A celebrated modern classic that has revolutionised our understanding of the Bloomsbury group and remains the definitive biography of the group’s gloriously eccentric patron, Lady Ottoline Morrell. Met with widespread acclaim and translated into fifteen languages, this seminal book provoked a rethinking of the traditional Bloomsbury narrative and the rewriting of some major biographies.

For decades, Ottoline Morrell was grossly misunderstood. The artists and writers who benefited from her generous patronage and friendship helped to create the false and vicious image of a nymphomanical aristocrat with cultural aspirations. This landmark literary biography presents Morrell in an entirely new light, rightly setting her centre-stage as the brilliant and courageous lynchpin of the Bloomsbury group. She counted T.S. Eliot, Aldous Huxley, D.H. Lawrence, Lytton Strachey, Siegfried Sassoon, Augustus John, Katherine Mansfield and W.B. Yeats among her closest friends and houseguests. A legendary and agonisingly protracted love-affair with Bertrand Russell never undermined this unlikely couple’s deep and understanding friendship. Ottoline’s loyalty to her own promiscuous husband survived public humiliation and private crises.

Overhauling the long-held conventional view of Morrell as a victim, a creature of her class who was born to be exploited and derided by her wittier friends, Seymour repaints the world of the Bloomsberries and rescues the grand life of Ottoline Morrell from the depths of historical obscurity.

A Times Literary Non-Fiction Book of the Year 2022

An LA Times Best Book of the Year 2022

An intimate, revealing and profoundly moving biography of Jean Rhys, acclaimed author of Wide Sargasso Sea.

An obsessive and troubled genius, Jean Rhys is one of the most compelling and unnerving writers of the twentieth century. Memories of a conflicted Caribbean childhood haunt the four fictions that Rhys wrote during her extraordinary years as an exile in 1920s Paris and later in England. Rhys’s experiences of heartbreak, poverty, notoriety, breakdowns and even imprisonment all became grist for her writing, forming an iconic ‘Rhys woman’ whose personality – vulnerable, witty, watchful and angry – was often mistaken, and still is, for a self-portrait.

Many details of Rhys’s life emerge from her memoir, Smile Please and the stories she wrote throughout her long and challenging career. But it’s a shock to discover that no biographer – until now – has researched the crucial seventeen years that Rhys spent living on the remote Caribbean island of Dominica; the island which haunted Rhys’s mind and her work for the rest of her life.

Luminous and penetrating, Seymour’s biography reveals a proud and fiercely independent artist, one who experienced tragedy and extreme poverty, alcohol and drug dependency, romantic and sexual turmoil – and yet was never a victim. I Used to Live Here Once enables one of our most excitingly intuitive biographers to uncover the hidden truth about a fascinatingly elusive woman. The figure who emerges for Seymour is powerful, cultured, self-mocking, self-absorbed, unpredictable and often darkly funny. Persuasive, surprising and compassionate, this unforgettable biography brings Jean Rhys to life as never before.

‘A first-class life and a rollicking read ? Close to a masterpiece’ Sunday Times

An intimate, revealing and profoundly moving biography of Jean Rhys, acclaimed author of Wide Sargasso Sea.

An obsessive and troubled genius, Jean Rhys is one of the most compelling and unnerving writers of the twentieth century. Memories of a conflicted Caribbean childhood haunt the four fictions that Rhys wrote during her extraordinary years as an exile in 1920s Paris and later in England. Rhys’s experiences of heartbreak, poverty, notoriety, breakdowns and even imprisonment all became grist for her writing, forming an iconic ‘Rhys woman’ whose personality – vulnerable, witty, watchful and angry – was often mistaken, and still is, for a self-portrait.

Many details of Rhys’s life emerge from her memoir, Smile Please and the stories she wrote throughout her long and challenging career. But it’s a shock to discover that no biographer – until now – has researched the crucial seventeen years that Rhys spent living on the remote Caribbean island of Dominica; the island which haunted Rhys’s mind and her work for the rest of her life.

Luminous and penetrating, Seymour’s biography reveals a proud and fiercely independent artist, one who experienced tragedy and extreme poverty, alcohol and drug dependency, romantic and sexual turmoil – and yet was never a victim. I Used to Live Here Once enables one of our most excitingly intuitive biographers to uncover the hidden truth about a fascinatingly elusive woman. The figure who emerges for Seymour is powerful, cultured, self-mocking, self-absorbed, unpredictable and often darkly funny. Persuasive, surprising and compassionate, this unforgettable biography brings Jean Rhys to life as never before.

‘This magnificent, highly readable double biography…brings these two driven, complicated women vividly to life’ The  Financial Times
‘A  gripping saga of a double-biography’  Daily Mail
‘A masterful portrait’  The Times
‘Vastly enjoyable’  Literary Review
‘Deeply absorbing and meticulously researched’  The Oldie

In 1815, the clever, courted and cherished Annabella Milbanke married the notorious and brilliant Lord Byron. Just one year later, she fled, taking with her their baby daughter, the future Ada Lovelace. Byron himself escaped into exile and died as a revolutionary hero in 1824, aged 36.  The one thing he had asked his wife to do was to make sure that their daughter never became a poet.

Ada didn’t. Brought up by a mother who became one of the most progressive reformers of Victorian England, Byron’s little girl was introduced to mathematics as a means of calming her wild spirits. Educated by some of the most learned minds in England, she combined that scholarly discipline with a rebellious heart and a visionary imagination.

As a child invalid, Ada dreamed of building a steam-driven flying horse. As an exuberant and boldly unconventional young woman, she amplified her explanations of Charles Babbage’s unbuilt calculating engine to predict,  as nobody would do for another century,  the dawn today of our modern computer age. When Ada died – like her father, she was only 36 – great things seemed still to lie ahead for her as a passionate astronomer. Even while mired in debt from gambling and crippled by cancer, she was frenetically employing Faraday’s experiments with light refraction to explore the analysis of distant stars.

Drawing on fascinating new material, Seymour reveals the ways in which Byron, long after his death, continued to shape the lives and reputations both of his wife and his daughter. During her life, Lady Byron was praised as a paragon of virtue; within ten years of her death, she was vilified as a disgrace to her sex. Well over a hundred years later, Annabella Milbanke is still perceived as a prudish wife and cruelly controlling mother. But her hidden devotion to Byron and her tender ambitions for his mercurial, brilliant daughter reveal a deeply complex but unsuspectedly sympathetic personality.

Miranda Seymour has written a masterful portrait of two remarkable women, revealing how two turbulent lives were often governed and always haunted by the dangerously enchanting, quicksilver spirit of that extraordinary father whom Ada never knew.