Most folk thought Sallie Kincaid was a nobody who’d amount to nothing. Sallie had other plans.

Sallie Kincaid is the daughter of the biggest man in a small town, the charismatic Duke Kincaid. Born at the turn of the twentieth century into a life of comfort and privilege, Sallie remembers little about her mother, who died in a violent argument with the Duke. By the time she is just eight years old, the Duke has remarried and had a son, Eddie. While Sallie is the Duke’s daughter, sharp-witted and resourceful, Eddie is his mother’s son, timid and cerebral. When Sallie tries to teach young Eddie to be more like their father, her daredevil coaching leads to an accident, and Sallie is cast out.

Nine years later, she returns, determined to reclaim her place in the family. That’s a lot more complicated than Sallie expected, and she enters a world of conflict and lawlessness. Sallie confronts the secrets and scandals that hide in the shadows of the Big House, navigates the factions in the family and town, and finally comes into her own as a bold, sometimes reckless bootlegger.

‘Jeannette Walls created my new favorite hero in her protagonist, Sallie Kincaid. Sallie is sharp, bold, unflinching, and humorous despite, or maybe because of, her hardships.’ -  Jennette McCurdy, bestselling author of  I’m Glad My Mom Died  

‘Hang the Moon is Jeannette Walls’s masterwork. Epic in scope, the novel is a thrill ride through Prohibition and change in the American South . . . The prose is so elegant and so close to the bone you feel Sallie’s heartbeat. Glorious.’ ?  Adriana Trigiani, author of The Good Left Undone

‘Does what all good books should: it affirms our faith in the human spirit.’  ?  Dani Shapiro on The Glass Castle

‘Like J.D. Salinger or Hemingway before her, Jeannette Walls has the talent of knowing exactly how to let a story tell itself.’  ?  Sunday Independent  on  The Glass Castle

Most folk thought Sallie Kincaid was a nobody who’d amount to nothing. Sallie had other plans.

Sallie Kincaid is the daughter of the biggest man in a small town, the charismatic Duke Kincaid. Born at the turn of the twentieth century into a life of comfort and privilege, Sallie remembers little about her mother, who died in a violent argument with the Duke. By the time she is just eight years old, the Duke has remarried and had a son, Eddie. While Sallie is the Duke’s daughter, sharp-witted and resourceful, Eddie is his mother’s son, timid and cerebral. When Sallie tries to teach young Eddie to be more like their father, her daredevil coaching leads to an accident, and Sallie is cast out.

Nine years later, she returns, determined to reclaim her place in the family. That’s a lot more complicated than Sallie expected, and she enters a world of conflict and lawlessness. Sallie confronts the secrets and scandals that hide in the shadows of the Big House, navigates the factions in the family and town, and finally comes into her own as a bold, sometimes reckless bootlegger.

‘Jeannette Walls created my new favorite hero in her protagonist, Sallie Kincaid. Sallie is sharp, bold, unflinching, and humorous despite, or maybe because of, her hardships.’ -  Jennette McCurdy, bestselling author of  I’m Glad My Mom Died  

‘Hang the Moon is Jeannette Walls’s masterwork. Epic in scope, the novel is a thrill ride through Prohibition and change in the American South . . . The prose is so elegant and so close to the bone you feel Sallie’s heartbeat. Glorious.’ ?  Adriana Trigiani, author of The Good Left Undone

‘Does what all good books should: it affirms our faith in the human spirit.’  ?  Dani Shapiro on The Glass Castle

‘Like J.D. Salinger or Hemingway before her, Jeannette Walls has the talent of knowing exactly how to let a story tell itself.’  ?  Sunday Independent  on  The Glass Castle

This is a startling memoir of a successful journalist’s journey from the deserted and dusty mining towns of the American Southwest, to an antique filled apartment on Park Avenue. Jeanette Walls narrates her nomadic and adventurous childhood with her dreaming, ‘brilliant’ but alcoholic parents.

At the age of seventeen she escapes on a Greyhound bus to New York with her older sister; her younger siblings follow later. After pursuing the education and civilisation her parents sought to escape, Jeanette eventually succeeds in her quest for the ‘mundane, middle class existence’ she had always craved. In her apartment, overlooked by ‘a portrait of someone else’s ancestor’ she recounts poignant remembered images of star watching with her father, juxtaposed with recollections of irregular meals, accidents and police-car chases and reveals her complex feelings of shame, guilt, pity and pride toward her parents.