A Most Anticipated Book in Guardian, Financial Times, Sunday Times Style, BBC, GQ, New York Times and AnOther

Desperate college dropout Hai is ready to make a devastating choice until a chance meeting with elderly widow Grazina changes the course of his life, in this achingly beautiful novel about chosen family and second chances

One summer evening in the town of East Gladness, Connecticut, nineteen-year-old Hai stands on a bridge, ready to jump, when he hears someone shout across the river. The voice belongs to Grazina, an elderly widow succumbing to dementia. Over the course of the year, the unlikely pair develops a life-altering bond.

The Emperor of Gladness shows the profound ways in which our lives are changed by the most unexpected of people. When Hai takes a job at a diner to support himself and Grazina, his fellow workers become the family he didn’t expect to find. United by desperation and circumstance, and existing on the fringes of society, together they bear witness to each other’s survival.

This is an unforgettable story of unexpected friendship and how far we would go to possess one of life’s most fleeting mercies: a second chance.

‘A poetic, dramatic and vivid story. It has an epic sweep but it also handles intimacy and love with delicacy and deep originality’ COLM TÓIBÍN

‘Tender and moving’ REBECCA SOLNIT

‘A masterwork’ BRYAN WASHINGTON

‘One of the most important poets of his generation’
ANDREW MCMILLAN, author of Physical

‘Powerful’
DUA LIPA

‘Redefines our idea of what an elegy can do it, what it is for’
ILYA KAMINSKY, author of Deaf Republic

In this deeply intimate second poetry collection, Ocean Vuong searches for life among the aftershocks of his mother’s death, embodying the paradox of sitting within grief while being determined to survive beyond it. Vivid, brave and propulsive, Vuong’s poems contend with personal loss, the meaning of family, and the value of joy in a perennially fractured American spirit.

The author of the critically acclaimed poetry collection Night Sky with Exit Wounds, winner of the 2016 Whiting Award, the 2017 T. S. Eliot Prize and a 2019 MacArthur fellow, Vuong writes directly to our humanity without losing sight of the current moment. Bold and prescient, and a testament to tenderness in the face of violence, Time is a Mother is a return and a forging-forth all at once.

In this deeply intimate second poetry collection, Ocean Vuong searches for life among the aftershocks of his mother’s death, embodying the paradox of sitting within grief while being determined to survive beyond it. Shifting through memory, and in concert with the themes of his novel On Earth We’re Briefly Gorgeous, Vuong contends with personal loss, the meaning of family, and the value of joy in a perennially fractured American spirit. Vivid, brave, and propulsive, Vuong’s poems circle fragmented lives to find both restoration as well as the epicentre of the break.

The author of the critically acclaimed poetry collection Night Sky With Exit Wounds, winner of the 2016 Whiting Award, the 2017 T. S. Eliot Prize, and a 2019 MacArthur fellow, Vuong writes directly to our humanity without losing sight of the current moment. These poems represent a more innovative and daring experimentation with language and form, illuminating how the themes we live in and question are truly inexhaustible. Bold and prescient, and a testament to tenderness in the face of violence, Time Is a Mother is a return and a forging-forth all at once.

Discover the powerful new collection from the TikTok sensation and author of On Earth We’re Briefly Gorgeous

This is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late twenties, the letter unearths a family’s history that began before he was born. It tells of Vietnam, of the lasting impact of war, and of his family’s struggle to forge a new future.

And it serves as a doorway into parts of Little Dog’s life his mother has never known – episodes of bewilderment, fear and passion – all the while moving closer to an unforgettable revelation.

‘Reminded me that every word can be an incantation, and that beauty does hard and important work’ Rebecca Solnit