‘Strikingly accomplished . . . utterly compelling.’ SUNDAY TIMES
‘A masterpiece of biography.’ DAILY TELEGRAPH
‘A total joy to read.’ SARAH BAKEWELL
‘I feel like I’ve been waiting for this book my whole life.’ SHEILA HETI

A BOOK OF THE YEAR IN:
THE GUARDIAN
THE SPECTATOR
THE TELEGRAPH
THE INDEPENDENT
ARTFORUM
WASHINGTON POST BOOK WORLD
NPR’S FRESH AIR

From the celebrated author of Square Haunting comes a biography as unconventional and surprising as the life it tells.

‘Think of the Bible and Homer think of Shakespeare and think of me,’ wrote Gertrude Stein in 1936. Admirers called her a genius, sceptics a charlatan: she remains one of the most confounding – and contested – writers of the twentieth century.

In this literary detective story, Francesca Wade delves into the creation of the Stein myth. We see her posing for Picasso’s portrait; at the centre of Bohemian Parisian life hosting the likes of Matisse and Hemingway; racing through the French countryside with her enigmatic companion Alice B. Toklas; dazzling American crowds on her sell-out tour for her sensational Autobiography – a veritable celebrity.

Yet Stein hoped to be remembered not for her personality but for her work. From her deathbed, she charged her partner with securing her place in literary history. How would her legend shift once it was Toklas’s turn to tell the stories – especially when uncomfortable aspects of their past emerged from the archive? Using astonishing never-before-seen material, Wade uncovers the origins of Stein’s radical writing, and reveals new depths to the storied relationship which made it possible.

This is Gertrude Stein as she was when nobody was watching: captivating, complex and human.

From the celebrated author of Square Haunting comes a biography as unconventional and surprising as the life it tells.

‘Think of the Bible and Homer, think of Shakespeare and think of me,’ wrote Gertrude Stein in 1936. Admirers called her a genius, sceptics a charlatan: she remains one of the most confounding – and contested – writers of the twentieth century.

In this literary detective story, Francesca Wade delves into the creation of the Stein myth. We see her posing for Picasso’s portrait; at the centre of Bohemian Parisian life hosting the likes of Matisse and Hemingway; racing through the French countryside with her enigmatic companion Alice B. Toklas; dazzling American crowds on her sell-out tour for her sensational Autobiography – a veritable celebrity.

Yet Stein hoped to be remembered not for her personality but for her work. From her deathbed, she charged her partner with securing her place in literary history. How would her legend shift once it was Toklas’s turn to tell the stories – especially when uncomfortable aspects of their past emerged from the archive? Using astonishing never-before-seen material, Wade uncovers the origins of Stein’s radical writing, and reveals new depths to the storied relationship which made it possible.

This is Gertrude Stein as she was when nobody was watching: captivating, complex and human.

‘Outstanding. I’ll be recommending this all year.’ SARAH BAKEWELL
‘A beautiful and deeply moving book.’ SALLY ROONEY

‘I like this London life . . . the street-sauntering and square-haunting.‘ Virginia Woolf, diary, 1925

Mecklenburgh Square, on the radical fringes of interwar Bloomsbury, was home to activists, experimenters and revolutionaries; among them were the modernist poet H. D., detective novelist Dorothy L. Sayers, classicist Jane Harrison, economic historian Eileen Power, and writer and publisher Virginia Woolf. They each alighted there seeking a space where they could live, love and, above all, work independently.

Francesca Wade’s spellbinding group biography explores how these trailblazing women pushed the boundaries of literature, scholarship, and social norms, forging careers that would have been impossible without these rooms of their own.

‘Elegant, erudite and absorbing, Square Haunting is a startlingly original debut, and Francesca Wade is a writer to watch.’ FRANCES WILSON
‘A fascinating voyage through the lives of five remarkable women – moving and immersive.’ EDMUND GORDON