By the age of 14, I decided I would be a photographer. ‘It’s what I will do for the rest of my life, until I drop dead.’ I knew when I was very young. It was a definite decision. Don’t ask me why. I just knew it was the right thing.

When Martin Parr was fourteen, his teacher wrote that he was ‘utterly lazy and inattentive’ in a school report. He went on to become one of the most successful and sought-after photographers in the world. Martin has published over one hundred photobooks on many different subjects, from seaside resorts to smoking, over his career. Now, for the first and only time, Martin has produced a book about himself, telling his own story, in his own words.

This autobiography combines over 150 of Martin’s photographs – from his earliest snapshots to the work he is doing today – with his recollections and reflections on each image. We meet a boy growing up in suburbia, who collects obsessively and notices everything. We see him exploding into the public consciousness in the late eighties with a series of startling, ultra-saturated colour images of the British seaside – and scandalising the photography establishment in the process. We see society changing over the decades, from the demise of steam trains, through the opening of the first McDonald’s in Moscow, to the transformations of the post-pandemic world.

As Martin shares his story, his distinctive voice delicately captured by his friend, the writer Wendy Jones, he also reveals his approach to work and commissions; his tricks for gaining access and getting the shot; and he divulges his particular passions: for crowds and queues, fetes and placards, bad weather on beaches, and more.

This is the definitive account of a great photographer’s career, curating the work that has defined his life. By looking at the world through his eyes and his lens, we come away seeing Martin Parr – and ourselves – a little differently.

“Colquhoun has a very beguiling pen. . . To Irish landscapes she brings a painter’s eye, writing particularly   beautifully about skies, twilights, river valleys, sea-frayed coasts and the intensive atmosphere of remote places”   – Tatler

Into the world of 1950s Ireland-a lushly green, windswept landscape studded with holy wells and the decaying country houses of a vanished ruling class-arrives Ithell Colquhoun.

An occultist and a surrealist painter, Colquhoun’s travels around the island are guided by her artist’s eye and her feeling for the world beyond our own, as well as her spikily humorous view of the people she meets. We encounter faeries and pagan rituals, ruined churches and Celtic splendour, rowdy bohemians and Anglo-Irish landowners fallen on hard times, as the author carouses through Dublin and tramps the hills of Connemara in this classic travelogue.

Through her unique perceptions we discover a land that is fiercely alive and compelling. It is a place where the wind cries, the stones tell old tales and the mountains watch over the roads and those who travel on them. By intuiting the eerie magic of Ireland, Colquhoun casts her own spell. She offers up a land of myth and legend, stripped of its modern signs, at the same time offering herself to the reader in this portrait of the artist as a young woman.

Richly visual and full of sly wit, this is an account of Ireland as only Colquhoun could see it, a land where myth and magic meet wind and rain, and the song of the secret kingdom is heard on city streets.

‘What an incredibly beautiful book, it captured my heart and took me to places I know well, reacquainted me with those I haven’t visited for a while and fired my determination to visit many others. Armchair travel at its very best’ Lara Maiklem

A feast for the eyes and imagination. . . Quintin Lake has an unerring eye for the interesting, the witty and the beautiful. A book of stunning artistry, a remarkable adventuring achievement, and, in many ways, an invitation: to explore more, to understand more, to care more’ Mary-Ann Ochota, President @CPRE the Countryside Charity

Rediscover Britain in this vivid and intimate full-colour account of one man’s pilgrimage along its rugged shores

On Friday 17 April 2015, photographer Quintin Lake set off from the steps of St Paul’s Cathedral on a five-year journey that would take him around the entire coastline of mainland Britain. Armed with twenty kilos of hiking and photography gear, he walked 11,000 kilometres in 454 days with one goal in mind: to produce a body of photographic work that gets under the surface of the island nation that we call home.

Carefully curated with over 1,300 photos and interspersed with stories of Quintin’s adventures, this book is an immersive visual experience that showcases Britain as you’ve never seen it before. Discover charming seaside towns such as Staithes in Yorkshire, venture to the desert landscape of Dungeness in Kent and marvel at the beautiful desolation of Scotland’s Knoydart Peninsula. Explore the contrast between industry and nature along the Welsh coast path, where plumes of steam rising from the Port Talbot steelworks are as jaw-dropping as the stunning Worm’s Head on the Gower Peninsula. And follow Quintin as he narrates the monumental challenges of wild camping – from battling with midges and stress fractures, to clambering up cliffs to escape a rising tide. Filled with striking photos that capture the glorious and often surprising world between land and sea, The Perimeter is a celebration of Britain – a small island with a vast coastline

“She is sensitive to the ways of wind and water, the flowers and birds and trees”   – Country Life

In the midst of the 2nd World War, surrealist painter Ithell Colquhoun withdraws from London to Cornwall, searching for a studio and a refuge from the Blitz, as well as from a shattered marriage. So begins a profound and lifelong relationship with Britain’s westernmost county. It is a land of granite ridges and lush valleys, surrounded by sea and steeped in myth, where the ancient Celtic past makes contact with the present. There she finds a hut with no running water or electricity, and lovingly brings it to life, creating a haven for her creative pursuits, and slowly coming to think of these rivers, hills and caves, seen in every season, as her true home.

Drawn to the sacred and the beautiful, the wild and the weird, Colquhoun writes about Cornwall as a living landscape, where every tree, standing stone and holy well is a palimpsest of folklore – and perhaps a place where everyday reality connects to the world beyond. In prose as gorgeously dreamlike as it is sharply witty, this inimitable artist gives us a travelogue deeply attuned to natural rhythms, local atmosphere and the eerie beauty of a place that is as much legend as it is water and rock.

In this newly revised edition of her seminal work, Leibovitz addresses young photographers and readers interested in what photographers do, but any reader interested in contemporary history will be fascinated by her account of one of the richest bodies of work in the photographic canon.

The subjects include photojournalism, studio work, photographing dancers and athletes, working with writers, and making the transition from shooting with film to working with digital cameras.

Originally published in 2008 and then updated and reissued in 2018, this revised and updated edition brings Leibovitz’s bestselling book up to date, showcasing some of her most recent work.

The photographs discussed include:   portraits of the Rolling Stones, John Lennon and Yoko Ono, Meryl Streep, Keith Haring, Joan Didion, Mikhail Baryshnikov, Patti Smith, William S. Burroughs, Rihanna, Agnes Martin, HRH Queen Elizabeth II, and Barack Obama.

Henri Cartier-Bresson was the eye of the 20th century. His lens chronicled the decisive moments of his time – from Chinese communist victories to the Spanish Civil War and the Liberation of Paris. A co-founder of Magnum Photos, Cartier-Bresson produced unparalleled portraits of his contemporaries, capturing the spirit of Albert Camus, Jean-Paul Sartre and William Faulkner.

Cartier-Bresson took Pierre Assouline into his confidence over a number of years, detailing his youthful devotion to surrealism, lifelong passion for drawing, and experiences of war and prison camps. This sensitive biography emerges from a meeting of two minds, revealed with the same truth as one of Cartier Bresson’s photographs.

A summation of a spectacular career, this extensive Doisneau collection includes all his best-loved images from Paris alongside many lesser-known compositions which equally rejoice in “the ordinary gestures of ordinary people in ordinary situations.” The many quotations from the photographer throughout the volume immerse the reader in Doisneau’s thoughts and give verbal expression to the sensitivity, warmth, and wit which characterize his pictures.

Through the images, we are transported to the grim suburbs of Doisneau’s youth; the world of manual labor whose nobility he so admired; and to the studios of the many groundbreaking artists that Doisneau captured in moments of reflection and creativity. A number of color shots of the transformed suburbs of Doisneau’s childhood reveal a different, more critical eye to the master photographer.

For this new monograph on all aspects of the life and oeuvre of Robert Doisneau, his longtime friend and TASCHEN author Jean Claude Gautrand had unlimited access to the extensive photo archive Atelier Robert Doisneau. The preface is by Doisneau’s daughters Francine Deroudille and Annette Doisneau.