‘Salman Rushdie is a genius’ A.M. Homes

Two quarrelsome old men in Chennai, India, experience private tragedy during national calamity. Revisiting the Bombay neighbourhood of Midnight’s Children, a magical musician is unhappily married to a multibillionaire. In an English university college, an undead academic asks a lonely student to avenge his former tormentor.

These five dazzling works of fiction move between the three countries that Salman Rushdie has called home – India, England and America – and explore what it means to approach the eleventh hour of life.

Do we accommodate ourselves to death, or rail against it? How can we bid farewell to the places that we have made home? The Eleventh Hour ponders life and death, legacy and identity with the penetrating insight and boundless imagination that have made Salman Rushdie one of the most celebrated writers of our time.

‘More than 40 years after Midnight’s Children, there is still nobody who spins a yarn quite like Salman Rushdie’ Spectator

‘Rushdie has not just enlarged literature’s capacities, he has expanded the world’s imaginative possibilities’ The Times

A gripping account of survival and recovery from internationally renowned writer and Booker Prize-winner Salman Rushdie

‘A masterpiece? Extraordinary’ Daily Telegraph
‘A story of hatred defeated by love’ Guardian

On the morning of 12 August 2022, Salman Rushdie was sitting onstage in upstate New York, preparing to give a lecture on the importance of keeping writers safe from harm, when a man in black – black clothes, black mask – rushed down the aisle towards him, wielding a knife. His first thought: So it’s you. Here you are.

What followed was a horrific act of violence that shook the literary world and beyond. Now, for the first time, Rushdie relives the traumatic events of that day and its aftermath, as well as his journey of healing and recovery.

This an intimate meditation on life, loss, love, art – and finding the strength to stand up again

A BOOK OF THE YEAR FOR THE TIMES, GUARDIAN, OBSERVER, DAILY TELEGRAPH, SPECTATOR, INDEPENDENT, EVENING STANDARD, NEW YORK TIMES, THE NEW YORKER AND TIME

‘An incandescent book about love and hard-won survival’
The Times

‘Salman Rushdie is a genius? A brave book by a brave man’
Evening Standard

‘Gripping? It reminds us of the things worth fighting for’
New York Times

No.1 Sunday Times bestseller, April 2024

On the morning of 12 August 2022, Salman Rushdie was standing onstage at the Chautauqua Institution in upstate New York, preparing to give a lecture on the importance of keeping writers safe from harm, when a man in black – black clothes, black mask – rushed down the aisle towards him, wielding a knife. His first thought: So it’s you. Here you are.

What followed was a horrific act of violence that shook the literary world and beyond. Now, for the first time, Rushdie relives the traumatic events of that day and its aftermath, as well as his journey towards physical recovery and the healing that was made possible by the love and support of his wife, Eliza, his family, his army of doctors and physical therapists, and his community of readers worldwide.

Knife is Rushdie writing with urgency, gravity, and unflinching honesty. It is also a deeply moving reminder of literature’s capacity to make sense of the unthinkable.

This an intimate and life-affirming meditation on life, loss, love, art – and finding the strength to stand up again.

‘Full of adventure? A celebration of the power of storytelling’ GUARDIAN

In the wake of an unimportant battle between two long-forgotten kingdoms, a nine-year-old girl has a divine encounter that will change the course of history. Pampa Kampana becomes a vessel for a goddess, who tells her that she will be instrumental in the rise of a great city called Bisnaga, ‘victory city’.

Over the next two hundred and fifty years, Pampa Kampana’s life becomes deeply interwoven with Bisnaga’s as she attempts to make good on the task that the goddess set for her: to give women equal agency in a patriarchal world. But all stories have a way of getting away from their creator, and Bisnaga is no exception.

‘Mesmerising’ ELIF SHAFAK, author of The Island of Missing Trees

‘A total pleasure to read’ SUNDAY TIMES

‘One of the planet’s greatest writers’ EVENING STANDARD

‘A triumph? Enthralling’ I

***A FINANCIAL TIMES AND THE TIMES BOOK OF THE YEAR***
***A NEW YORK TIMES NOTABLE BOOK***

Born at the stroke of midnight at the exact moment of India’s independence, Saleem Sinai is a special child. However, this coincidence of birth has consequences he is not prepared for: telepathic powers connect him with 1,000 other ‘midnight’s children’ all of whom are endowed with unusual gifts. Inextricably linked to his nation, Saleem’s story is a whirlwind of disasters and triumphs that mirrors the course of modern India at its most impossible and glorious.

‘A wonderful, rich and humane novel that is safe to call a classic’ Guardian

VINTAGE QUARTERBOUND CLASSICS: Bound to be beautiful

‘One of the greatest writers of our age’ Neil Gaiman

Across a wide variety of subjects, Rushdie delves into the nature of storytelling as a deeply human need and what emerges is a love letter to literature itself. Throughout, he shares his personal encounters, on the page and in person, with storytellers from Shakespeare to Toni Morrison and revels in the creative lines that can join art and life. Rushdie considers, too, the nature of truth and looks afresh at migration, multiculturalism and censorship.

‘Essential reading… Powerful’ Financial Times

‘Rushdie is vital, expansive, the critic as storyteller, championing his subjects with gusto’ TLS

She will whisper an empire into existence – but all stories have a way of getting away from their creators . . .

In the wake of an insignificant battle between two long-forgotten kingdoms in fourteenth-century southern India, a nine-year-old girl has a divine encounter that will change the course of history. After witnessing the death of her mother, the grief-stricken Pampa Kampana becomes a vessel for a goddess, who tells her that she will be instrumental in the rise of a great city called Bisnaga – literally ‘victory city’ – the wonder of the world.

Over the next two hundred and fifty years, Pampa Kampana’s life becomes deeply interwoven with Bisnaga’s as she attempts to make good on the task that the goddess set for her: to give women equal agency in a patriarchal world. But all stories have a way of getting away from their creator, and as years pass, rulers come and go, battles are won and lost, and allegiances shift, Bisnaga is no exception.

‘A celebration of the power of literature and the endurance of storytelling’ Guardian

Gathering pieces written between 2003 and 2020, including several never previously in print, Languages of Truth chronicles a period of momentous cultural shifts. Across a wide variety of subjects, Rushdie delves into the nature of storytelling as a deeply human need, and what emerges is a love letter to literature itself. Throughout, Rushdie shares his personal encounters, on the page and in person, with storytellers from Shakespeare and Cervantes to Samuel Beckett, Eudora Welty, and Toni Morrison, and revels in the creative lines that can join art and life.

Always attuned to the malleability of language, Rushdie considers the nature of truth, and looks anew at migration, multiculturalism and censorship. Written with the author’s signature wit and energy, Languages of Truth offers pleasure and insight in equal measure, confirming Rushdie’s place as one of the most original and important thinkers of our time.

Inspired by the Cervantes classic, Sam DuChamp, mediocre writer of spy thrillers, creates Quichotte, a courtly, addled salesman obsessed with television, who falls in impossible love with the TV star Salman R. Together with his (imaginary) son Sancho, Quichotte sets off on a picaresque quest across America to prove worthy of her hand, gallantly braving the tragicomic perils of an age where ‘Anything-Can-Happen’. Meanwhile his creator, in a midlife crisis, has equally urgent challenges of his own.

Just as Cervantes wrote Don Quixote to satirise the culture of his time, Rushdie takes the reader on a wild ride through a country on the verge of moral and spiritual collapse, with the kind of storytelling magic that is the hallmark of his work. The fully realised lives of DuChamp and Quichotte intertwine in a profoundly human quest for love and a wickedly entertaining portrait of an age in which fact is so often indiscernible from fiction.