In 1944, on her return to England after a disastrous marriage, Muriel Spark was unknown as a writer except to a handful of close friends; by 1963 she was the internationally renowned author of seven critically acclaimed, bestselling novels.

Her letters – witty, affectionate, sharp, mercurial – reveal the turbulence of her early career in postwar London: her struggles to earn a living as a writer, her difficult love affairs, a terrifying breakdown, and her conversion to Catholicism. They also trace her development from little-known poet to celebrated novelist, with glittering insights into the emergence of her unique literary voice, as well as her relationships with friends, lovers, writers and publishers.

Selected from her extensive correspondence and insightfully edited and annotated, this is an essential read for anyone interested in Spark’s work and world.

‘[An] immaculately-edited collection . . . Feisty, fun-filled, witty and, of course, sparky, the letters are a window into a remarkable life that was lived in devotion to literature’
ALAN TAYLOR, author of Appointment in Arezzo: A Friendship with Muriel Spark

‘Letters is a marvel. Taking in faith, love, fame and feuds, Spark’s letters reveal her life to be every bit as compelling as the novels she wrote’ JAMES BAILEY, author of Like a Cat Loves a Bird: The Nine Lives of Muriel Spark

When publishing assistant and war widow Nancy Hawkins tells Hector Bartlett he ‘urinates frightful prose’, the repercussions are swift. Losing not one, but two, much-sought-after literary jobs, Mrs Hawkins finds herself embroiled in a mystery involving anonymous letters, quack remedies and blackmail. Years later, and a far cry from Kensington, she looks back with a sharp and mischievous eye at the cost of telling the truth.

Introduced by Ali Smith.

‘Mercurially funny, playful and mischievous’ Ali Smith

‘I was in heaven reading this book. . . just blissful’ Stephen Fry

‘Funny, astringent, shrewd, her take on life is wonderfully bracing’ William Boyd

‘Wonderfully entertaining’ Sunday Telegraph

‘An outstanding novel . . . A Far Cry From Kensington has an effortless, translucent grasp of the spirit of the period’ Observer

‘The divine Spark is shining at her brightest . . . Pure delight’ Claire Tomalin

Witty, poignant and wickedly hilarious, Memento Mori may ostensibly concern death, but it is a book which leaves one relishing life all the more.

Books included in the VMC 40th anniversary series include: Frost in May by Antonia White; The Collected Stories of Grace Paley; Fire from Heaven by Mary Renault; The Magic Toyshop by Angela Carter; The Weather in the Streets by Rosamond Lehmann; Deep Water by Patricia Highsmith; The Return of the Soldier by Rebecca West; Their Eyes Were Watching God by Zora Neale Hurston; Heartburn by Nora Ephron; The Dud Avocado by Elaine Dundy; Memento Mori by Muriel Spark; A View of the Harbour by Elizabeth Taylor; and Faces in the Water by Janet Frame

Miss Jean Brodie is a rare breed of teacher – passionate, independent-minded and romantically inspired, with not the slightest care for convention. She soon garners a devoted following of six young girls, who will become known as ‘the Brodie set’, and begins to shape them in her own image. But Miss Brodie is more than just an individual with an intense desire to control and mould her girls. Beneath the facade of this self-possessed woman lie some sinister truths, and a keen interest in fascism . . .

In The Finishing School Muriel Spark is once again at her biting, satirical best. On the edge of Lake Geneva in Switzerland, a struggling would-be novelist and his wife run a finishing school of questionable reputation to keep the funds flowing. When a seventeen-year-old student’s writing career begins to show great promise, tensions run high.

A keen portrait of devouring regret, psychological unravelling and the glittering promise of youth, The Finishing School is the perfect natural partner to Muriel Spark’s most famous novel The Prime of Miss Jean Brodie.

‘Long ago in 1945 all the nice people in England were poor, allowing for exceptions’

In the May of Teck Club – a London hostel ‘three times window shattered since 1940 but never directly hit’ – the young lady residents do their best to act as if the war never happened. They practice elocution, and jostle one another over suitors and a single Schiaparelli gown. But behind the girls’ giddy literary and amorous peregrinations they hide some tragically painful secrets and wounds.‘You girls are my vocation . . . I am dedicated to you in my prime’

‘Reading the novel as a young woman was a random gift; rereading it today is to encounter the rarest of fiction and to appreciate the early and enduring genius of Muriel Spark’ Carol Shields, Guardian

‘One of Spark’s most evocative novels’ Anne Taylor

Muriel Spark was born and educated in Edinburgh. She was active in the field of creative writing since 1950, when she won a short-story writing competition in the Observer, and her many subsequent novels include Memento Mori (1959), The Ballad of Peckham Rye (1960), The Prime of Miss Jean Brodie (1961), The Girls of Slender Means (1963) and Aiding and Abetting (2000). She also wrote plays, poems, children’s books and biographies. She became Dame Commander of the British Empire in 1993, and died in 2006.

‘You girls are my vocation . . . I am dedicated to you in my prime’

Miss Jean Brodie is a schoolmistress with a difference. She is proud, cultured and romantic but her educational ideas are highly progressive and even deeply shocking. So when she decides to transform a group of ‘special girls’ into the crème de la crème at Marcia Blaine School they are soon known, perhaps suspiciously, as the Brodie set.

Introduced to an unsettling world of adult games and curious intrigues, the Brodie Set know that they are privileged. Yet there is a price to pay – they must give Miss Brodie their undivided loyalty . . .

‘The most gifted and innovative British novelist of her generation’ David Lodge, The New York Times

‘Spark’s novels linger in the mind as brilliant shards’ John Updike, New Yorker