‘Taylor’s poetry is as dangerous as it is dexterous . . . A wildfire blazing free’ BERNARDINE EVARISTO
‘Kaleidoscopic in its breath, structure and humanity . . . Both selfless and intimate’ ANTHONY JOSEPH
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From the T. S. Eliot and Polari Prize-winning author of C+NTO & Othered Poems comes an innovative collection exploring the scars, hopes and potentialities of dyke counterculture and the queer underground.

With a vividly sketched cast of characters, award-winning poet Joelle Taylor uses the Maryville butch bar as a lens through which to consider the underground histories of queer London. The violence and pain of oppression and the beauty and intimacy of community are rendered in awe-inspiring high definition in a collection as filmic as it is familiar. A hybrid chronicle, magic trick, prayer and insurrection, Maryville conjures ghosts back to their bodies, a community to their feet.

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‘Sexy, fearless – and ravishingly beautiful’ NEIL BARTLETT
‘One of the most powerful voices of our time . . . Joelle Taylor is a genius’ CACONRAD

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Hackney, 2233: a woman walks into a tattoo parlour. Jones’ body is covered in tattoos but she wants to add one final inking to her gallery – a thin line of ink that connects the haunting images of her body art together, creating a unique and mysterious map.

As the two tattoo artists set to work, Jones tells them the story behind each tattoo. As Jones is no ordinary woman, these are no ordinary stories: each one represents a doorway to a life Jones fell into, a ‘remembering’.

Set across geographies and time-spans, The Night Alphabet is a deep and bold investigation into violence, resilience and women’s stories.

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The tattoo was a reclamation, a flag we mounted in the centre of our own landscape.

A woman walks into a tattoo parlour. But this is no ordinary woman, and this is Hackney in 2233. Jones’ body is covered in tattoos but she wants to add one final inking to her gallery – a thin line of ink mixed with blood that connects her body art together, creating a unique map.

As the two artists set to work, Jones tells them the story behind each tattoo. As Jones is no ordinary woman, these are no ordinary stories: each one represents a doorway to a life Jones fell into, a ‘remembering’. Some of these lives were in the past, others in the future, some are sideways, but each of them connects Jones to the two tattoo artists in some way, though they are unaware of it.

We visit the dystopian cities of the Quiet Men, the coal mines of 19th century Lancashire, join a gang of vigilante sex workers, enter the world of an INCEL murderer, haunt the old Maryville gay bar, and uncover plans to genetically modify female children. Each of the stories brings us closer to Jones’ truth, and how her life is intricately interwoven with that of the women tattooing her body.

Set across geographies and timespans, The Night Alphabet is a dazzlingly bold and original work, a deep investigation into human nature and violence against women.