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	<title>Stourton, James &#8211; The Bell Bookshop</title>
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	<title>Stourton, James &#8211; The Bell Bookshop</title>
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		<title>Rogues and Scholars</title>
		<link>https://www.bellbookshop.co.uk/product/rogues-and-scholars-2/</link>
		
		<dc:creator><![CDATA[Emma]]></dc:creator>
		<pubDate>Thu, 09 Oct 2025 00:00:00 +0000</pubDate>
				<guid isPermaLink="false">https://www.bellbookshop.co.uk/?post_type=product&#038;p=51945</guid>

					<description><![CDATA[A colourful and fast-moving account of how postwar London became the global centre of the art market - a story of Impressionist masterpieces, contemporary art, loaded buyers, dodgy dealers and huge financial transactions.]]></description>
										<content:encoded><![CDATA[<p><b>A<i> Times</i> Best Art Book of the Year, 2024</b><br /><b>&#8216;A riot of a book&#8217; &#8211; <i>Country Life</i>&#8216;s Books of the Year, 2024</b></p>
<p>The modern art market was born on a single night. On 15 October 1958 Sotheby&#8217;s of Bond Street staged an &#8216;event sale&#8217; of Impressionist paintings from the collection of an American banker, Erwin Goldschmidt: three Manets, two Cézannes, one Van Gogh and a Renoir. Movie stars and other celebrities attended in black tie and saw the seven lots go for  £781,000 &#8211; at the time the highest price for a single art sale.</p>
<p>Overnight, London became the world centre of the art market and Sotheby&#8217;s an international auction house. The event signalled a shift in power from dealers to auctioneers and pointed the way for Impressionist paintings to dominate the market for the next forty years. In this climate Sotheby&#8217;s and Christie&#8217;s became a great business duopoly &#8211; as aggressive, dominant and competitive in the field of art sales as Pepsi and Coca-Cola were in soft drinks. The resulting expansion of the market was accompanied by rocketing prices, colourful scandals and legal dramas. Over the decades, London transformed itself from a place of old master sales to a revitalised centre of contemporary art, a process crowned by the opening of Tate Modern in 2000.</p>
<p>James Stourton tells the story of the London art market from the immediate postwar period to the turn of the millennium in engaging and fast-paced style, populating his richly entertaining narrative with a glorious rogues&#8217; gallery of clever amateurs, eccentric scholars, brilliant emigrés, cockney traders and grandees with a flair for the deal.</p>
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		<item>
		<title>Rogues and scholars</title>
		<link>https://www.bellbookshop.co.uk/product/rogues-and-scholars/</link>
		
		<dc:creator><![CDATA[Emma]]></dc:creator>
		<pubDate>Thu, 12 Sep 2024 00:00:00 +0000</pubDate>
				<guid isPermaLink="false">https://www.bellbookshop.co.uk/?post_type=product&#038;p=42738</guid>

					<description><![CDATA[On 15th October 1958 Sotheby's of Bond Street staged an 'event sale' of seven Impressionist paintings belonging to Erwin Goldschmidt: three Manets, two CÃ©zannes, one Van Gogh and a Renoir. Kirk Douglas, Anthony Quinn and Somerset Maugham were there as celebrity guests. The seven lots went for 781,000 - at the time the highest price for a single sale. The event established London as the world centre of the art market and Sotheby's as an international auction house. It began a shift in power from the dealers to the auctioneers and pointed the way for Impressionist paintings to dominate the market for the next forty years. While Sotheby's is the lynchpin of the story, Stourton populates his narrative with a glorious rogue's gallery of clever amateurs, eccentric scholars, brilliant emigrÃ©s, cockney traders and grandees with a flair for the deal.]]></description>
										<content:encoded><![CDATA[<p>The modern art market was born on a single night. On 15 October 1958 Sotheby&#8217;s of Bond Street staged an &#8216;event sale&#8217; of Impressionist paintings from the collection of an American banker, Erwin Goldschmidt: three Manets, two Cézannes, one Van Gogh and a Renoir. Movie stars and other celebrities attended in black tie and saw the seven lots go for  £781,000 &#8211; at the time the highest price for a single art sale.</p>
<p>Overnight, London became the world centre of the art market and Sotheby&#8217;s an international auction house. The event signalled a shift in power from dealers to auctioneers and pointed the way for Impressionist paintings to dominate the market for the next forty years. In this climate Sotheby&#8217;s and Christie&#8217;s became a great business duopoly &#8211; as aggressive, dominant and competitive in the field of art sales as Pepsi and Coca-Cola were in soft drinks. The resulting expansion of the market was accompanied by rocketing prices, colourful scandals and legal dramas. Over the decades, London transformed itself from a place of old master sales to a revitalised centre of contemporary art, a process crowned by the opening of Tate Modern in 2000.</p>
<p>James Stourton tells the story of the London art market from the immediate postwar period to the turn of the millennium in engaging and fast-paced style, populating his richly entertaining narrative with a glorious rogues&#8217; gallery of clever amateurs, eccentric scholars, brilliant emigrés, cockney traders and grandees with a flair for the deal.</p>
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		<item>
		<title>Heritage</title>
		<link>https://www.bellbookshop.co.uk/product/heritage-2/</link>
		
		<dc:creator><![CDATA[Emma]]></dc:creator>
		<pubDate>Thu, 09 Nov 2023 00:00:00 +0000</pubDate>
				<guid isPermaLink="false">https://www.bellbookshop.co.uk/?post_type=product&#038;p=36435</guid>

					<description><![CDATA[What is heritage? When was it invented? What is its place in the world today? What is its place tomorrow? Heritage is all around us: millions belong to its organisations, tens of thousands volunteer for it, and politicians pay lip service to it. When the Victorians began to employ the term in something approaching the modern sense, they applied it to cathedrals, castles, villages and certain landscapes. Since then a multiplicity of heritage labels have arisen, cultural and commercial, tangible and intangible - for just as every era has its notion of heritage, so does every social group, and every generation. In 'Heritage', James Stourton focuses on elements of our cultural and natural environment that have been deliberately preserved: the British countryside and national parks, buildings such as Blenheim Palace and Tattershall Castle, and the works of art inside them.]]></description>
										<content:encoded><![CDATA[<p><b>What is heritage? When was it invented? What is its place in the world today? What is its place tomorrow? </b>Heritage is all around us: millions belong to its organisations, tens of thousands volunteer for it, and politicians pay lip service to it. When the Victorians began to employ the term in something approaching the modern sense, they applied it to cathedrals, castles, villages and certain landscapes. Since then a multiplicity of heritage labels have arisen, cultural and commercial, tangible and intangible &#8211; for just as every era has its notion of heritage, so does every social group, and every generation.In <i>Heritage</i>, James Stourton focuses on elements of our cultural and natural environment that have been deliberately preserved: the British countryside and national parks, buildings such as Blenheim Palace and Tattershall Castle, and the works of art inside them. He charts two heroic periods of conservation &#8211; the 1880s and the 1960s &#8211; and considers whether threats of wealth, rampant development and complacency are similar in the present day. <i>Heritage</i> is both a story of crisis and profound change in public perception, and one of hope and regeneration.</p>
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		<item>
		<title>Heritage</title>
		<link>https://www.bellbookshop.co.uk/product/heritage/</link>
		
		<dc:creator><![CDATA[Emma]]></dc:creator>
		<pubDate>Thu, 10 Nov 2022 00:00:00 +0000</pubDate>
				<guid isPermaLink="false">https://www.bellbookshop.co.uk/?post_type=product&#038;p=27378</guid>

					<description><![CDATA[A comprehensive, illustrated history of the British heritage industry, from art historian and former Sotheby's Chairman James Stourton.]]></description>
										<content:encoded><![CDATA[<p><b>What is heritage? When was it invented? What is its place in the world today? What is its place tomorrow? </b>Heritage is all around us: millions belong to its organisations, tens of thousands volunteer for it, and politicians pay lip service to it. When the Victorians began to employ the term in something approaching the modern sense, they applied it to cathedrals, castles, villages and certain landscapes. Since then a multiplicity of heritage labels have arisen, cultural and commercial, tangible and intangible &#8211; for just as every era has its notion of heritage, so does every social group, and every generation.In <i>Heritage</i>, James Stourton focuses on elements of our cultural and natural environment that have been deliberately preserved: the British countryside and national parks, buildings such as Blenheim Palace and Tattersall Castle, and the works of art inside them. He charts two heroic periods of conservation &#8211; the 1880s and the 1960s &#8211; and considers whether threats of wealth, rampant development and complacency are similar in the present day. <i>Heritage</i> is both a story of crisis and profound change in public perception, and one of hope and regeneration.</p>
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		<title>Great Houses of London</title>
		<link>https://www.bellbookshop.co.uk/product/great-houses-of-london/</link>
		
		<dc:creator><![CDATA[Emma]]></dc:creator>
		<pubDate>Tue, 04 Oct 2022 00:00:00 +0000</pubDate>
				<guid isPermaLink="false">https://www.bellbookshop.co.uk/product/great-houses-of-london/</guid>

					<description><![CDATA[<i>Great Houses of London</i> tells the stories of some of the grandest and most fascinating houses in this historic city, from their famous owners and occupants to their renovations and the many riches held within each.<br><br> Â ]]></description>
										<content:encoded><![CDATA[<p><b>Discover the stories of some of the most breathaking and historic great houses of London, along with their secrets, in this lavishly illustrated compedium.</b></p>
<p> London has a <b>wealth of truly stunning great houses</b>, seen by many as <b>one of the marvels of English architecture,  </b>and yet to many their histories, their interiors and their occupants remain unknown.</p>
<p> This book, illustrated throughout with <b>sumptuous photography of these breathaking residences,</b>  reveals to us this <b>secret world of riches and splendour.</b></p>
<p> From the <b>baroque and imposing magnificence of 10 Downing Street</b>, perhaps London&#8217;s most famous address, to the  <b>extraordinary Pre-Raphaelite mosaics of Debenham House  </b>to the confident, <b>futuristic steel and glass of the Richard Rogers House in Chelsea, </b>this book showcases these properties and <b>details their origin as well as the many transformations they have undergone</b> from their construction to the present day.</p>
<p> There are many<b> architectural wonders</b>, among them Robert Adam&#8217;s 20 St James&#8217;s Square and William Burges&#8217;s Tower House. Several &#8211; including Bridgewater House with its Raphaels and Titians &#8211; have held<b> great art collections</b>.</p>
<p> These are houses that hold <b>extraordinary stories:</b> half the Cabinet resigned after breakfast at Stratford House; and on 4 August 1914, at 9 Carlton House Terrace  &#8211; then the German Embassy  &#8211; young duty clerk Harold Nicholson deftly substituted one declaration of war for another.</p>
<p> With <b>photography by the world-famous and multi-award winning  Fritz von der Schulenburg</b>, this title<b> brings these houses to life in all their grandeur</b>, and text from historian and author James Stourton delves into the many <b>fascinating stories hidden behind the walls</b> of these homes.</p>
<p><i>Great Houses of London</i> opens the door to some of the <b>greatest and grandest houses</b> in the world to<b> tell the stories of their owners and occupants</b>, artists and architects, their restoration, adaptation and change.</p>
<p> Now available in a more compact format.  <br />   </p>
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