‘Wry, beautifully written . . . it works on many levels’ DAILY MAIL

‘Bray’s satire shines with observation and subtlety’ GUARDIAN

‘She writes with a quiet formidable brilliance. Her observations on relationships are acute, painful and extremely funny. This is a gem of a book.’ EMILY MAITLIS
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Global temperatures are rising.
The climate of the Abrams’ marriage is cooling.

Emma is beginning to wonder whether relationships, like mortgages, should be conducted in five-year increments. She might laugh if Chris had bought a motorbike or started dyeing his hair. Instead he’s buying off-label medicines and stockpiling food.

Chris finds Emma’s relentless optimism exasperating. A tot of dread, a nip of horror, a shot of anger – he isn’t asking much. If she would only join him in a measure of something.

The family’s precarious eco-system is further disrupted by torrential rains, power cuts and the unexpected arrival of Chris’s mother. Emma longs to lower a rope and winch Chris from the pit of his worries. But he doesn’t want to be rescued or reassured – he wants to pull her in after him.

Darkly funny and beautifully written, When the Lights Go Out is a novel for our times: a story about cultivating hope and weathering change.
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‘So timely, and so deeply human, a novel which takes us right into the heart of a marriage and at the same time grapples with the most crucial issue of our age. It’s bursting with compassion and wisdom.’ SHELLEY HARRIS, author of JUBILEE

‘Through exquisite use of language and observation, she examines the intricacies of family life in ways which have you laughing one moment and biting your nails with worry the next.’ SARAH FRANKLIN, author of SHELTER

‘With characteristic wit and humanity, Bray shows us the necessity and the impossibility of preparing for disaster, and reminds us of both the fragility and capacity of love.’ JENN ASHWORTH, author of A KIND OF INTIMACY and FELL

‘I think WHEN THE LIGHTS GO OUT is exactly the novel we need in these times: it’s complex, nuanced, and compassionate, frightening and heartening. I think Carys has written something truly extraordinary and I hope it flies. I’ll certainly be cheering it on.’ STEPHANIE BUTLAND

‘Gorgeously written… funny and compassionate… I found it very affecting.’ GOOD HOUSEKEEPING, 2020 Pick of the Year

‘Glittering characterisation, sharp and eloquent writing’ – Sunday Telegraph

‘Wonderfully entertaining’ – Observer

Bucharest, 1940. The city is on the brink of invasion and Guy and Harriet Pringle find their position growing ever more dangerous. Harriet longs for safety, while Guy’s idealism frustrates his new wife. But when the Germans march in, Guy believes they must separate in a desperate bid to find safety, so Harriet leaves for Athens. The Spoilt City is a dramatic and colourful portrait of a city in turmoil, and of a young couple struggling to make their marriage work in the face of adversity.

‘Wonderfully entertaining’ – Observer

Athens, 1941. Harriet Pringle feverishly awaits news of her husband, trapped in the spoilt city of Bucharest. Yet when the young couple are reunited, Guy once again becomes absorbed in his work, leading Harriet to seek the attention of a handsome young officer. But when Greece is defeated and Europe starts to crumble around them, Guy and Harriet are forced to find a new strength amidst the devastation. Manning’s exquisite observations on love, marriage and friendship during wartime are brought vibrantly to life.

From Peter the Great to Putin, this is the unforgettable story of St Petersburg – one of the most magical, menacing and influential cities in the world.

St Petersburg has always felt like an impossible metropolis, risen from the freezing mists and flooded marshland of the River Neva on the western edge of Russia. It was a new capital in an old country. Established in 1703 by the sheer will of its charismatic founder, the homicidal megalomaniac Peter-the-Great, its dazzling yet unhinged reputation was quickly fashioned by the sadistic dominion of its early rulers.

This city, in its successive incarnations – St Petersburg; Petrograd; Leningrad and, once again, St Petersburg – has always been a place of perpetual contradiction. It was a window on to Europe and the Enlightenment, but so much of the glory of Russia was created here: its literature, music, dance and, for a time, its political vision. It gave birth to the artistic genius of Pushkin and Dostoyevsky, Tchaikovsky and Shostakovich, Pavlova and Nureyev. Yet, for all its glittering palaces, fairytale balls and enchanting gardens, the blood of thousands has been spilt on its snow-filled streets. It has been a hotbed of war and revolution, a place of siege and starvation, and the crucible for Lenin and Stalin’s power-hungry brutality.

In St Petersburg, Jonathan Miles recreates the drama of three hundred years in this absurd and brilliant city, bringing us up to the present day, when – once more – its fate hangs in the balance. This is an epic tale of murder, massacre and madness played out against squalor and splendour. It is an unforgettable portrait of a city and its people.