Film theory & criticism – The Bell Bookshop

Superspy science

Emma — Thu, 15 Feb 2024 00:00:00 +0000

‘Witty and well researched.’ THE TIMES‘A scientific dose of reality.’ MAIL ON SUNDAY‘A fun and comprehensive exploration.’ LINDA McROBBIE‘Endlessly fascinating.’ LIBRARY JOURNALThe science behind James Bond’s exploits – armaments, tactics, plots and enemy tech.The adventures of James Bond have thrilled readers since Ian Fleming’s novel Casino Royale was published in 1953, and when the movie of Dr No was released in 1962, Bond quickly became the world’s favourite secret agent.Science and technology have always been central to the plots that make up the world of Bond, and in Superspy Science Kathryn Harkup explores the full range of 007’s exploits and the arms, technologies, tactics and downfalls of his various foes. From the practicalities of building a volcano-based lair, to whether being covered in gold paint really will kill you, and – if your plan is to take over the world – whether it is better to use bacteria, bombs, or poison – this book has all the answers and more.Could our favourite Bond villains actually achieve world domination? Were the huge variety of weapons and technology in Bond’s arsenal from both the films and books ever actually developed in real life? And would 007 actually escape all those close shaves intact? From the plots to the gadgets to the ludicrous ways that his life is threatened, Superspy Science takes an in-depth look at the scientific world of James Bond.

Horror unmasked

Emma — Thu, 07 Sep 2023 00:00:00 +0000

From the silent-film era to the blockbusters of today, Horror Unmasked is a fun-filled, highly illustrated dive into the past influences and present popularity of the horror film genre.

The horror film’s pop-culture importance is undeniable, from its early influences to today’s most significant and exciting developments in the genre. Since 1990, the production of horror films has risen exponentially worldwide, and in 2021, horror films earned an estimated $580 million in ticket sales, not to mention how the genre has expanded into books, fashion, music, and other media throughout the world.

Horror has long been the most popular film genre, and more horror movies have been made than any other kind. We need them. We need to be scared, to test ourselves, laugh inappropriately, scream, and flinch. We need to get through them and come out, blinking, still in one piece. This comprehensive guide features:

A thorough discussion on monster movies and B-movies (The Thing; It Came from Outer Space; The Blob)
The destruction of the American censorship system (Blood Feast; The Night of the Living Dead; The Texas Chainsaw Massacre)
International horror, zombies, horror comedies, and horror in the new millennium (Matango; Suspiria; Ghostbusters)
A dissection of the critical reception of modern horror (Neon Demon; Pan’s Labyrinth; Funny Games)
Stunning movie posters and film stills, plus fan-made tributes to some of the most lauded horror franchises in the world (Aliens; the Evil Dead; The Hills Have Eyes; Scream)

A perfect reference and informational book for horror fans and those interested in its cultural influence worldwide, Horror Unmasked provides a general introduction to the genre, serves as a guidebook to its film highlights, and celebrates its practitioners, trends, and stories.

The wrath to come

Emma — Thu, 13 Apr 2023 00:00:00 +0000

The history America never wanted you to read. ‘The narrative took my breath away’ Philippe Sands ‘An extraordinarily and shockingly powerful read’ Peter Frankopan ‘One of the must-reads of the year’ Suzannah Lipscomb ‘Brilliant and provocative’ Gavin EslerSarah Churchwell examines one of the most enduringly popular stories of all time, Gone with the Wind, to help explain the divisions ripping the United States apart today. Separating fact from fiction, she shows how histories of mythmaking have informed America’s racial and gender politics, the controversies over Confederate statues, the resurgence of white nationalism, the Black Lives Matter movement, the enduring power of the American Dream, and the violence of Trumpism.Gone with the Wind was an instant bestseller when it was published in 1936; its film version became the most successful Hollywood film of all time. Today the story’s racism is again a subject of controversy, but it was just as controversial in the 1930s, foreshadowing today’s debates over race and American fascism. In The Wrath to Come, Sarah Churchwell charts an extraordinary journey through 160 years of American denialism. From the Lost Cause to the romances behind the Ku Klux Klan, from the invention of the ‘ideal’ slave plantation to the erasure of interwar fascism, Churchwell shows what happens when we do violence to history, as collective denial turns fictions into lies, and lies into a vicious reality.

Colours of film

Emma — Thu, 09 Feb 2023 00:00:00 +0000

‘What’s so wonderful about Bramesco’s book, outside of a visually splendid layout that embraces the first word of that title with detailed color breakdowns of each palette, is how much it enhances the critical language of the average viewer.’ – Brian Tallerico, Editor of RogerEbert.com

Taking you from the earliest feature films to today, Colours of Film introduces 50 iconic movies and explains the pivotal role that colour played in their success.

The use of colour is an essential part of film. It has the power to evoke powerful emotions, provide subtle psychological symbolism and act as a narrative device.

Wes Anderson’s pastels and muted tones are aesthetically pleasing, but his careful use of colour also acts as a shorthand for interpreting emotion. And let’s not forget Schindler’s List (1993, dir. Steven Spielberg), in which a bold flash of red against an otherwise black-and-white film is used as a powerful symbol of life, survival and death.

In Colours of Film, film critic Charles Bramesco introduces an element of cinema that is often overlooked, yet has been used in extraordinary ways. Using infographic colour palettes, and stills from the movies, this is a lively and fresh approach to film for cinema-goers and colour lovers alike.

He also explores in fascinating detail how the development of technologies have shaped the course of modern cinema, from how the feud between Kodak and Fujifilm shaped the colour palettes of the 20th Century’s greatest filmakers, to how the advent of computer technology is creating a digital wonderland for modern directors in which anything is possible.

?Filled with sparkling insights and fascinating accounts from the history of cinema, Colours of Film is an indispensable guide to one of the most important visual elements in the medium of film.

Documentary in Finland

Emma — Fri, 03 Feb 2023 00:00:00 +0000

This work examines the ecology of Finland's documentary filmmaking milieu by framing and analysing a series of encounters with its most important financiers, producers and directors. What emerges is a portrait of an interconnected ecology of relationships and practices, typical of a small nation documentary cinema and of Nordic film cultures.

When Marilyn met the Queen

Emma — Thu, 12 Jan 2023 00:00:00 +0000

‘England? It seemed to be raining the whole time . . . Or maybe it was me’
MARILYN MONROE

In July 1956, Marilyn Monroe arrived in London, on honeymoon with her husband Arthur Miller, to make The Sleeping Prince (later released as The Prince and the Showgirl) with Laurence Olivier.

When the couple arrived at London Airport, they were looking forward to a peaceful stay. Marilyn would work during the day at Pinewood Studios, while Arthur would write. Then, in the evening, the couple would be able to relax together in their private English country cottage. It didn’t quite turn out that way.

The ‘cottage’ was actually a mansion, which belonged to Lord Drogheda, the managing director of the Financial Times. Raised in tiny hotel rooms and apartments, Marilyn felt herself being watched. She was, by Lord Drogheda’s servants, who were selling stories to the papers.

When filming began, it was a disaster. Director Joshua Logan had written to Olivier, offering advice on how to handle Marilyn as an actress, but Olivier ignored him. Instead, he condescended to her in his introduction to the cast, pooh-poohed her views on acting, and dismissed her stage-fright as an inconvenience. Marilyn grew to hate Olivier with a passion; the feeling was mutual.

Marilyn found herself torn between settling into married life, being a curiosity for the frequently hostile British press, and her work on The Prince and the Showgirl. She took solace in small acts of kindness from members of the public, and a new fascination with Queen Elizabeth.

Marilyn made a point of adopting some of the Queen’s favourite brands, buying gloves from Cornelia James, perfume from Floris, and switching from Chanel No. 5 to Yardley’s Lavender. Marilyn made a point of asking the film’s PR manager to add a royal meeting to her schedule, but each day Olivier would delete the request.

Michelle Morgan describes Marilyn’s trip to late-1950s’ Britain in evocative detail, exploring the making of the film alongside the film star’s troubled private life and her quest to meet the Queen.

Local Hero

Emma — Thu, 13 Oct 2022 00:00:00 +0000

‘It’s not a high concept movie, there’s actually no story there really. It’s what happens in between the story that’s important’ – Bill ForsythThe story of an American businessman sent to buy the Scottish village of Ferness with the aim of turning it into an oil refinery, Local Hero is one of Scotland’s most beloved, and most misunderstood, films.When Bill Forsyth’s incredible success with the low-budget That Sinking Feeling and Gregory’s Girl found him collaborating with Britain’s best-known film producer, David Puttnam, he soon found his independent ethos clashing with Hollywood’s desire for superstar actors and a happy ending.Jonathan Melville checks into the MacAskill Arms and looks back at Bill Forsyth’s career with the help of new and archive interviews, before spending time with the cast and crew, including stars Peter Riegert and Denis Lawson, who made Local Hero on location in Houston and Scotland in 1982.With access to early drafts of the Local Hero script (including hand-written notes) that reveal more about Mac and mermaids, excerpts from a previously unpublished interview in which Bill Forsyth explains why he refuses to call his film ‘feel-good’, and a look at long-lost deleted scenes with exclusive commentary from those involved, this is the definitive history of the Scottish classic.’Genuine fairy tales are rare; so is film-making that is thoroughly original in an unobtrusive way. Bill Forsyth’s quirky disarming Local Hero is both . . . it demonstrates Mr. Forsyth’s uncanny ability for making an audience sense that something magical is going on, even if that something isn’t easily explained’ – Janet Maslin, The New York Times’Local Hero is kind of transcendent. It’s poetic in a way that most films can’t hope to be’ – Frank Cottrell-Boyce’Local Hero is one my favourite films of all time . . . A timeless masterpiece’ – Mark Kermode

Love and Let Die

Emma — Thu, 15 Sep 2022 00:00:00 +0000

The Beatles are the biggest band there has ever been. James Bond is the single most successful movie character of all time. They are also twins. Dr No, the first Bond film, and ‘Love Me Do’, the first Beatles record, were both released on the same day – Friday, 5 October 1962. Most countries can only dream of a cultural export becoming a worldwide phenomenon on this scale. For Britain to produce two on the same windy October afternoon is unprecedented.

Bond and the Beatles present us with opposing values, visions of Britain and ideas about male identity. LOVE AND LET DIE is the story of a clash between working-class liberation and establishment control, and how it exploded on the global stage. It explains why James Bond hated the Beatles, why Paul McCartney wanted to be Bond and why it was Ringo who won the heart of a Bond Girl in the end.

Told over a period of sixty dramatic years, this is an account of how two outsized cultural monsters continue to define our aspirations and fantasies and the future we are building. Looking at these touchstones in this new context will forever change how you see the Beatles, the James Bond films and six decades of British culture.

Licence to Kill

Emma — Thu, 01 Sep 2022 00:00:00 +0000

The adventures of James Bond have thrilled readers since Ian Fleming’s novel Casino Royale was published in 1953, and when the movie of Dr No was released in 1962, Bond quickly became the world’s favourite secret agent.Science and technology have always been central to the plots that make up the world of Bond, and in Superspy Science Kathryn Harkup explores the full range of 007’s exploits and the arms, technologies, tactics and downfalls of his various foes. From the practicalities of building a volcano-based lair, to whether being covered in gold paint really will kill you, and – if your plan is to take over the world – whether it is better to use bacteria, bombs, or poison – this book has all the answers and more.Could our favourite Bond villains actually achieve world domination? Were the huge variety of weapons and technology in Bond’s arsenal from both the films and books ever actually developed in real life? And would 007 actually escape all those close shaves intact? From the plots to the gadgets to the ludicrous ways that his life is threatened, Superspy Science takes an in-depth look at the scientific world of James Bond.