Different though the sexes are, they intermix. In every human being a vacillation from one sex to the other takes place, and often it is only the clothes that keep the male or female likeness, while underneath the sex is the very opposite of what it is above.

Orlando is a charming nobleman, a poet, and a vessel through which truth is exposed. Born in Elizabethan England, his life spans across centuries. He observes the shifting landscapes of history and time, noting these changes as they come. But one morning, he transforms into a woman.

What begins as a fantastical romp through time becomes a profound meditation on gender, freedom and the fluidity of identity. With wit, lyricism and dazzling imagination, Orlando crafts a gender-defying portrait of a soul unbound by society's labels – a bold rebellion against life's binaries that remains radically modern today.

Clarissa Dalloway is preparing to give a party. Over the course of one day, as she readies her house, Clarissa is flooded with memories and re-examines the choices she has made over the course of her life. Virginia Woolf started writing Mrs Dalloway in 1922 as a short story. Its publication in 1925 was met with modest commercial success but the novel went on to become one of the most vital works of literature of the last century.

This hardback is part of VINTAGE COLLECTOR’S CLASSICS, a series of luxurious books especially crafted for collectors and fans of beautiful special editions. Sumptuous design meets the highest quality production. Discover timeless classics beautifully bound for every bookshelf.

As his tale begins, Orlando is a passionate young nobleman whose days are spent in rowdy revelry, filled with the colourful delights of Queen Elizabeth’s court. By the close, he will have transformed into a modern, thirty-six-year-old woman and three centuries will have passed. Orlando will not only witness the making of history from its edge, but will find that his unique position as a woman who knows what it is to be a man will give him insight into matters of the heart.

This hardback is part of VINTAGE COLLECTOR’S CLASSICS, a series of luxurious books especially crafted for collectors and fans of beautiful special editions. Sumptuous design meets the highest quality production. Discover timeless classics beautifully bound for every bookshelf.

On a perfect June morning, Clarissa Dalloway – fashionable, worldly, wealthy and an accomplished hostess – sets off to buy flowers for the party she will host that evening. She is preoccupied with thoughts of the present and memories of the past, and from her interior monologue emerge the people who have touched her life.

On the same day, Septimus Warren Smith, a shell-shocked survivor of the Great War, commits suicide, and casual mention of his death at the party provokes in Clarissa thoughts of her own isolation and loneliness.

Parties and Passions, The Picture of Dorian Gray and The Great Gatsby are also available in this Macmillan Collector’s Library series of gorgeous paperbacks featuring the greatest parties and the wildest passions in literature.

There were little daily miracles, illuminations, matches struck unexpectedly in the dark.

The Ramseys have always spent their holidays at their summer house on Skye – holidays filled with noise, joy and the stuff of family life that might go on forever. But as time passes, bringing with it war and death, the summer home stands empty until one day the family return to make the long-postponed visit to the lighthouse.

To the Lighthouse was published in 1927 and was more commercially successful than any of Woolf’s previous novels. Woolf herself thought it ‘easily the best of my books’. The book printed three times in its first year and went on to become one of Woolf’s best-loved works.

The text of this edition of To the Lighthouse is based on the original Hogarth Press edition, published by Virginia and Leonard Woolf on 5 May 1927. The dust jacket features the original cover created by Virginia Woolf’s sister, Vanessa Bell, for the Hogarth Press. Beneath the cover ‘bright blue’ boards printed in gilt take inspiration from the finish of the first trade edition.

‘My mind was warped into a new shape by her prose and it will never be the same again’ Greta Gerwig

‘I reread this book every once in a while, and every time I do I find it more capacious and startling. It’s so revolutionary and so exquisitely wrought that it keeps evolving on its own somehow, as if it’s alive’ Alison Bechdel

Mrs Dalloway said she would buy the flowers herself.

Clarissa Dalloway is preparing to give a party. Over the course of one day, as she readies her house, Clarissa is flooded with memories and re-examines the choices she has made over the course of her life.

Virginia Woolf started writing Mrs Dalloway in 1922 as a short story. Its publication in 1925 was met with modest commercial success but the novel went on to become one of the most vital works of literature of the last century.

The text of this centenary edition of Mrs Dalloway is based on the original Hogarth Press edition, published by Virginia and Leonard Woolf on 14 May 1925. The dust jacket features the original cover created by Virginia Woolf ‘s sister, Vanessa Bell, for the Hogarth Press. Beneath the cover ‘deep rust’ boards printed in gilt take inspiration from the finish of the first trade edition.

‘Sheer magic’ Daily Mail

‘One of the most moving, revolutionary artworks of the twentieth century’ Michael Cunningham, author of The Hours

Anon, who wrote so many poems without signing them, was often a woman.

Witty, urbane and vital to this day, A Room of One’s Own is a persuasive argument against the intellectual subjection of women, particularly women writers. It weaves together memoir, imaginative speculation and political vision to create one of the most important works of feminism of the twentieth century.

The book sprang from two lectures that Woolf delivered at the University of Cambridge in 1928. The first printing of the book the following year was as a limited edition, a joint publication between The Fountain Press of New York and the Hogarth Press. Two months later it was released to the general trade and has been an essential work ever since.

The text of this edition of A Room of One’s Own is based on the original Hogarth Press edition, published by Virginia and Leonard Woolf in October 1929. The dust jacket features the original cover created by Virginia Woolf’s sister, Vanessa Bell, for the Hogarth Press. Beneath the cover ‘cinnamon’ boards printed in gilt take inspiration from the finish of the first trade edition.

‘Brilliant interweaving of personal experience, imaginative musing and political clarity’ Kate Mosse

‘Achingly relevant’ Natasha Walter, Guardian

WITH AN INTRODUCTION BY HERMIONE LEE

In these exquisite stories from the genius of English modernism, everyday objects acquire profound significance: a lump of buried green glass leads to a lifetime of obsession; a mark on the wall prompts a questioning of reality itself; a pale-yellow silk dress provokes a painful self-reckoning. Beautiful, strange and pioneering, each piece is a small precious stone to be held to the light and savoured.