Told through a series of absorbing vignettes spanning from her childhood days to gaining her PhD in forensic psychology, Underclass is a memoir about extraordinary strength, the complexities of belonging, and finding your power even when it feels as though the world is against you. Do you bend to fit in, or do you accept that you will always stand out? Do you run away from your roots, or love them for making you who you are? Do you fade into mediocrity, or do you change the world?

Taylor recounts with dark humour and unflinching detail the various lives she’s lived, covering the violence suffered at the hands of her abusers, the realities of becoming a mother in her teenage years, coming to terms with her sexuality, putting herself through university, and overcoming underhand discrimination at work. She poignantly delves into both the classist and misogynistic double standards that she has faced throughout her life, whether she was waking up on a roundabout by the estate or chairing a parliamentary conference. You can take the girl out of the council estate, but you can’t take the council estate out of the girl. Especially when it made her who she is today.

The result is deeply moving, searingly honest, horribly funny and, above all, unforgettable; a memoir that stays with you long after you’ve turned the last page.

‘A testament to the revolutionary power of sisterhood’ – Kelechi Okafor, author of Edge of Here

‘A guide to manifesting sisterhood that lasts a lifetime and nourishes beyond the surface level’ – Dazed

Join online big sisters Renée Kapuku and Courtney Daniella Boateng as they share their lessons, learnings and stories on sisterhood, and teach you how you can find, build and nourish lifelong friendships. Using their friendship profile framework, you’ll discover what kind of friend you are – open, demanding, reserved, strong or closed – and how this impacts how you show up in your friendships.

From setting your own goals and dreams, to outlining what you desire from your platonic relationships and identifying where you are being underserved, this book is your essential toolkit for building sisterhood.

Relatable, accessible and practical, To My Sisters contains all the resources you need to build healthy friendships, community and sisterhood.

‘To My Sisters guides you through the process of building and nourishing healthy connections’ – Huff Post UK

In an illuminating blend of memoir and art history, The Other Side explores the lives and work of a group of extraordinary women artists. From the twelfth-century mystic Hildegard of Bingen and the nineteenth-century spiritualist Georgiana Houghton to the pioneering Hilma af Klint, these women all – in their own unique ways – shared the same goal: to communicate with, and learn from, other dimensions.

Weaving in and out of their myriad lives, Jennifer Higgie considers the solace of ritual, the gender exclusions of art history, the contemporary relevance of myth, the boom in alternative ways of understanding the world and the impact of spiritualism on feminism and contemporary art.

Independent filmmaker Mary Haverstick thought she’d stumbled onto the project of a lifetime – a biopic of a little-known aviation legend whose story seemed to embody the hopeful spirit of the dawn of the space age. But after she received a mysterious warning from a government agent, Haverstick began to suspect that all was not as it seemed. What she found as she dug deeper was a darker story – a story of double identities and female spies, a tangle of intrigue that stretched from the fields of the Congo to the shores of Cuba, from the streets of Mexico City to the dark heart of the Kennedy assassination in Dallas, Texas.

As Haverstick attempted to learn the truth directly from her subject in a cat-and-mouse game that stretched across a decade, she plunged deep into the CIA files of the 1950s and 60s. A Woman I Know brings vividly to life the duplicities of the Cold War intelligence game, a world where code names and doubletalk are the lingua franca of spies bent on seeking advantage by any means necessary. As Haverstick sheds light on a remarkable set of women whose high-stakes intelligence work has left its only traces in redacted files, she also discovers disturbing and shocking new clues about what really happened at Dealey Plaza in 1963. Offering new clues to the assassination and a vivid picture of women in mid-century intelligence, A Woman I Know is a gripping real-life thriller.

‘It’s a shame that Pinkett Smith’s marriage has taken up so much attention because, as Worthy shows, it’s far from the most interesting thing about her’ Sunday Times Magazine

In a media driven landscape that crafts narratives for our celebrities, Smith recounts her story in an intimate conversation with readers. Along the way, she explores her path to accepting her power as a woman, and her discovery that a strong sense of self is every woman’s right and saving grace.

An impactful and rare memoir that engages and educates, Worthy is a courageous love song to self, to family, to life, and to the world.

From an unconventional upbringing in Baltimore, to an unconventional marriage to one of the most famous men in the world, adhering to the status quo has never been a familiar road for Jada Pinkett Smith. In Worthy, Smith strips herself of all the labels and stories crafted by others, and reclaims her narrative with radical self-love. Worthy teaches us who Jada is, and how to embrace our most authentic loveable souls.

Warned not to write – and certainly not to bite – these women put pen to paper anyway and wrote themselves into history.

‘Smart, funny and highly readable… a tour de force.’ A.L. Kennedy

Ever since Sappho first put stylus to papyrus, women who write have been labelled mad, undisciplined and dangerous. Funny and provocative, Eve Bites Back offers an alternative history of English literature. Placing the female contemporaries of Chaucer, Shakespeare and Milton centre stage, Anna Beer builds a vibrant new canon through Restoration wits, scandalous sensation novelists and medieval mystics.

Delving into the lives and work of eight pioneers – Julian of Norwich, Margery Kempe, Aemilia Lanyer, Anne Bradstreet, Aphra Behn, Mary Wortley Montagu, Jane Austen and Mary Elizabeth Braddon – Beer uncovers the struggles and triumphs of these gamechangers, ground-breakers and genre-makers.

‘Stories like this inspire me. Seeing the way people like Sola Mahfouz think about the world reinforces my optimism about the future.’ BILL GATES

At age eleven, Sola Mahfouz was told she could no longer attend school. The Taliban threatened that any girl who dared to continue their education would have acid thrown in their face, be kidnapped, or worse. Confined to the walls of her home, Sola watched as the few freedoms of childhood were stripped away. She was forbidden to play, to sing, even to laugh. Her early teenage years were consumed by restrictions.

Realising that she would have to either succumb to this life or find a way out, she decided on the latter. At age sixteen, without even a basic ability to add or subtract, she began secretly learning maths and English. By reading dictionaries and taking free online courses, she taught herself theoretical physics and philosophy, all from a home she could only leave five times a year. In the space of nine years she achieved the level of education that a westerner might take 25 years to do and against all odds moved to America to study quantum computing.

It is a radical act to tell the story of an Afghan woman. Too often, they are portrayed only as victims, their identities erased by thick veils and blanket reporting. Defiant Dreams will change the narrative. It’s the story of an Afghan girl who dared to ask for more.