‘Rich and wonderful . . . This is the world as you’ve never seen it before’ Ian Mortimer

‘A joyful, erudite book . . . A global Middle Ages for our times’ Jerry Brotton
_____________________

A delightfully captivating journey across the medieval world, seen through the eyes of those who travelled across it

From the bustling bazaars of Tabriz, to the mysterious island of Caldihe, where sheep were said to grow on trees, Anthony Bale brings history alive in A Travel Guide to the Middle Ages, inviting the reader to travel across a medieval world punctuated with miraculous wonders and long-lost landmarks. Journeying alongside scholars, spies and saints, from western Europe to the Far East, the Antipodes, and the ends of the world, this is no ordinary travel guide, containing everything from profane pilgrim badges, Venetian laxatives and flying coffins to encounters with bandits and trysts with princesses.

Using previously untranslated contemporary accounts from as far and wide as Turkey, Iceland, Armenia, north Africa, and Russia, A Travel Guide to the Middle Ages is a living atlas that blurs the distinction between real and imagined places, offering the reader a vivid and unforgettable insight into how medieval people understood their world.
_____________________

‘Masterful, panoramic, beautifully written and vividly imagined . . . a book to be savoured’ Dr Helen Castor, author of Blood and Roses

‘An enthralling journey into the past and across the world . . . this book takes us to barely imaginable places – but the most remarkable thing we find may be ourselves’ Seb Falk, author of The Light Ages

Top 25 History Books of the Year, The Times – the perfect gift for book lovers this Christmas!

Every day a beloved father dies. Every day a lover departs. Every day a woman turns forty.

All three happening together brings a moment of reckoning.

Medieval historian Elizabeth Boyle made sense of these events the best way she knew how – by immersing herself in the literature that has been her first love and life’s work for over two decades.

Fierce Appetites is the exhilarating and deeply humane result. Not only does Elizabeth Boyle write dazzling accounts of ancient stories, familiar and obscure, from Ireland and further afield, but she uses her historical learning to grapple with the raw and urgent questions she faces, questions that have bedevilled people in every age. She writes on grief, addiction, family breakdown, the complexities of motherhood, love and sex, memory, class, education, travel (and staying put) with unflinching honesty, deep compassion and occasional dark humour.

Fierce Appetites is captivating and original – as an insight into the mind and heart of a groundbreaking scholar, and as a wise and reassuring account of what it is to be human.
_____________________

‘Wonderful . . . I laughed. I cried. I was blown away’ The Times

‘Pure nectar for the imagination’ Irish Examiner

‘Unusual, arresting and genuinely enriching’ Irish Times

‘I loved this luminous, radical book about bodies in time. It is a deeply personal history, that simultaneously brings medieval myth and poetry to breathing, bleeding life. An education for the mind and the heart’ Clare Pollard

‘Highly original . . . engagingly candid [and] thought-proviking’ Irish Independent

‘An eloquent plea for the value of curiosity and the life of the mind, standing up the robustness of scholarship against the frailty of individuals, the resilience of myth against brittle daily preoccupations. It’s an agile story, irreverent, capacious and constantly surprising: like nothing else you will read’ Hilary Mantel

‘Bracingly honest, fiery, funny, scholarly, Fierce Appetites really is a wildly good book’ Hilary Fannin

‘Extremely intriguing . . . I found myself completely absorbed’ Ryan Tubridy

‘I absolutely loved this utterly original book. Immersing myself in Elizabeth Boyle’s considerable brain was a true privilege, and the way she uses medieval narratives to unpick her own present was endlessly surprising and beautiful. I read it in two sittings, devouring her perspective on life, love, loss’ Clover Stroud

‘Fiercely smart, strange, surprising, unsettling, unflinching’ Jennifer O’Connell, Irish Times

‘An outstanding achievement. Fierce Appetites defies easy categorization, is brilliantly written and simply deserves to be read’ Darach Ó Séaghdha

‘Everything is illuminated, magnified, revisioned: sexual desire, motherhood, family. Her writing is unorthodox, unnerving, and very exciting’ Tanya Shadrick

————————————————————————————

Manuscripts teem with life.
They are not only the stuff of history and literature, but they offer some of the only tangible evidence we have of entire lives, long receded.

Hidden Hands tells the stories of the artisans, artists, scribes and readers, patrons and collectors who made and kept the beautiful, fragile objects that have survived the ravages of fire, water and deliberate destruction to form a picture of both English culture and the wider European culture of which it is part.

Without manuscripts, she shows, many historical figures would be lost to us, as well as those of lower social status, women and people of colour, their stories erased, and the remnants of their labours destroyed.

From the Cuthbert Bible, to works including those by the Beowulf poet, Margery Kempe, Julian of Norwich, Sir Thomas Malory, Chaucer, the Paston Letters and Shakespeare, Mary Wellesley describes the production and preservation of these priceless objects.

With an insistent emphasis on the early role of women as authors and artists and illustrated with over fifty colour plates, Hidden Hands is an important contribution to our understanding of literature and history.

‘Astounding’ Sebastian Barry

‘A masterpiece’ Ayad Akhtar

‘This little book is ruminative, humane, and gorgeously precise’
Jonathan Lethem

In this genre-defying book, best-selling memoirist and critic Daniel Mendelsohn explores the mysterious links between the randomness of the lives we lead and the artfulness of the stories we tell.

Combining memoir, biography, history, and literary criticism, Three Rings weaves together the stories of three exiled writers who turned to the classics of the past to create masterpieces of their own-works that pondered the nature of narrative itself.

Erich Auerbach, the Jewish philologist who fled Hitler’s Germany and wrote his classic study of Western literature, Mimesis, in Istanbul.

Francois Fenelon, the seventeenth-century French archbishop whose ingenious sequel to the Odyssey,The Adventures of Telemachus – a veiled critique of the Sun King and the best-selling book in Europe for one hundred years – resulted in his banishment.

And the German novelist W. G. Sebald, self-exiled to England, whose distinctively meandering narratives explore Odyssean themes of displacement, nostalgia, and separation from home.

Intertwined with these tales of exile and artistic crisis is an account of Mendelsohn’s struggles to write two of his own books-a family saga of the Holocaust and a memoir about reading the Odyssey with his elderly father-that are haunted by tales of oppression and wandering. As Three Rings moves to its startling conclusion, a climactic revelation about the way in which the lives of its three heroes were linked across borders, languages, and centuries forces the reader to reconsider the relationship between narrative and history, art and life.