In 1874, eighteen-year-old American artist John Singer Sargent went to Paris to become a painter. A mere ten years later, he would be an art-world sensation, sparking controversy with his scandalous portrait Madame X at the 1884 Salon. Sargent and Paris focuses on this decisive early decade in the artist’s storied career, when he first achieved recognition for ambitious portraits and bold canvases that pushed the boundaries of convention. Incisive essays by the world’s foremost Sargent scholars explore his life in Paris-then the epicenter of the cultural world-and the cosmopolitan circle of artists, writers, and cultivated patrons that nurtured his career and helped forge his artistic identity. Authors highlight the painter’s connections to giants of the Parisian art scene as well as the influential patrons who were key to Sargent’s progression as an artist. Presented alongside lavish images of more than a hundred paintings and works on paper-brought together from public and private collections throughout the United States and Europe-this publication offers an intimate look at the roots of Sargent’s signature, breathtaking style and his indelible experiences as a young artist in the French capital.

Published by The Metropolitan Museum of Art/Distributed by Yale University Press

Exhibition Schedule:

The Metropolitan Museum of Art, New York
(April 27-August 3, 2025)

Musée d’Orsay, Paris
(September 22, 2025-January 11, 2026)

A New York Times “Best Art Book of 2024”

A mandala is a diagram of the universe-a map of true reality intended to provide a focus for Buddhist religious practice and inspire the devout. This book highlights the distinctive Tibetan approach to creating mandalas, exploring how the form crossed over from India into Tibet, and how continuous exchanges of art and ideas between the two cultures, led by monks and spiritual teachers, gave rise to a uniquely Tibetan style of Buddhist imagery. Featuring more than one hundred paintings, sculptures, and ritual objects, this superbly illustrated volume reflects the dazzling complexities of the Tibetan imagery that has provided a foundation for mandalas through the centuries. Most notably, a mesmerizing installation by the Tibetan-American artist Tenzing Rigdol (b. 1982), specially created for the accompanying exhibition and published here for the first time, offers contemporary audiences a way of interrogating and understanding their world and underscores how this ancient tradition remains a vibrant living practice.

Published by The Metropolitan Museum of Art/Distributed by Yale University Press

Exhibition Schedule:

The Metropolitan Museum of Art, New York
(September 19, 2024-January 12, 2025)

Medieval art history has long emphasized the glories of the Byzantine Empire, but less known are the profound artistic contributions of Nubia, Egypt, Ethiopia, and other powerful African kingdoms whose pivotal interactions with Byzantium had an indelible impact on the medieval Mediterranean world. Bringing together more than 170 masterworks in a range of media and techniques-from mosaic, sculpture, pottery, and metalwork to luxury objects, panel paintings, and religious manuscripts-Africa and Byzantium recounts Africa’s centrality in transcontinental networks of trade and cultural exchange. With incisive scholarship and new photography of works rarely or never before seen in public, this long-overdue publication sheds new light on the staggering artistic achievements of late antique Africa. It reconsiders the continent’s contributions to the development of the premodern world and offers a more complete history of Africa as a vibrant, multiethnic society of diverse languages and faiths that played a crucial role in the artistic, economic, and cultural life of Byzantium and beyond.
 
Published by The Metropolitan Museum of Art/Distributed by Yale University Press
 
Exhibition Schedule:
 
The Metropolitan Museum of Art, New York
(November 19, 2023-March 3, 2024)

The Cleveland Museum of Art
(April 14-July 21, 2024)
 

Ruling successively from 1485 through 1603, the five Tudor monarchs changed England indelibly, using the visual arts to both legitimize and glorify their tumultuous rule-from Henry VII’s bloody rise to power, through Henry VIII’s breach with the Roman Catholic Church, to the reign of the “virgin queen” Elizabeth I. With incisive scholarship and sumptuous new photography, the book explores the politics and personalities of the Tudors, and how they used art in their diplomacy at home and abroad.
 
Tudor courts were truly cosmopolitan, attracting artists and artisans from across Europe, including Hans Holbein the Younger (1497/8-1543), Jean Clouet (ca. 1485-1540), and Benedetto da Rovezzano (1474-1552). At the same time, the Tudors nurtured local talent such as Isaac Oliver (ca. 1565-1617) and Nicholas Hilliard (ca. 1547-1619) and gave rise to a distinctly English aesthetic that now defines the visual legacy of the dynasty. This book reveals the true history behind a family that has long captured the public imagination, bringing to life the extravagant and politically precarious world of the Tudors through the exquisite paintings, lush textiles, gleaming metalwork, and countless luxury objects that adorned their spectacular courts.

Throughout the tumultuous decades of the early twentieth century, the graphic arts flourished in Great Britain as artists sought to portray everyday life during the machine age. This richly illustrated volume reintroduces rare print works from the collection of Leslie and Johanna Garfield  into the narrative of modernism, demonstrating their relationship to other movements such as Cubism, Futurism, and Constructivism. Essays explore how artists turned to printmaking to alleviate trauma, memorialize their wartime experiences, and capture the aspirations and fears of the twenties and thirties. Special attention is given to the linocut technique revolutionized by Claude Flight and his students at London’s Grosvenor School of Modern Art. Highlighted as well are the pioneering works of artists such as C. R. W. Nevinson, Sybil Andrews, Cyril E. Power, Paul Nash, Edward Wadsworth, Edith Lawrence, Ursula Fookes, and Lill Tschudi. In their quest to promote a more democratic art, these artists created innovative graphics that portrayed in subject, form, material, and technique the dynamic era in which they lived.