Persia, but finds freedom with Alexander the Great after the Macedon army conquers his homeland. Their relationship sustains Alexander as he weathers assassination plots, the demands of two foreign wives, a sometimes mutinous army, and his own ferocious temper. After Alexander’s mysterious death, we are left wondering if this Persian boy understood the great warrior and his ambitions better than anyone.

‘Mary Renault is a shining light to both historical novelists and their readers. She does not pretend the past is like the present, or that the people of ancient Greece were just like us. She shows us their strangeness; discerning, sure-footed, challenging our values, piquing our curiosity, she leads us through an alien landscape that moves and delights us’ Hilary Mantel

‘The Alexander Trilogy stands as one of the most important works of fiction in the 20th century . . . it represents the pinnacle of [Renault’s] career . . . Renault’s skill is in immersing us in their world, drawing us into its strangeness, its violence and beauty. It’s a literary conjuring trick like all historical fiction – it can only ever be an approximation of the truth. But in Renault’s hands, the trick is so convincing and passionately conjured. Nowhere is this more evident than in The Persian Boy . . . Bagoas is a brilliant narrator. Rendered unreliable by his passion, he is always believeable and sympathetic . . . His Persian background allows him to see the king and his Macedonians through the questioning eyes of an alien’ – Antonia Senior, The Times

In the final novel of her stunning trilogy, Mary Renault vividly imagines the life of Alexander the Great, the charismatic leader whose drive and ambition created a legend.

Alexander the Great died at the age of thirty-three, leaving behind an empire that stretched from Greece and Egypt to India.

After Alexander’s death in 323 B.C. his only direct heirs were two unborn sons and a simpleton half-brother. Every long-simmering faction exploded into the vacuum of power. Wives, distant relatives and generals all vied for the loyalty of the increasingly undisciplined Macedonian army. Most failed and were killed in the attempt. For no one possessed the leadership to keep the great empire from crumbling. But Alexander’s legend endured to spread into worlds he had seen only in dreams.

‘Mary Renault is a shining light to both historical novelists and their readers. She does not pretend the past is like the present, or that the people of ancient Greece were just like us. She shows us their strangeness; discerning, sure-footed, challenging our values, piquing our curiosity, she leads us through an alien landscape that moves and delights us’ – HILARY MANTEL

‘The Alexander Trilogy stands as one of the most important works of fiction in the 20th century . . . it represents the pinnacle of [Renault’s] career . . . Renault’s skill is in immersing us in their world, drawing us into its strangeness, its violence and beauty. It’s a literary conjuring trick like all historical fiction – it can only ever be an approximation of the truth. But in Renault’s hands, the trick is so convincing and passionately conjured’ Antonia Senior, The Times