‘Every one of her books is a treat and this is my favourite, because of its wonderful cast of characters, and because of the deftness with which Taylor’s narrative moves between them … A wonderful writer’ SARAH WATERS

‘Her stories remain with one, indelibly, as though they had been some turning-point in one’s own experience’ ELIZABETH BOWEN

In the faded coastal village of Newby, everyone looks out for – and in on – each other, and beneath the deceptively sleepy exterior, passions run high.

Beautiful divorcee Tory is painfully involved with her neighbour, Robert, while his wife Beth, Tory’s best friend, is consumed by the worlds she creates in her novels, oblivious to the relationship developing next door. Their daughter Prudence is aware, however, and is appalled by the treachery she observes. Mrs Bracey, an invalid whose grasp on life is slipping, forever peers from her window, constantly prodding her daughters for news of the outside world. And Lily Wilson, a lonely young widow, is frightened of her own home. Into their lives steps Bertram, a retired naval officer with the unfortunate capacity to inflict lasting damage while trying to do good.

Books included in the VMC 40th anniversary series include: Frost in May by Antonia White; The Collected Stories of Grace Paley; Fire from Heaven by Mary Renault; The Magic Toyshop by Angela Carter; The Weather in the Streets by Rosamond Lehmann; Deep Water by Patricia Highsmith; The Return of the Soldier by Rebecca West; Their Eyes Were Watching God by Zora Neale Hurston; Heartburn by Nora Ephron; The Dud Avocado by Elaine Dundy; Memento Mori by Muriel Spark; A View of the Harbour by Elizabeth Taylor; and Faces in the Water by Janet Frame

On a rainy Sunday in January, the recently widowed Mrs Palfrey arrives at the Claremont Hotel where she will spend her remaining days. Her fellow residents are magnificently eccentric and endlessly curious, living off crumbs of affection and snippets of gossip. Together, upper lips stiffened, they fight off their twin enemies: boredom and the Grim Reaper.

Then one day Mrs Palfrey strikes up an unlikely friendship with an impoverished young writer, Ludo, who sees her as inspiration for his novel.

‘Elizabeth Taylor’s exquisitely drawn character study of eccentricity in old age is a sharp and witty portrait of genteel postwar English life facing the changes taking shape in the 60s . . . Much of the reader’s joy lies in the exquisite subtlety in Taylor’s depiction of all the relationships, the sharp brevity of her wit, and the apparently effortless way the plot unfolds’ -Robert McCrum ‘the 100 best novels’, Guardian

‘Elizabeth Taylor is finally being recognised as an important British author: an author of great subtlety, great compassion and great depth. As a reader, I have found huge pleasure in returning to Taylor’s novels and short stories many times over. As a writer I’ve returned to her too – in awe of her achievements, and trying to work out how she does it’ SARAH WATERS

Vinny Tumulty is a quiet, sensible man. When he goes to stay at a seaside town, his task is to comfort Isabella, a bereaved friend, and and he is prepared for a solemn few days of tears and consolation. But on the evening of his arrival, he looks out of the window at the sunset and catches sight of a beautiful woman walking by the seashore. Before the week is over Vinny has fallen in love, completely and utterly, for the first time in his middle-aged life. Emily, though, is a sleeping beauty, her secluded life hiding bitter secrets from the past.

When newly orphaned Cassandra Dashwood arrives as governess to little Sophy, the scene seems set for the archetypal romance between young girl and austere widowed employer. Strange secrets abound in the ramshackle house. But conventions are subverted in this atmospheric novel: one of its worlds is suffused with classical scholarship and literary romance, but the other is chaotic, quarrelsome and even farcical. Cassandra is to discover that in real life, tragedy, comedy and acute embarrassment are never far apart.

'It is time that justice was done to Elizabeth Taylor… All her writings could be described as coming into the category of comedy. Comedy is the best vehicle for truths that are too fierce to be borne' ANITA BROOKNER

'”You know,'”Midge began, and paused. She was rather taken aback, and could not at once think of anything to say. “Perhaps there's nothing so dangerous as having led a sheltered life.”'

Cressy has grown up in a world of women, presided over by her eccentric, artist grandfather Harry Bretton. Rebelling against the wholesome, organic values of her home life, Cressy decides to leave home in search of more ephemeral pleasures. Taking a job in an antiques shop, she meets David, a self-satisfied journalist, also looking for means of fleeing the family nest. But as Cressy cannot fend for herself and David is securely tied to his mother's apron strings, this act of escape for both of them proves a powerful form of bondage.

'Elizabeth Taylor is finally being recognised as an important British author: an author of great subtlety, great compassion and great depth. As a reader, I have found huge pleasure in returning to Taylor's novels and short stories many times over. As a writer I've returned to her too – in awe of her achievements, and trying to work out how she does it ' SARAH WATERS

Intelligent and haunting, with echoes of Brief Encounter, this is a love story by one of the best British writers of the 20th century.

During summer games of hide and seek Harriet falls in love with Vesey and his elusive, teasing ways. When he goes to Oxford she cherishes his photograph and waits for a letter that never comes.

Years pass and Harriet stifles her dreams; with a husband and daughter, she excels at respectability. But then Vesey reappears and her marriage seems to melt away. Harriet is older, it is much too late, but she is still in love with him.

Then one day Mrs Palfrey strikes up an unlikely friendship with an impoverished young writer, Ludo, who sees her as inspiration for his novel.

‘Elizabeth Taylor’s exquisitely drawn character study of eccentricity in old age is a sharp and witty portrait of genteel postwar English life facing the changes taking shape in the 60s . . . Much of the reader’s joy lies in the exquisite subtlety in Taylor’s depiction of all the relationships, the sharp brevity of her wit, and the apparently effortless way the plot unfolds’ -Robert McCrum ‘the 100 best novels’, Guardian

*

Mrs Lippincote's house, with its mahogany furniture and yellowing photographs, stands as a reminder of all the certainties that have vanished with the advent of war. Temporarily, this is home for Julia, who has joined her husband Roddy at the behest of the RAF. Although she can accept the pomposities of service life, Julia's honesty and sense of humour prevent her from taking her role as seriously as her husband, that leader of men, might wish; for Roddy, merely love cannot suffice – he needs homage as well as admiration. And Julia, while she may be a most unsatisfactory officer's wife, is certainly no hypocrite.

*

'Her stories remain with one, indelibly, as though they had been some turning-point in one's own experience' Elizabeth Bowen

'No writer has described the English middle classes with more gently devastating accuracy' Rebecca Abrams, Spectator

'A Game of Hide and Seek showcases much of what makes Taylor a great novelist: piercing insight, a keen wit and a genuine sense of feeling for her characters' Elizabeth Day, Guardian