‘A wonder of a collection’ Caleb Azumah Nelson
‘Thrilling … once-in-a-generation’ Jackie Kay
‘Genius … tells a thousand stories in stunningly crafted verse’ Nikita Gill
‘Remarkable, textured … Yomi Sode is a beautiful storyteller’ Candice Carty-Williams
‘Heartbreaking … This debut is the living heart and soul of contemporary poetry’ Pascale Petit
‘Vivid, beautiful and deeply moving’ Rt Hon Diane Abbott MP
‘Yomi Sode writes with clarity, anger and love’ Andrew Graham-Dixon
‘Searing, shimmering, brilliant’ Yrsa Daley-Ward
‘A must for all lovers of poetry and its power’ Roger Robinson
‘Manorism is a classic’ Caleb Femi

Impassioned, insightful, electric, Manorism is a poetic examination of the lives of Black British men and boys: propped up and hemmed in by contemporary masculinity, deepened by family, misrepresented in the media, and complicated by the riches, and the costs, of belonging and inheritance. It is also an exploration of the differences of impunity afforded to white and Black people, and to white and Black artists.

Caravaggio – originally, unexpectedly – looms large: as a man who moved between spheres of exalted patronage and petty criminality; as a painter who, amid the elegant conventions of late Mannerism, forged his own style of visceral dark and light; and as an individual whose recognized genius was allowed to legitimate and excuse his violence.

In this profound and moving debut, Yomi Sode asks: what does it mean to find oneself between worlds – to ‘code-switch’, adapting one’s speech and manners to widely differing cultural contexts? Who is, and who isn’t, allowed to be more than their origins? And what do we owe each other? What do we owe ourselves?

‘A wonder of a collection’ Caleb Azumah Nelson
‘Thrilling … once-in-a-generation’ Jackie Kay
‘Genius … tells a thousand stories in stunningly crafted verse’ Nikita Gill
‘Remarkable, textured … Yomi Sode is a beautiful storyteller’ Candice Carty-Williams
‘Heartbreaking … This debut is the living heart and soul of contemporary poetry’ Pascale Petit
‘Vivid, beautiful and deeply moving’ Rt Hon Diane Abbott MP
‘Yomi Sode writes with clarity, anger and love’ Andrew Graham-Dixon
‘Searing, shimmering, brilliant’ Yrsa Daley-Ward
‘A must for all lovers of poetry and its power’ Roger Robinson
‘Manorism is a classic’ Caleb Femi

Impassioned, insightful, electric, Manorism is a poetic examination of the lives of Black British men and boys: propped up and hemmed in by contemporary masculinity, deepened by family, misrepresented in the media, and complicated by the riches, and the costs, of belonging and inheritance. It is also an exploration of the differences of impunity afforded to white and Black people, and to white and Black artists.

Caravaggio – originally, unexpectedly – looms large: as a man who moved between spheres of exalted patronage and petty criminality; as a painter who, amid the elegant conventions of late Mannerism, forged his own style of visceral dark and light; and as an individual whose recognized genius was allowed to legitimate and excuse his violence.

In this profound and moving debut, Yomi Sode asks: what does it mean to find oneself between worlds – to ‘code-switch’, adapting one’s speech and manners to widely differing cultural contexts? Who is, and who isn’t, allowed to be more than their origins? And what do we owe each other? What do we owe ourselves?

Sophie Hardach is here to guide us through the strange and wonderful ways that humans have used languages throughout history. She takes us from the earliest Mesopotamian clay tablets and the ‘book cemeteries’ of medieval synagogues to the first sounds a child hears in their mother’s womb and their incredible capacity for language learning. Along the way, Hardach explores the role of trade in transmitting words across cultures and untangles riddles of hieroglyphics, cuneiform and the ancient scripts of Crete and Cyprus. This is a book about languages, the people who love them and the linguistic threads that connect us all.

‘Impeccably researched and engagingly presented… Sophie Hardach tells wonderful stories about words that have travelled vast distances in space and time to make English what it is’ David Bellos, author of Is That a Fish in Your Ear? Translation and the Meaning of Everything