When Sorcha O’Donovan encounters struggling musician Con Daly – the strikingly handsome outcast in their small village on West Cork’s windswept coastline – her days will never be the same.

Con strikes gold with rock band The Fishermen in London, but their lives change beyond recognition as the dark side of fame rears its head and secrets from the past threaten to destroy everything he has worked for.

Twenty years later, The Fishermen agree to re-form for the Music for Life charity concert at Wembley Stadium. But Con has been missing for more than a decade. There’s only one person who can find out what happened; only one person who knows how vital it is to uncover the truth.

Because should Con Daly reappear before the facts emerge, then history could repeat itself with even more tragic consequences . . .

Lucinda Riley wrote The Last Love Song as Lucinda Edmonds, now reworked and revived by Harry Whittaker, Lucinda’s son and co-author of Atlas: The Story of Pa Salt.

* A Guardian and Standard ‘Book to Look Out For’ 2025 *

It is the late 1980s, the closing years of Thatcher’s Britain. For the Trainspotting crew, a new era is about to begin – a time for hope, for love, for raving.

Leaving heroin behind and separated after a drug deal gone wrong, Renton, Sick Boy, Spud and Begbie each want to feel alive. They fill their days with sex and romance and trying to get ahead; they follow the call of the dance floor, with its promise of joy and redemption.

Sick Boy starts an intense relationship with Amanda, his ‘princess’ – rich, connected, everything that he is not. When the pair set a date for their wedding, Sick Boy sees a chance for his generation to take control at last.

But as the 1990s dawn, will finding love be the answer to the group’s dreams or just another doomed quest?

*****

PRAISE FOR NUMBER ONE BESTSELLER IRVINE WELSH:

‘The arrival of Trainspotting was an earth-shaking cultural moment . . . It shines with humour and friendship. Every character here is alive’ DOUGLAS STUART

‘So propulsive . . . about as much fun as you can have between two book covers’ THE TIMES

‘The voice of punk, grown up, grown wiser and grown eloquent’ SUNDAY TIMES

John Self is a consumer extraordinaire.

Rolling between London and New York he closes movie deals and spends feverishly, all the while grabbing everything he can to sate his massive appetites: alcohol, tobacco, pills, pornography and mountains of junk food. But John’s excesses haven’t gone un-noted. Menaced by a phone stalker, his high-wire, hoggish lifestyle is about to bring him face-to-face with the secret of his success.

‘Turbo-charged with savage humour from first to last page… A voice that mesmerised a generation’ Guardian

But Kahu will not be ignored. And in her struggle, she has a unique ally: the ancient whale rider himself. With a fierce determination and the power of her gifts, Kahu may be able to strengthen her tribe’s ancestral connections, earn her great-grandfather’s attention-and lead her community to a bold new future.

Can she embrace her destiny and become the next whale rider?

From the moment Ava Carson and her ten-year-old son, Toussaint, arrive at the Glenn Avenue family shelter in Philadelphia in 1985, Ava is already plotting a way out. Estranged from her own mother, Dutchess, and their home in Bonaparte, Alabama, Ava is determined to give her son
the chance of a better life.

But when Toussaint’s father, Cass, reappears, Ava is swept off course by his charisma and his bold vision for racial justice. As Ava becomes more enmeshed with Cass and the radical group he has created, Toussaint begins to sense the danger and threat of violence simmering all around him. He begins to dream of Dutchess and Bonaparte, his home and birthright, but can he find his way there?

The Unsettled is an explosive and vital story of belonging, legacy and survival from one of America’s most talented storytellers.

‘I can’t remember when I read anything that moved me quite this way, besides the work of Toni Morrison’ Oprah Winfrey on The Twelve Tribes of Hattie

‘Thank you Taylor Jenkins Reid for the escapism we all need– a sex-on-the-beach cocktail (quite literally) of a book’ PANDORA SYKES

‘I LOVE it . . . I can’t remember the last time I read a book that was so fun’ DOLLY ALDERTON

‘It’s 365 pages of pure exhilaration‘ THE TIMES

August,1983, it is the day of Nina Riva’s annual end-of-summer party, and anticipation is at a fever pitch. Everyone who is anyone wants to be around the famous Rivas: surfer and supermodel Nina, brothers Jay and Hud, and their adored baby sister Kit. Together, the siblings are a source of fascination in Malibu and the world over – especially as the children of the legendary singer Mick Riva.

By midnight the party will be completely out of control.

By morning, the Riva mansion will have gone up in flames.

But before that first spark in the early hours of dawn, the alcohol will flow, the music will play, and the loves and secrets that shaped this family will all come bubbling to the surface.

‘The perfect, literal, beach read, with the emotional depth of the ocean‘ HOLLY BOURNE

‘It’s a full on escapist delight’ STYLIST

‘This summer’s must-read novel’ RED

Taylor Jenkins-Reid, Sunday Times bestseller, April 2023

The darkest and most disturbing case report from the files of Kinsey Millhone, Y is for Yesterday begins in 1979, when four teenage boys from an elite private school sexually assault a fourteen-year-old classmate – and film the attack. Not long after, the tape goes missing and the suspected thief, a fellow classmate, is murdered. In the investigation that follows, one boy turns in evidence for the state and two of his peers are convicted. But the ringleader escapes without a trace.

Now, it’s 1989 and one of the perpetrators, Fritz McCabe, has been released from prison. Moody, unrepentant, and angry, he is a virtual prisoner of his ever-watchful parents – until a copy of the missing tape arrives with a ransom demand. That’s when the McCabes call Kinsey Millhone for help. As she is drawn into their family drama, she keeps a watchful eye on Fritz. But he’s not the only one being haunted by the past. A vicious sociopath with a grudge against Millhone may be leaving traces of himself for her to find . . .

The year is 1984. Aomame sits in a taxi on the expressway in Tokyo.

Her work is not the kind which can be discussed in public but she is in a hurry to carry out an assignment and, with the traffic at a stand-still, the driver proposes a solution. She agrees, but as a result of her actions starts to feel increasingly detached from the real world. She has been on a top-secret mission, and her next job will lead her to encounter the apparently superhuman founder of a religious cult.

Meanwhile, Tengo wishes to become a writer. He inadvertently becomes involved in a strange affair surrounding a literary prize to which a mysterious seventeen-year-old girl has submitted her remarkable first novel. It seems to be based on her own experiences and moves readers in unusual ways. Can her story really be true?

Both Aomame and Tengo notice that the world has grown strange; both realise that they are indispensable to each other. While their stories influence one another, at times by accident and at times intentionally, the two come closer and closer to intertwining.

‘It is a work of maddening brilliance and gripping originality, deceptively casual in style, but vibrating with wit, intellect and ambition’ The Times

Rolling between London and New York he closes movie deals and spends feverishly, all the while grabbing everything he can to sate his massive appetites: alcohol, tobacco, pills, pornography and mountains of junk food.

But John’s excesses haven’t gone unnoted. Menaced by a phone stalker, his high-wire, hoggish lifestyle is about to bring him face-to-face with the secret of his success.

‘Terribly, terminally funny: laughter in the dark, if ever I heard it’ Guardian