‘One of the most important poets of his generation’
ANDREW MCMILLAN, author of Physical

‘Powerful’
DUA LIPA

‘Redefines our idea of what an elegy can do it, what it is for’
ILYA KAMINSKY, author of Deaf Republic

In this deeply intimate second poetry collection, Ocean Vuong searches for life among the aftershocks of his mother’s death, embodying the paradox of sitting within grief while being determined to survive beyond it. Vivid, brave and propulsive, Vuong’s poems contend with personal loss, the meaning of family, and the value of joy in a perennially fractured American spirit.

The author of the critically acclaimed poetry collection Night Sky with Exit Wounds, winner of the 2016 Whiting Award, the 2017 T. S. Eliot Prize and a 2019 MacArthur fellow, Vuong writes directly to our humanity without losing sight of the current moment. Bold and prescient, and a testament to tenderness in the face of violence, Time is a Mother is a return and a forging-forth all at once.

‘Terrifically entertaining.’ Evening Standard

‘Irresistible.’ Daily Mail

‘Gripping.’ Sunday Telegraph

London, April 1870: Fanny and Stella were no ordinary Victorian women. They were young men who liked to dress as women: Frederick Park and Ernest Boulton. Stella was the most beautiful female impersonator of her day, Fanny her inseparable companion.

But the Metropolitan Police were plotting their downfall. Fanny and Stella were arrested and subjected to a sensational trial where every lascivious detail of their lives was lapped up by the public.

With a cast of peers and politicians, detectives and drag queens, Fanny and Stella is a dazzling and enthralling story of cross examinations, cross-dressing and the the birth of camp.

In Men at War, Turner looks beyond the increasingly retrogressive and jingoistic ideal of a Britain that never was to recognise men of war as creatures of love, fear, hope and desire. From writers, filmmakers, artists and ordinary men – including those in his own family – Turner assembles a broad cast of characters to bring the war to life. There are conscientious objectors, a bisexual Commando, a pacifist poet who flew for Bomber Command, a transgender RAF pilot, a soldier who suffered in Japanese POW camps and later in life became an LGBT+ activist, and those who simply did what they could just to survive and return home to a complicated peace.

As the conflict moves beyond living memory and the last veterans leave us, we are in danger of missing the opportunity to gain a true understanding of this rich history. By exploring a wartime experience that embraces sex, lust and the body as much as tactics and weaponry, Turner argues that the only way we can really understand the Second World War is to get to grips with the complexity of the lives and identities of those who fought and endured it.

‘Immensely moving and disarmingly witty’ Nigella Lawson
‘Such a moving, tough, funny, raw, honest read’ Matt Haig
‘Beautifully written, moving and gut-wrenching, but also at times very funny’ Ian Rankin
‘Captures brilliantly, beautifully, bravely the comedy as well as the tragedy of bereavement’ The Times
‘Will strike a chord with anyone who has grieved’ Independent

When the Reverend Richard Coles’s partner died suddenly, shortly before Christmas in 2019, what came next took Richard by surprise. Despite his years of experience assisting his parishioners in examining life’s moral questions, Richard now found he needed guidance himself. Much about grief was unexpected: the volume of ‘sadmin’ that must be undertaken, how much harder it is travelling solo for work, the pain of typing a text message to your partner – then remembering they are gone. This deeply personal account of life after grief will resonate, unforgettably, long after the final page has been turned.

In this deeply intimate second poetry collection, Ocean Vuong searches for life among the aftershocks of his mother’s death, embodying the paradox of sitting within grief while being determined to survive beyond it. Shifting through memory, and in concert with the themes of his novel On Earth We’re Briefly Gorgeous, Vuong contends with personal loss, the meaning of family, and the value of joy in a perennially fractured American spirit. Vivid, brave, and propulsive, Vuong’s poems circle fragmented lives to find both restoration as well as the epicentre of the break.

The author of the critically acclaimed poetry collection Night Sky With Exit Wounds, winner of the 2016 Whiting Award, the 2017 T. S. Eliot Prize, and a 2019 MacArthur fellow, Vuong writes directly to our humanity without losing sight of the current moment. These poems represent a more innovative and daring experimentation with language and form, illuminating how the themes we live in and question are truly inexhaustible. Bold and prescient, and a testament to tenderness in the face of violence, Time Is a Mother is a return and a forging-forth all at once.

Discover the powerful new collection from the TikTok sensation and author of On Earth We’re Briefly Gorgeous