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	<title>History of art &amp; design styles: c 1400 to c 1600 &#8211; The Bell Bookshop</title>
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		<title>How to be a Renaissance woman</title>
		<link>https://www.bellbookshop.co.uk/product/how-to-be-a-renaissance-woman/</link>
		
		<dc:creator><![CDATA[Emma]]></dc:creator>
		<pubDate>Thu, 03 Aug 2023 00:00:00 +0000</pubDate>
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					<description><![CDATA[Plunge into the intimate history of cosmetics, and discover how, for centuries, women have turned to make up as a rich source of creativity, community and resistance. The Renaissance was an era obsessed with appearances. And beauty culture from the time has left traces that give us a window into an overlooked realm of history - revealing everything from 16th-century women's body anxieties to their sophisticated botanical and chemical knowledge. 'How to be a Renaissance Woman' allows us to glimpse the world of the female artists, artisans and businesswomen carving out space for themselves, as well as those who gained power and influence in the cut-throat world of the court. In a vivid exploration into women's lives, Professor Jill Burke invites us to rediscover historical cosmetic recipes and unpack the origins of the beauty ideals that are still with us today.]]></description>
										<content:encoded><![CDATA[<p>*As heard on BBC Radio 4 Woman&#8217;s Hour**A BBC Radio 4 Book of the Week, October 2023*&#8217;A total eye-opener, I loved it&#8217; Nuala McGovern&#8217;Lively and intriguing &#8230; You&#8217;ll never look at Renaissance portraits in the same way&#8217; Maggie O&#8217;Farrell&#8217;Terrific &#8230; that rare thing, a serious history that is both accessible and entertaining&#8217; Literary ReviewPlunge into the intimate history of cosmetics, and discover how, for centuries, women have turned to make up as a rich source of creativity, community and resistanceThe Renaissance was an era obsessed with appearances. And beauty culture from the time has left traces that give us a window into an overlooked realm of history &#8211; revealing everything from sixteenth-century women&#8217;s body anxieties to their sophisticated botanical and chemical knowledge. How to be a Renaissance Woman allows us to glimpse the world of the female artists, artisans and businesswomen carving out space for themselves, as well as those who gained power and influence in the cut-throat world of the court. In a vivid exploration of women&#8217;s lives, Professor Jill Burke invites us to rediscover historical cosmetic recipes and unpack the origins of the beauty ideals that are still with us today.&#8217;Taking a fresh, women-led perspective, Burke highlights a rich tapestry of female experience that encompasses everyone from artisans to aristocrats &#8230; The everyday women mixing their own beauty products should rightly be considered chemists and botanists&#8217; The Times</p>
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		<title>Venice</title>
		<link>https://www.bellbookshop.co.uk/product/venice-6/</link>
		
		<dc:creator><![CDATA[Emma]]></dc:creator>
		<pubDate>Thu, 30 Jun 2022 00:00:00 +0000</pubDate>
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					<description><![CDATA[Nooteboom's love for Venice, this 'absurd combination of power, money, genius and great art', has been ongoing for more than fifty years. The first visit was in 1964, in the company of a young woman. Then, in 1982, he arrived on the Orient Express. Only on his tenth visit did he take a gondola ride. And in 2018 a violent storm cut off the only road and rail connection between the city and the rest of the world, ensuring that he stayed on much longer than planned. He has dived deep into the labyrinth and discovered his own lagoon city between the alleys, locked gates and countless canals. He is surrounded by the dead, and pays homage to the painters and writers who lived and worked there, to the palaces, bridges, painting and sculpture that give the city a kind of immortality.]]></description>
										<content:encoded><![CDATA[<p><b>&#8220;Witty and meditative by turns, the overall effect is like being shown around by a wonderfully self-effacing, but impressively erudite guide&#8221; <i>The Sunday Times BOOKS OF THE YEAR</i></b></p>
<p><b>&#8220;Nooteboom has achieved the impossible: to say something new about the ageless city about which everything has been said&#8221; ALBERTO MANGUEL</b></p>
<p><b>&#8220;The whole </b><b>book is the illuminating testimony </b><b>of a man who cannot look away </b><b>and so sees things that others, </b><b>even those with more specialist </b><b>knowledge, have missed</b><b>&#8221; GREGORY DOWLING, <i>Wall Street Journal</i></b></p>
<p><b>VENICE: &#8220;A dream of palaces and churches, of power and money, dominion and decline, a paradise of beauty.&#8221; By the author of <i>Roads to Santiago</i> and <i>Roads to Berlin</i></b></p>
<p>With this treasury of his time spent in Venice over a period of fifty-five years, Nooteboom makes himself the indispensable companion for all lovers of &#8220;the sailing, amphibious city&#8221;, and for every new visitor.</p>
<p>Because he is a master storyteller with an inexhaustible curiosity, and always with a suitcase of books (to which new discoveries are added), he brings vividly and poetically to life not only the tumultuous history of the Republic but along the way its doges, its villains, its heroes, its magnificent painters, its architects, its scholars, its skies, its canals and piazzas and alleyways, and on his expeditions its &#8220;bronze voices of time&#8221;.</p>
<p>Those who know and love this city and its literature will recognise Nooteboom &#8211; in Laura Watkinson&#8217;s fine translation &#8211; as the dazzling heir and companion to Montaigne, Thomas Mann, Rilke, Ruskin, Proust, Brodsky, and Donna Leon. His homage to Venice is a generous introduction, learned and enchanting, and worthy of its magnificent subject.</p>
<p><b>&#8220;His writing is lyrical and densely textured. He is a poet of time and memory&#8221; &#8211; COLIN THUBRON</b></p>
<p><b>Translated from the Dutch by Laura Watkinson</b></p>
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		<title>What the Ermine Saw</title>
		<link>https://www.bellbookshop.co.uk/product/what-the-ermine-saw/</link>
		
		<dc:creator><![CDATA[Emma]]></dc:creator>
		<pubDate>Tue, 12 Apr 2022 00:00:00 +0000</pubDate>
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					<description><![CDATA[In the tradition of The Lady in Gold and The Hare with Amber Eyes, the remarkable history behind one of the world's most beloved paintings, Leonardo da Vinci's Lady with an Ermine.]]></description>
										<content:encoded><![CDATA[<p>More than half a millennium ago, a young woman sat before a Grecian-nosed artist known as Leonardo da Vinci. Her name was Cecilia Gallerani, and she was the young mistress of Ludovico Sforza, duke of Milan. Her lover, a ruthless man, was aware that da Vinci&#8217;s brilliance as a painter would not only capture his mistress&#8217;s beauty but reflect his own political prowess. Indeed, with this beguiling painting-in which Gallerani holds a strange white ermine close to her breast-da Vinci revolutionized the genre, changing not just what a portrait looked like, but also its purpose. But despite the work&#8217;s importance in its own time, no records of it have been found for the two hundred and fifty years it went missing. Author Eden Collinsworth illuminates the eventual history of this unique masterpiece, as it journeyed from one owner to the next-from the brutal Milanese duke to an unconventional noblewoman to Nazi high command, instructed by Hitler that it be added to his private collection. Along the way, it witnessed some of history&#8217;s most immoral undertakings as well as some of its greatest advancements until it came to rest at the Czartoryski Musuem in Krakow, Poland where it is currently displayed. Expertly researched and deftly told, What the Ermine Saw is an enthralling account of Renaissance Italy and its actors, a comprehensive study of artistry and innovation, and a reminder that genius, power, and beauty always have a price.</p>
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		<title>Golden Thread</title>
		<link>https://www.bellbookshop.co.uk/product/golden-thread/</link>
		
		<dc:creator><![CDATA[Emma]]></dc:creator>
		<pubDate>Thu, 03 Oct 2019 00:00:00 +0000</pubDate>
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					<description><![CDATA[From the mummies of Ancient Egypt; via the silken dragon robes of Imperial China and the woollen sails of Viking longboats to the Indian calicoes and chintzes that powered the Industrial Revolution (and sparked more than one war); arriving finally at the lab-blended fibres that have allowed astronauts to moonwalk - fabrics, manmade and natural, have changed and shaped the world we live in. In 13 fascinating chapters, Kassia St Clair lays out an alternative history of civilisation and human creativity. Wittily written and compellingly argued, this title will change the way you see the world.]]></description>
										<content:encoded><![CDATA[<p><b>** A RADIO 4 BOOK OF THE WEEK **</b></p>
<p><b>&#8216;Fascinating . . . The history of the world through the eye of a needle . . . I recommend this book to anyone&#8217; </b>THE SPECTATOR<br />&#8216;<b>A charming, absorbing and history that takes us on a journey from the silk roads to sportswear, from ruffs to spacesuits . . . I devoured this quietly feminist book&#8217; </b>SUNDAY TIMES<br /><b>&#8216;Joyful and beautiful&#8217;</b> NATURE<br /><b><i>&#8216;</i>Will make you rethink your relationship with fabric&#8217; </b>ELLE DECORATION</p>
<p>All textiles begin with a twist. From colourful 30,000-year old threads found on the floor of a Georgian cave to what the <b>linen</b> wrappings of Tutankhamun&#8217;s mummy actually meant; from the <b>Silk</b> Roads to the <b>woollen</b> sails that helped the Vikings reach America 700 years before Columbus; from the <b>lace</b> ruffs that infuriated the puritans to the Indian <b>calicoes</b> and <b>chintzes</b> that powered the Industrial Revolution, our continuing reinvention of cloth tells fascinating stories of human ingenuity. </p>
<p>When we talk of lives hanging by a thread, being interwoven, or part of the social fabric, we are part of a tradition that stretches back many thousands of years. Fabric has allowed us to achieve extraordinary things and survive in unlikely places, and this book shows you how &#8212; and why.</p>
<p>With a cast that includes Chinese empresses, Richard the Lionheart and Bing Crosby, Kassia St Clair takes us on the run with escaped slaves, climbing the slopes of Everest and moonwalking with astronauts. Running like a bright line through history, <i>The Golden Thread </i>offers an unforgettable adventure through our past, present and future.</p>
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		<title>Illuminated Manuscripts</title>
		<link>https://www.bellbookshop.co.uk/product/illuminated-manuscripts/</link>
		
		<dc:creator><![CDATA[Emma]]></dc:creator>
		<pubDate>Thu, 21 Sep 2017 00:00:00 +0000</pubDate>
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					<description><![CDATA[Illuminated manuscripts are among the most beautiful, precious and mysterious works of Western art. Before the printing press was invented, books were produced by hand and their illustration using brightly coloured pigments and gold embellishments was a labour of love and an act of piety in itself. The results are stunning. The works emanating from the scriptoria of monasteries were mainly religious texts, including illuminated bibles, psalters, and works for private devotion known as books of hours. 'Illuminated Manuscripts' describes the origin and history of illumination in the Middle Ages, covering the artists and their techniques, and the patrons who commissioned them. It explains the subject matter found in medieval works, such as saints and Bible stories and the use of ornamental flourishes, and is illustrated with many fine examples of the genre.]]></description>
										<content:encoded><![CDATA[<p>Illuminated manuscripts are among the most beautiful, precious and mysterious works of Western art. Before the printing press was invented, books were produced by hand and their illustration using brightly coloured pigments and gold embellishments was a labour of love and an act of piety in itself. The results are stunning. The works emanating from the scriptoria of monasteries were mainly religious texts, including illuminated bibles, psalters, and works for private devotion known as books of hours. <i>Illuminated Manuscripts</i> describes the origin and history of illumination in the Middle Ages, covering the artists and their techniques, and the patrons who commissioned them. It explains the subject matter found in medieval works, such as saints and Bible stories and the use of ornamental flourishes, and is illustrated with many fine examples of the genre including the Lindisfarne Gospels and the Book of Kells.</p>
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