‘A novel full of hopeful glitter – and one I know I will return to’ A K Blakemore, Guardian

‘Insightful, affecting and assured . . . Written with a poetry as defamiliarising as it is rich’ OISÍN FAGAN

‘Strange, intriguing, exhilarating’ CAMILLA GRUDOVA

The almost daughter is almost normal, because she knows how to know and also not know.

She knows and does not know, for instance, about the barracks by the athletics field, and about the lonely woman she visits each week. She knows – almost – about ghosts, and their ghosts, and she knows not to have questions about them. She knows to focus on being a woman: on training her body and dreaming only of escape.

Then, the almost daughter meets Oksana. Oksana is not even almost normal, and the questions she has are not normal at all.

Portraits at the Palace of Creativity and Wrecking is the story of a young woman coming of age in a town reckoning with its brutal past, for readers of Milkman and A Girl is a Half-Formed Thing.

In 1995, with his life in crisis and his own mental health fragile, Robert decides to retrace Clare’s route along the Great North Road over a punishing four-day walk. As he walks he reflects on the changing landscape and on the evolving shape of his own family, on fatherhood and masculinity, and on the meaning of home.

Part memoir, part travel-writing, part literary criticism, A Length of Road is a deeply profound and poetic exploration of class, gender, grief and sexuality through the author’s own experiences and through the autobiographical writing of poet John Clare.