‘Vivid, pacey and endlessly engaging, this brilliant debut brings the late Georgian period dazzlingly to life. Irresistible stuff’ TRACY BORMAN

London, 1772: a young artist called Thomas Rowlandson is making his way through the grimy backstreets of the capital, on his way to begin his studies at the Royal Academy Schools. Within a few years, James Gillray and Isaac Cruikshank would join him in Piccadilly, turning satire into an artform, taking on the British establishment, and forever changing the way we view power.

Set against a backdrop of royal madness, political intrigue, the birth of modern celebrity, French revolution, American independence and the Napoleonic Wars, UPROAR! follows the satirists as they lampoon those in power, from the Prince Regent to Georgiana, Duchess of Devonshire. Their prints and illustrations deconstruct the political and social landscape with surreal and razor-sharp wit, as the three men vie with each other to create the most iconic images of the day.

Alice Loxton’s writing fizzes with energy on every page, and never fails to convince us that Gillray and his gang profoundly altered British humour, setting the stage for everything from Gilbert and Sullivan to Private Eye and Spitting Image today. This is a book that will cause readers to reappraise everything they think they know about genteel Georgian London, and see it for what it was – a time of UPROAR!

This thoroughly researched and highly detailed account of one of history’s greatest human dramas looks first at the wider strategic picture before focusing on the tactical roles played by individual British units – all meticulously examined with the benefit of an extensive array of hitherto unexploited primary sources which reveal the battlefield experience of officers and soldiers as never before.

Refusing simply to repeat the same unchallenged accounts and to commit the same errors of previous historians, this work relies exclusively on hundreds of first-hand accounts, by men of all ranks and from practically every British regiment and corps present on that fateful day, to provide a fresh and revised perspective on one of the most pivotal events of modern times.

A revelatory portrait of Napoleon written for our own time, exploring his love of nature and the gardens that gave his revolutionary life its light and shade.

Napoleon’s gardens range from his childhood olive groves in Corsica, to Josephine’s menageries in Paris, to the walled garden of Hougoumont at the battle of Waterloo, and ultimately to St Helena, where he could sit and scan the sea in his final months.

In this innovative biography, Ruth Scurr follows the dramatic trajectory of Napoleon’s life through the land he cultivated and that offered him retreat from the manifold frustrations of war and politics. Seen through the eyes of those who knew him in the shade of his gardens, Napoleon emerges a giant figure made human – both as the Emperor hunting for glory and the man in an old straw hat, leaning on his spade.

‘Immensely satisfying and captivating… Charming and intelligent’ Andrew Roberts, TLS

‘Grippingly original’ The Times

‘A delight to read’ Daily Telegraph

* A Book of the Year in The Times, Sunday Times, Daily Telegraph, Financial Times, Sunday Telegraph and History Today *

Winner of a Society for Military History Distinguished Book Award 2022

A revelatory portrait of Napoleon to mark the 200th anniversary of his death, written for our own time, not in power politics or epic battles, but through his love of nature and the gardens that gave his revolutionary life its light and shade

Napoleon’s gardens range from his childhood olive groves in Corsica, to Josephine’s gardens and menageries in Paris, to gardens in Cairo, Rome and on Elba, to the walled garden of Hougoumont at the battle of Waterloo, and ultimately to Napoleon’s final garden on St Helena, where Chinese labourers built him a summerhouse where he could sit and scan the sea in his final months.

During the French Revolution ideas about nature – human nature, the natural world and exchanges between the two – were at the centre of fierce political debates and events. In this lively and perceptive cultural history, Napoleon is placed firmly in this context: he wanted to see himself as a patron of the sciences and progress, bringing an end to the Revolution and binding up its wounds. In fact he unleashed an era of destruction and war, causing millions of deaths across Europe.

In this innovative biography, as uniquely fitting its subject as Ruth Scurr’s applauded portraits of Robespierre and John Aubrey, Napoleon emerges a giant figure made human, seen through the eyes of those who knew him best – close witnesses, rich and poor, famed and obscure – in the shade of his gardens. The result is vivid, multidimensional and haunting, throwing us back in time, so that we see him before us, both as the Emperor hunting for glory and the man in an old straw hat, leaning on his spade.

‘An immensely satisfying and captivating book . . . charming and intelligent’ Andrew Roberts, Times Literary Supplement

Horatio Nelson’s celebrated victory over the French at the Battle of Trafalgar in 1805 presented Britain with an unprecedented command of the seas. Yet the Royal Navy’s role in the struggle against Napoleonic France was far from over. This groundbreaking book asserts that, contrary to the accepted notion that the Battle of Trafalgar essentially completed the Navy’s task, the war at sea actually intensified over the next decade, ceasing only with Napoleon’s final surrender.
 
In this dramatic account of naval contributions between 1803 and 1815, James Davey offers original and exciting insights into the Napoleonic wars and Britain’s maritime history. Encompassing Trafalgar, the Peninsular War, the War of 1812, the final campaign against Napoleon, and many lesser known but likewise crucial moments, the book sheds light on the experiences of individuals high and low, from admiral and captain to sailor and cabin boy. The cast of characters also includes others from across Britain-dockyard workers, politicians, civilians-who made fundamental contributions to the war effort, and in so doing, both saved the nation and shaped Britain’s history. ]]> https://www.bellbookshop.co.uk/product/in-these-times/ Thu, 18 Jun 2015 00:00:00 +0000 https://www.bellbookshop.co.uk/product/in-these-times/ Shortlisted for the Duff Cooper Prize
As the Napoleonic wars raged, what was life really like for those left at home? Award-winning social historian Jenny Uglow reveals the colourful and turbulent everyday life of Georgian Britain through the diaries, letters and records of farmers, bankers, aristocrats and mill-workers. Here, lost voices of ordinary people are combined with those of figures we know, from Austen and Byron to Turner and Constable. In These Times movingly tells the story of how people really lived in one of the most momentous and exciting periods in history.

‘A fabulous story, superbly told ? cannot be bettered’ Max Hastings

‘Some battles change nothing. Waterloo changed almost everything.’

On the 18th June 1815 the armies of France, Britain and Prussia descended upon a quiet valley south of Brussels. In the previous three days the French army had beaten the British at Quatre-Bras and the Prussians at Ligny. The Allies were in retreat.

The blood-soaked battle of Waterloo would become a landmark in European history, to be examined over and again, not least because until the evening of the 18th, the French army was close to prevailing on the battlefield.

Now, brought to life by the celebrated novelist Bernard Cornwell, this is the chronicle of the four days leading up to the actual battle and a thrilling hour-by-hour account of that fateful day.

In his first work of non-fiction, Cornwell combines his storytelling skills with a meticulously researched history to give a riveting account of every dramatic moment, from Napoleon’s escape from Elba to the smoke and gore of the battlefields. Through letters and diaries he also sheds new light on the private thoughts of Napoleon and the Duke of Wellington, as well as the ordinary officers and soldiers.

Published to coincide with the bicentenary in 2015, Waterloo is a tense and gripping story of heroism and tragedy – and of the final battle that determined the fate of Europe.