Award-winning author Mark Kurlansky presents an insider’s view of Havana: the elegant, tattered city he has come to know over more than thirty years. Part cultural history, part travelogue, with recipes, historic engravings, photographs, and Kurlansky’s own pen-and-ink drawings throughout, Havana celebrates the city’s singular music, literature, baseball, and food; its five centuries of outstanding, neglected architecture; and its extraordinary blend of cultures.

Like all great cities, Havana has a rich history that informs the vibrant place it is today–from the native Taino to Columbus’s landing, from Cuba’s status as a U.S. protectorate to Batista’s dictatorship and Castro’s revolution, from Soviet presence to the welcoming of capitalist tourism. Havana is a place of extremes: a beautifully restored colonial city whose cobblestone streets pass through areas that have not been painted or repaired since long before the revolution.

Kurlansky shows Havana through the eyes of Cuban writers, such as Alejo Carpentier and José Martí, and foreigners, including Graham Greene and Hemingway. He introduces us to Cuban baseball and its highly opinionated fans; the city’s music scene, alive with the rhythm of son; its culinary legacy. Through Mark Kurlansky’s multilayered and electrifying portrait, the long-elusive city of Havana comes stirringly to life.

Bayard examines the art of the “non-journey,” a tradition that a succession of writers and thinkers, unconcerned with moving away from their home turf, have employed in order to encounter the foreign cultures they wish to know and talk about. He describes concrete situations in which the reader might find himself having to speak about places he’s never been, and he chronicles some of his own experiences and offers practical advice.

How to Talk About Places You’ve Never Been is a compelling and delightful book that will expand any travel enthusiast’s horizon well beyond the places it’s even possible to visit in a single lifetime.

Why has Florence always drawn so many English and American visitors? (At the turn of the century, the Anglo-American population numbered more than thirty thousand.) Why have men and women fleeing sex scandals traditionally settled here? What is it about Florence that has made it so fascinating – and so repellent – to artists and writers over the years?

Moving fleetly between present and past and exploring characters both real and fictional, Leavitt’s narrative limns the history of the foreign colony from its origins in the middle of the nineteenth century until its demise under Mussolini, and considers the appeal of Florence to figures as diverse as Tchaikovsky, E.M. Forster, Ronald Firbank, and Mary McCarthy. Lesser-known episodes in Florentine history – the moving of Michelangelo’s David, and the construction of temporary bridges by black American soldiers in the wake of the Second World War – are contrasted with images of Florence today (its vast pizza parlors and tourist culture). Leavitt also examines the city’s portrayal in such novels and films as A Room with a View, The Portrait of a Lady and Tea with Mussolini.

David Leavitt is the author of several novels and short story collections, most recently The Marble Quilt. With Mark Mitchell, he has co-written two books about Italy, Italian Pleasures and In Maremma. He is a recipient of grants from the Guggenheim Foundation and the National Endowment for the Arts, and was recently named a Literary Lion by the New York Public Library. David Leavitt divides his time between Tuscany and Gainesville, Florida, where he teaches at the University of Florida.